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Author: Steven Rouland
Publisher: Schiffer Publishing
ISBN: 9780764322105
Category : Furniture
Languages : en
Pages : 0
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Book Description
Furniture produced by the daring Knoll Furniture Company of New York between 1938 and 1960 are identified, cataloged, and shown in over 270 illustrations. Original furniture designs by such important and influential artists as Eero Saarinen, Harry Bertoia, Isamu Noguchi, George Nakashima, Jens Risom, and Ralph Rapson, among others, are presented along with a useful identification chart, index, and price guide.
Author: Steven Rouland
Publisher: Schiffer Publishing
ISBN: 9780764322105
Category : Furniture
Languages : en
Pages : 0
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Book Description
Furniture produced by the daring Knoll Furniture Company of New York between 1938 and 1960 are identified, cataloged, and shown in over 270 illustrations. Original furniture designs by such important and influential artists as Eero Saarinen, Harry Bertoia, Isamu Noguchi, George Nakashima, Jens Risom, and Ralph Rapson, among others, are presented along with a useful identification chart, index, and price guide.
Author: Nancy Schiffer
Publisher: Schiffer Publishing
ISBN: 9780764323959
Category : Architecture
Languages : en
Pages : 0
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Book Description
Visually exciting, comprehensive in content, this gorgeous book documents modern furniture sold and produced by Knoll from 1938 to 2005, from its roots at the Bauhaus, to New York City, through Knoll International. It showcases over 560 beautiful color and black and white photographs of dynamic and practical seating, tables, beds, desks, cabinets, and accessories by many leading architects and furniture designers. Descriptions include the designer, years of design and/or manufacture, materials, and dimensions.
Author: Ana Araujo
Publisher: Chronicle Books
ISBN: 1648960243
Category : Design
Languages : en
Pages : 204
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Book Description
Florence Knoll (1917–2019) was a leading force of modern design. She worked from 1945 to 1965 at Knoll Associates, first as business partner with her husband Hans Knoll, later as president after his death, and, finally, as design director. Her commissions became hallmarks of the modern era, including the Barcelona Chair by Mies van der Rohe, the Diamond Chair by Harry Bertoia, and the Platner Collection by Warren Platner. She created classics like the Parallel Bar Collection, still in production today. Knoll invented the visual language of the modern office through her groundbreaking interiors and the creation of the acclaimed "Knoll look," which remains a standard for interior design today. She reinvigorated the International Style through humanizing textiles, lighting, and accessories. Although Knoll's motto was "no compromise, ever," as a woman in a white, upper-middle-class, male-dominated environment, she often had to make accommodations to gain respect from her colleagues, clients, and collaborators. No Compromise looks at Knoll's extraordinary career in close-up, from her student days to her professional accomplishments.
Author: Earl James Martin
Publisher: Yale University Press
ISBN: 9780300170696
Category : Design
Languages : en
Pages : 432
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Book Description
Issued in connection with an exhibition held May 18, 2011-July 31, 2011, Bard Graduate Center, New York.
Author: Sekou Cooke
Publisher: Bloomsbury Publishing
ISBN: 1350116173
Category : Architecture
Languages : en
Pages : 288
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Book Description
“This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This book is not for conformists-Black, White, or other.” As architecture grapples with its own racist legacy, Hip-Hop Architecture outlines a powerful new manifesto-the voice of the underrepresented, marginalized, and voiceless within the discipline. Exploring the production of spaces, buildings, and urban environments that embody the creative energies in hip-hop, it is a newly expanding design philosophy which sees architecture as a distinct part of hip-hop's cultural expression, and which uses hip-hop as a lens through which to provoke new architectural ideas. Examining the present and the future of Hip-Hop Architecture, the book also explores its historical antecedents and its theory, placing it in a wider context both within architecture and within Black and African American movements. Throughout, the work is illustrated with inspirational case studies of architectural projects and creative practices, and interspersed with interludes and interviews with key architects, designers, and academics in the field. This is a vital and provocative work that will appeal to architects, designers, students, theorists, and anyone interested in a fresh view of architecture, design, race and culture. Includes Foreword by Michael Eric Dyson.
