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Author: Jörg Später
Publisher: John Wiley & Sons
ISBN: 1509533036
Category : Philosophy
Languages : en
Pages : 600
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Book Description
Siegfried Kracauer was one of the most important German thinkers of the twentieth century. His writings on Weimar culture, mass society, photography and film were groundbreaking and they anticipated many of the themes later developed members of the Frankfurt School and other cultural theorists. No less remarkable were the circumstances under which he made these contributions. After his early years as a journalist in Germany, the rise of the Nazis forced Kracauer into exile – first in Paris and then, after a protracted flight via Marseilles and Lisbon, to the United States. The existential challenges, personal losses and unrelenting hardship Kracauer faced during these years of exile formed the backdrop against which he offered his acute observations of modern life. Jörg Später provides the first comprehensive biography of this extraordinary man. Based on extensive archival research, Später’s biography expertly traces the key influences on Kracauer’s intellectual development and presents his most important works and ideas with great clarity. At the same time, Später ably documents the intensity of Kracauer’s personal relationships, the trauma of his flight and exile, and his embrace of his new homeland, where, finally, the ‘groundlessness’ of refugee existence gave way to a more stable life and, with it, some of the intellectually most fruitful years of Kracauer’s career. The result is a vivid portrait of a man driven both by an urge to capture reality – to attend to the things that are ‘overlooked or misjudged’, that still ‘lack a name’, as he put it – and by a need to find his place in a hostile, threatening world.
Author: Jörg Später
Publisher: John Wiley & Sons
ISBN: 1509533036
Category : Philosophy
Languages : en
Pages : 600
Get Book
Book Description
Siegfried Kracauer was one of the most important German thinkers of the twentieth century. His writings on Weimar culture, mass society, photography and film were groundbreaking and they anticipated many of the themes later developed members of the Frankfurt School and other cultural theorists. No less remarkable were the circumstances under which he made these contributions. After his early years as a journalist in Germany, the rise of the Nazis forced Kracauer into exile – first in Paris and then, after a protracted flight via Marseilles and Lisbon, to the United States. The existential challenges, personal losses and unrelenting hardship Kracauer faced during these years of exile formed the backdrop against which he offered his acute observations of modern life. Jörg Später provides the first comprehensive biography of this extraordinary man. Based on extensive archival research, Später’s biography expertly traces the key influences on Kracauer’s intellectual development and presents his most important works and ideas with great clarity. At the same time, Später ably documents the intensity of Kracauer’s personal relationships, the trauma of his flight and exile, and his embrace of his new homeland, where, finally, the ‘groundlessness’ of refugee existence gave way to a more stable life and, with it, some of the intellectually most fruitful years of Kracauer’s career. The result is a vivid portrait of a man driven both by an urge to capture reality – to attend to the things that are ‘overlooked or misjudged’, that still ‘lack a name’, as he put it – and by a need to find his place in a hostile, threatening world.
Author: Siegfried Kracauer
Publisher:
ISBN: 9781958425732
Category :
Languages : en
Pages : 0
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Book Description
This significant study is certain to be the standard work on the subject for many years to come. It demonstrates once and for all that motion pictures differ radically from the traditional arts, and that good plays or novels rarely make good films. Dr. Kracauer is concerned with film as a photographic medium uniquely equipped to capture and reveal the everyday world as it exists before our eyes. "If film is an art," he writes, "it is an art with a difference. It fulfills itself in rendering 'the ripple of leaves, ' . . . street crowds, involuntary gestures, and other fleeting impressions." Dr. Kracauer covers every aspect of black-and-white film. He discusses its background in still photography, the problems inherent in historical and fantasy films, the novel as a cinematic form, experimental films, documentaries, the role of the actor, the uses of dialogue and sound, the contribution of music, and the part played by the spectator. The final chapter focuses on the wider implications of the medium. There Dr. Kracauer sets the cinema "in the perspective of something more general-an approach to the world, a mode of human existence," and thus shows how it reflects the condition of modern man, the moral temper of our society. Theory of Film is an intellectual experience which reaches far beyond film into the realm of general aesthetics and philosophy.
Author: Siegfried Kracauer
Publisher: Harvard University Press
ISBN: 9780674551633
Category : Family & Relationships
Languages : en
Pages : 420
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Book Description
The Mass Ornament today remains a refreshing tribute to popular culture, and its impressively interdisciplinary writings continue to shed light not only on Kracauer's later work but also on the ideas of the Frankfurt School, the genealogy of film theory and cultural studies, Weimar cultural politics, and, not least, the exigencies of intellectual exile.
