Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Kodakery
Author: Kodakery
Author: Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 180
Book Description
The Valiant Knights of Daguerre
Author: Sadakichi HartmannPublisher: Univ of California Press
ISBN: 9780520033566
Category : Biography & Autobiography
Languages : en
Pages : 390
Book Description
"From 1898 until shortly after World War I, Hartmann rampaged through the photographic world, first as Alfred Stieglitz's iconoclastic hatchetman of the Photo-Secession movement, later as an unruly rebel sniping away at his mentor under the pseudonym of Caliban. One of the most prolific photographic critics of all time, Hartmann discovered many of our greatest photographers, championed photography as an art form, and sparked endless controversies about the medium." -- page [2] of cover.
Kodaks and Kodak Supplies, 1914
Author: Canadian Kodak CompanyPublisher: DigiCat
ISBN:
Category : Photography
Languages : en
Pages : 78
Book Description
DigiCat Publishing presents to you this special edition of "Kodaks and Kodak Supplies, 1914" by Canadian Kodak Company. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Kodakery
Author: Witch of Kodakery
Author: Carole GlauberPublisher:
ISBN:
Category : Art
Languages : en
Pages : 160
Book Description
The Witch of Kodakery is the ground-breaking biography of Myra Albert Wiggins, the successful early 20th-century Oregon photographic artist with connections to Alfred Stieglitz and the Photo-Secession. Myra Wiggins (1869-1956) embodied the ideal of the "new woman" - independent, energetic, and ambitious - as depicted by the Eastman Kodak Company's "Kodak Girl" and promoted as "The Witchery of Kodakery". In Witch of Kodakery, biographer Carole Glauber resurrects Wiggins' pioneering role with a provocative text and fine examples of the artist's work, particularly from Wiggins' most prolific years, 1889 to the early 1910s. Also included is a foreword by Terry Toedtemeier, curator of photography at the Portland Art Museum.
Popular Photography
Author: Frank Roy FrapriePublisher:
ISBN:
Category : Photography
Languages : en
Pages : 432
Book Description
George Eastman
Author: Elizabeth BrayerPublisher: University Rochester Press
ISBN: 9781580462471
Category : Biography & Autobiography
Languages : en
Pages : 710
Book Description
George Eastman transformed the world of photography. In this revealing and informative biography, Elizabeth Brayer draws a vivid portrait of this enigmatic and complex man.
Modern Manors
Author: Sanford M. JacobyPublisher: Princeton University Press
ISBN: 9781400822393
Category : Business & Economics
Languages : en
Pages : 360
Book Description
In light of recent trends of corporate downsizing and debates over corporate responsibility, Sanford Jacoby offers a timely, comprehensive history of twentieth-century welfare capitalism, that is, the history of nonunion corporations that looked after the economic security of employees. Building on three fascinating case studies of "modern manors" (Eastman Kodak, Sears, and TRW), Jacoby argues that welfare capitalism did not expire during the Depression, as traditionally thought. Rather it adapted to the challenges of the 1930s and became a powerful, though overlooked, factor in the history of the welfare state, the labor movement, and the corporation. "Fringe" benefits, new forms of employee participation, and sophisticated anti-union policies are just some of the outgrowths of welfare capitalism that provided a model for contemporary employers seeking to create productive nonunion workplaces. Although employer paternalism has faltered in recent years, many Americans still look to corporations, rather than to unions or government, to meet their needs. Jacoby explains why there remains widespread support for the notion that corporations should be the keystone of economic security in American society and offers a perspective on recent business trends. Based on extensive research, Modern Manors greatly advances the study of corporate and union power in the twentieth century.
Kodak and the Lens of Nostalgia
Author: Nancy Martha WestPublisher: University of Virginia Press
ISBN: 9780813919591
Category : Business & Economics
Languages : en
Pages : 284
Book Description
The advertising campaigns launched by Kodak in the early years of snapshot photography stand at the center of a shift in American domestic life that goes deeper than technological innovations in cameras and film. Before the advent of Kodak advertising in 1888, writes Nancy Martha West, Americans were much more willing to allow sorrow into the space of the domestic photograph, as evidenced by the popularity of postmortem photography in the mid-nineteenth century. Through the taking of snapshots, Kodak taught Americans to see their experiences as objects of nostalgia, to arrange their lives in such a way that painful or unpleasant aspects were systematically erased. West looks at a wide assortment of Kodak's most popular inventions and marketing strategies, including the "Kodak Girl," the momentous invention of the Brownie camera in 1900, the "Story Campaign" during World War I, and even the Vanity Kodak Ensemble, a camera introduced in 1926 that came fully equipped with lipstick. At the beginning of its campaign, Kodak advertising primarily sold the fun of taking pictures. Ads from this period celebrate the sheer pleasure of snapshot photography--the delight of handling a diminutive camera, of not worrying about developing and printing, of capturing subjects in candid moments. But after 1900, a crucial shift began to take place in the company's marketing strategy. The preservation of domestic memories became Kodak's most important mission. With the introduction of the Brownie camera at the turn of the century, the importance of home began to replace leisure activity as the subject of ads, and at the end of World War I, Americans seemed desperately to need photographs to confirm familial unity. By 1932, Kodak had become so intoxicated with the power of its own marketing that it came up with the most bizarre idea of all, the "Death Campaign." Initiated but never published, this campaign based on pictures of dead loved ones brought Kodak advertising full circle. Having launched one of the most successful campaigns in advertising history, the company did not seem to notice that selling a painful subject might be more difficult than selling momentary pleasure or nostalgia. Enhanced with over 50 reproductions of the ads themselves, 16 of them in color, Kodak and the Lens of Nostalgia vividly illustrates the fundamental changes in American culture and the function of memory in the formative years of the twentieth century.