Author: Herman Miller, Inc
Publisher: Schiffer Book for Collectors
ISBN: 9780764304408
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Furniture and accessories of modern American designs made by Herman Miller company. Hundreds of photos with an introduction by super-designer George Nelson, this exact reprint of the profusely illustrated 1955/56 Herman Miller Collection provides information on construction, materials, colors, finishes, designer biographies, and an extensive original price list. Price Guide for the collectors.
Author: Eric Larrabee
Publisher: Harry N Abrams Incorporated
ISBN: 9780810912205
Category : Furniture design
Languages : en
Pages : 319
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Book Description
Author: Jonathan Olivares
Publisher: Phaidon Press
ISBN: 9780714861036
Category : Design
Languages : en
Pages : 0
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Book Description
An exhaustively researched visual history of the office chair.
Author: Bernd Polster
Publisher: TeNeues
ISBN: 9783961711796
Category : Design
Languages : en
Pages : 0
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Book Description
When the Thomas Mann House in Los Angeles was recently bought by the Federal Republic of Germany and transformed into a representative 'transatlantic meeting place', it was Walter Knoll furnishings that defined its interior design and showcased German creativity and economic-cultural performance. Based in Herrenberg, near Stuttgart, the more than 150-year-old business is one of the most successful furniture companies of the modern era and a global leader in the high end furnishings segment. Walter Knoll's impressively long history dates back to Wilhelm Knoll, the founding father of the Knoll dynasty, who first set up a leather shop in Stuttgart in 1865. Knoll rose from being a cobbler to the court purveyor to the House of Württemberg. When his sons, Willy and Walter, took over the company in 1907, they began producing seating - introducing the first club armchair to Germany and becoming the industry's first exporter. Their advances marked a revolution in upholstered furniture. After founding his own company in the 1920s, Walter Knoll was a breakout sensation in the avant-garde interior design world with a landmark exhibition at the Weissenhof Estate in Stuttgart, under the direction of Mies van der Rohe, in 1927. His son Hans Knoll went to the U.S. in the 1930s and founded his own company, Knoll Inc., which re-wrote design history. In 1993, Markus Benz, the son of Rolf Benz, joined the Knoll ranks, continuing the successful cooperation with internationally-renowned architects and designers.
Author: Fredie Floré
Publisher: Taylor & Francis
ISBN: 1317020472
Category : Architecture
Languages : en
Pages : 250
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Book Description
In many different parts of the world modern furniture elements have served as material expressions of power in the post-war era. They were often meant to express an international and in some respects apolitical modern language, but when placed in a sensitive setting or a meaningful architectural context, they were highly capable of negotiating or manipulating ideological messages. The agency of modern furniture was often less overt than that of political slogans or statements, but as the chapters in this book reveal, it had the potential of becoming a persuasive and malleable ally in very diverse politically charged arenas, including embassies, governmental ministries, showrooms, exhibitions, design schools, libraries, museums and even prisons. This collection of chapters examines the consolidating as well as the disrupting force of modern furniture in the global context between 1945 and the mid-1970s. The volume shows that key to understanding this phenomenon is the study of the national as well as transnational systems through which it was launched, promoted and received. While some chapters squarely focus on individual furniture elements as vehicles communicating political and social meaning, others consider the role of furniture within potent sites that demand careful negotiation, whether between governments, cultures, or buyer and seller. In doing so, the book explicitly engages different scholarly fields: design history, history of interior architecture, architectural history, cultural history, diplomatic and political history, postcolonial studies, tourism studies, material culture studies, furniture history, and heritage and preservation studies. Taken together, the narratives and case studies compiled in this volume offer a better understanding of the political agency of post-war modern furniture in its original historical context. At the same time, they will enrich current debates on reuse, relocation or reproduction of some of these elements.