Author: Gertrud Koch
Publisher: Princeton University Press
ISBN: 1400823641
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
Siegfried Kracauer has been misunderstood as a naïve realist, appreciated as an astute critic of early German film, and noticed as the interesting exile who exchanged letters with Erwin Panofsky. But he is most widely thought of as the odd uncle of famed Frankfurt School critical theorists Jürgen Habermas, Theodor Adorno, Walter Benjamin, and Max Horkheimer. Recently, however, scholars have rediscovered in Kracauer's writings a philosopher, sociologist, and film theorist important beyond his associations--and perhaps one of the most significant cultural critics of the twentieth century. Gertrud Koch advances this Kracauer renaissance with the first-ever critical assessment of his entire body of work. Koch's analysis, which is concise without sacrificing thoroughness or sophistication, covers both Kracauer's best-known publications (e.g., From Caligari to Hitler, in which he gleans the roots of National Socialism in the films of the Weimar Republic) and previously underexamined texts, including two newly discovered autobiographical novels. Because Kracauer's wide-ranging works emerge from no rigidly unified approach, instead always remaining open to unusual and highly individual perspectives, Koch resists the temptation to force generalization. She does, however, identify recurring tropes in Kracauer's lifetime effort to perceive the basic posture and composition of particular cultures through their visual surfaces. Koch also finds in Kracauer a surprisingly contemporary cultural commentator, whose ideas speak directly to current discussions on film, urban modernity, feminism, cultural representation, violence, and other themes. This book was long-awaited in Germany, as well as widely and well reviewed. Now translated into English for the first time, it will fuel already growing interest in the United States, where Kracauer lived and wrote from 1941 until his death in 1966. It will attract the attention of students and scholars working in Film Studies, German Studies, Comparative Literature, Critical Theory, Cultural Studies, Philosophy, and History.
Author: Siegfried Kracauer
Publisher: Princeton University Press
ISBN: 0691191344
Category : Performing Arts
Languages : en
Pages : 432
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Book Description
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
Author: Siegfried Kracauer
Publisher: Univ of California Press
ISBN: 0520952006
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
Siegfried Kracauer (1889–1966), friend and colleague of Walter Benjamin and Theodor Adorno, was one of the most influential film critics of the mid-twentieth century. In this book, Johannes von Moltke and Kristy Rawson have, for the first time assembled essays in cultural criticism, film, literature, and media theory that Kracauer wrote during the quarter century he spent in America after fleeing Nazi-occupied Europe. In the decades following his arrival in the United States, Kracauer commented on developments in American and European cinema, wrote on film noir and neorealism, examined unsettling political trends in mainstream cinema, and reviewed the contemporary experiments of avant-garde filmmakers. As a cultural critic, he also ranged far beyond cinema, intervening in debates regarding Jewish culture, unraveling national and racial stereotypes, and reflecting on the state of arts and humanities in the 1950s. These essays, together with the editors' introductions and an afterward by Martin Jay offer illuminating insights into the films and culture of the postwar years and provide a unique perspective on this eminent émigré intellectual.
Author: Miriam Hansen
Publisher: Univ of California Press
ISBN: 0520265599
Category : Art
Languages : en
Pages : 406
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Book Description
Kracauer. Film, medium of a disintegrating world. -- Curious Americanism. -- Benjamin. Actuality, antinomies. -- Aura: the appropriation of a concept. -- Mistaking the moon for a ball. -- Micky-maus. -- Room-for-play. -- Adorno. The question of film aesthetics. -- Kracauer in exile. Theory of film.
Author: Siegfried Kracauer
Publisher: Diaphanes
ISBN: 9783037346914
Category : Photography
Languages : en
Pages : 0
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Book Description
"This volume brings together for the first time all of Kracauer's essays on photography that he wrote between 1927 and 1933 as a journalist for the Frankfurter Zeitung, as well as an essay that appeared in the Magazine of Art after his exile in America"--Page 4 of cover
Author: Johannes von Moltke
Publisher: Univ of California Press
ISBN: 0520290941
Category : Performing Arts
Languages : en
Pages : 332
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Book Description
"Siegfried Kracauer is today considered one of the key thinkers of the twentieth century. During the Weimar Republic, he established himself as a trenchant theorist of film, culture, and modernity, now often ranked alongside his friends Walter Benjamin and Theodor W. Adorno. When he arrived in Manhattan aboard a crowded refugee ship in 1941, however, he was virtually unknown in the United States and had yet to write his best-known books, From Caligari to Hitler and Theory of Film. In this study, Johannes von Moltke details the intricate ways in which the American intellectual and political context shaped Kracauer's seminal contributions to film studies and shows how Kracauer's American writings helped shape the emergent discipline in turn. Through archival sources and detailed readings of Kracauer's work, von Moltke reconstructs what it means to consider Siegfried Kracauer as the New York Intellectual he became when he settled in Manhattan for the last quarter century of his life. Here, he found an institutional home at the MoMA film library, contributed to communications and propaganda research under the aegis of the Rockefeller Foundation, and published in the influential "little magazines" of the New York Intellectuals. Adopting a transatlantic perspective on Kracauer's work, von Moltke demonstrates how he pursued questions that animated contemporary critics from Adorno to Hannah Arendt, from Clement Greenberg to Robert Warshow: questions about the origins of totalitarianism and the authoritarian personality, about high and low culture, about liberalism, democracy, and what it means to be human. From these wide-flung conversations and debates, Kracauer's own voice emerges as that of an incisive cultural critic invested in a humanist understanding of the cinema."--Provided by publisher.
Author: Siegfried Kracauer
Publisher: Verso
ISBN: 9781859841877
Category : Business & Economics
Languages : en
Pages : 132
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Book Description
First published in 1930 this analysis of Germany's emerging salaried class reveals how, in a very short period, the masses embraced Nazism. They eschewed the old society that previously sought pleasure in a range of social distractions.
