A Companion to British-Jewish Theatre Since the 1950s PDF Download
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Author: Jeanette R. Malkin
Publisher: Bloomsbury Publishing
ISBN: 1350135984
Category : Drama
Languages : en
Pages : 273
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Book Description
The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first generation of writers that now forms the core of post-war British drama (including Tom Stoppard, Harold Pinter and Arnold Wesker) and moving on to significant thematic force-fields and faultlines such as the Holocaust, antisemitism and Israel/Palestine. The book also covers the new generation of British-Jewish playwrights, with a special emphasis on the contribution of women writers and the role of particular theatres in the development of British-Jewish theatre, as well as TV drama. Included in the book are fascinating interviews with a set of significant theatre practitioners working today, including Ryan Craig, Patrick Marber, John Nathan, Julia Pascal and Nicholas Hytner. The companion addresses, not only aesthetic and ideological concerns, but also recent transformations with regard to institutional contexts and frameworks of cultural policies.
Author: Jeanette R. Malkin
Publisher: Bloomsbury Publishing
ISBN: 1350135984
Category : Drama
Languages : en
Pages : 273
Get Book Here
Book Description
The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first generation of writers that now forms the core of post-war British drama (including Tom Stoppard, Harold Pinter and Arnold Wesker) and moving on to significant thematic force-fields and faultlines such as the Holocaust, antisemitism and Israel/Palestine. The book also covers the new generation of British-Jewish playwrights, with a special emphasis on the contribution of women writers and the role of particular theatres in the development of British-Jewish theatre, as well as TV drama. Included in the book are fascinating interviews with a set of significant theatre practitioners working today, including Ryan Craig, Patrick Marber, John Nathan, Julia Pascal and Nicholas Hytner. The companion addresses, not only aesthetic and ideological concerns, but also recent transformations with regard to institutional contexts and frameworks of cultural policies.
Author: Bernard Kops
Publisher: Bloomsbury Publishing
ISBN: 1783194715
Category : Drama
Languages : en
Pages : 248
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Book Description
The Dream of Peter Mann was first produced at the Edinburgh Lyceum in 1960 and is a bold exploration of what it is to live in a world threatened by nuclear annihilation. In Enter Solly Gold, an irreverent and much lighter work, Kops' protagonist fleeces a family of vulgar snobs, reducing them to penury but also introducing them to an enjoyment of life. Who Shall I Be Tomorrow? was a hit at the Greenwich Theatre in 1982 with Joanna Lumley as the frighteningly deluded woman trying to flee her own reality by building herself a world of daydreams.
Author: William W. Demastes
Publisher: Bloomsbury Publishing USA
ISBN: 1567507433
Category : Literary Criticism
Languages : en
Pages : 515
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Book Description
The year 1956 marked a point when British drama and theater fell into the hands of a group of young playwrights who revolutionized the stage. During that time, playwrights such as Samuel Beckett and Harold Pinter made the British theater as rich, varied, and vital as any national theater in history. This reference chronicles the history of British theater from 1956 to 1995 by providing detailed information about the playwrights of that period. Included are entries for some three dozen British playwrights active between 1956 and 1995. Entries are arranged alphabetically to facilitate use. Each entry supplies biographical information, the production history for particular plays, a survey of the playwright's critical reception, an assessment of the dramatist's work, and primary and secondary bibliographies. A selected, general bibliography at the end of the volume directs the reader to important sources of additional information about this period in theater history.
Author: Bill Reed
Publisher: Reed Independent
ISBN: 0648175634
Category :
Languages : en
Pages : 424
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Book Description
In a volume containing 14 original plays – including three shadow-play adaptions of Gogol, Morton and Runyon classics – the author resurrects a sadly neglected theatre genre – the shadow play combining traditional shadow techniques with normal acting to create ‘full-bodied’ mainstream plays. These plays do not use shadow puppetry-type techniques that need people contorting themselves, however wonderfully, to form shapes, but rather normal acting prowess together and usual props of mainstream theatre with the new back-lighting technologies. The result is plays which are realistic and yet overlain with the imaginative fantasies that figure theatre can bring… in a fallow area lying between mime and conventional stage plays… a rediscovered form of a modern staging that crosses between live and shadow effect, whether in workshopping for all ages and group-size or for professional productions. Shadow plays comprise the theatre landscape for live actors re-skilled to jump from behind-the-screen one-dimensional acting to front-of-the-screen three-dimensional acting at any moment of the play. They allow a new and exciting way of presenting the combination of the real and the surreal in ways that offer broadened audience and student experiences, under the master-of-storytelling of a shadow teller together with the master-of-pacing of a mobile light spotter.
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 326
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Book Description
Author: Michael Dobson
Publisher: Cambridge Scholars Publishing
ISBN: 1443878707
Category : Art
Languages : en
Pages : 195
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Book Description
Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?
Author: John Russell Taylor
Publisher: Routledge
ISBN: 1317917057
Category : Drama
Languages : en
Pages : 313
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Book Description
When it was first published in 1962, Anger and After was the first comprehensive study of the dramatic movement which began in 1956 with the staging of John Osborne’s Look Back in Anger and has since brought forward such dramatists as Brendan Behan, Harold Pinter, N. F. Simpson, John Arden and Arnold Wesker. Thoroughly revised in 1969, this book remains important reading for theatre students in need of a comprehensive and authoritative guide to post-Osborne drama in Britain.
Author: Jerry Roberts
Publisher: Scarecrow Press
ISBN: 0810863782
Category : Performing Arts
Languages : en
Pages : 863
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Book Description
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 736
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Book Description
The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).
Author: Pamela Dear
Publisher: Contemporary Authors New Revis
ISBN: 9780787630942
Category : Biography & Autobiography
Languages : en
Pages : 476
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Book Description
In response to the escalating need for up-to-date information on writers, Contemporary Authors® New Revision Series brings researchers the most recent data on the world's most-popular authors. These exciting and unique author profiles are essential to your holdings because sketches are entirely revised and up-to-date, and completely replace the original Contemporary Authors® entries. For your convenience, a soft-cover cumulative index is sent biannually.
