Dictionary of Terms in Music / Wörterbuch Musik PDF Download
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Author: Horst Leuchtmann
Publisher: Walter de Gruyter
ISBN: 3111505731
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Author: Horst Leuchtmann
Publisher: Walter de Gruyter
ISBN: 3111505731
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Author: GK Hall
Publisher: G. K. Hall
ISBN: 9780783897196
Category : Music
Languages : en
Pages : 598
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Book Description
The holdings of the Music Division of the New York Public Library cover virtually all musical subjects; its scores represent a broad spectrum of musical style and history.
Author: Felix Mendelssohn-Bartholdy
Publisher:
ISBN:
Category : Piano music
Languages : de
Pages : 14
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Book Description
Author: Franco Vittadini
Publisher:
ISBN:
Category : Operas
Languages : it
Pages : 100
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Book Description
Author: Riccardo Pick-Mangiagalli
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 32
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Book Description
Author: Sebastian Hensel
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
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Book Description
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1760
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Book Description
Author: Katharine Adams
Publisher:
ISBN:
Category : Songs (High voice) with piano
Languages : en
Pages : 6
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Book Description
Author: Henry Augustine Smith
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 472
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Book Description
Author: Klaus Kropfinger
Publisher: Cambridge University Press
ISBN: 9780521342018
Category : Biography & Autobiography
Languages : en
Pages : 308
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Book Description
This book analyzes the lifelong impact of Beethoven's music on Wagner and its importance for his conception of music drama. Kropfinger charts and scrutinizes Wagner's early responses to the composer and considers his experience as a conductor of Beethoven's music. A discussion of the Romantic "Beethoven image" leads to a careful study of Wagner's aesthetic writings, including his "programmatic explanations," the text "Concerning Franz Liszt's symphonic poems," and his Beethoven centenary essay. The penultimate chapter addresses Wagner's theory and practice of music drama, which he came to regard as the preordained successor to the Beethoven symphony. By analyzing special terms--such as "Leitmotiv"--Wagner's structural view of musical drama comes to the fore; it is a view that deepens not only our understanding of musical drama as a "hybrid" genre of art but also of purely musical structure and forms that Wagner sought to outdo.
