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Author: Aaron Gerow
Publisher: Bloomsbury Publishing
ISBN: 1838716637
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano's films from Violent Cop to Takeshis, the author relates the director to issues of contemporary cinema, Japanese national identity, and globalism.
Author: Aaron Gerow
Publisher: Bloomsbury Publishing
ISBN: 1838716637
Category : Performing Arts
Languages : en
Pages : 272
Get Book Here
Book Description
Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano's films from Violent Cop to Takeshis, the author relates the director to issues of contemporary cinema, Japanese national identity, and globalism.
Author:
Publisher:
ISBN: 9781885030290
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
Called "the world's most original action auteur" by the Village Voice, world-renowned Japanese filmmaker Takeshi Kitano is an enormously popular figure in his own country, not only for his films but for his legendary alter ego, comedian Beat Takeshi. The U.S. release this summer of his latest film, Kikujiro -- an official selection at Cannes 1999 -- will add to the recognition he gained here with Fireworks two years ago, and expose an even larger audience to the stylish noir aesthetic previously lauded by such directors as Martin Scorcese and Quentin Tarantino. Kitano's films have won awards at the Venice and Cannes film festivals, but despite his impact on contemporary cinema, Beat Takeshi vs. Takeshi Kitano is the first English language book to be published on his work. This collection of essays by Casio Abe, one of Japan's preeminent cultural critics, examines both Kitano's films and his Beat Takeshi persona, offering an incisive and revelatory critique of the Japanese consumer culture which Kitano's films and comedy both draw on and play against. Beat Takeshi vs. Takeshi Kitano is the first book in Kaya's Wicked Radiance series, which examines the work of the new wave of Asian filmmakers who are reshaping contemporary cinema.
Author: Sean Redmond
Publisher: Columbia University Press
ISBN: 0231163339
Category : Performing Arts
Languages : en
Pages : 130
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Book Description
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan’s finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano’s oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano’s films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).
Author: Aaron Gerow
Publisher: Bloomsbury Publishing
ISBN: 1838716629
Category : Biography & Autobiography
Languages : en
Pages : 363
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Book Description
Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano's films from Violent Cop to Takeshis, the author relates the director to issues of contemporary cinema, Japanese national identity, and globalism.
Author: Bīto Takeshi
Publisher: Fondation Cartier
ISBN:
Category : Art, Japanese
Languages : fr
Pages : 268
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Book Description
Mainly known as a TV personality and film producer, this is Takeshi Bito's first art project. His idea is that art does not need to be serious and that those coming to see his installations should relax enjoy them, and become participants. He sees art as an evolving process with no fixed ideas and likes to twist conventions.
Author: Kashō Abe
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 310
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Book Description
The first volume in Kaya's series examining the work of a new wave of Asian filmmakers who are reshaping contemporary cinema Called "the world's most original action auteur" by the Village Voice, Takeshi Kitano is already legendary in Japan, where he is known both for his inventive films and for his legendarily caustic alter ego, comedian Beat Takeshi. In the United States, his stylishly noir aesthetic has both influenced and been admired by such directors as Martin Scorcese and Quentin Tarantino. His emotionally intense yet lyrical films have won him worldwide acclaim and honors, including the Grand Prix for Hanabi [Fireworks] at the Venice Film Festival. Now, the long-awaited Beat Takeshi vs. Takeshi Kitano offers a collection of essays on the internationally acclaimed film director by Casio Abe. Despite his impact on contemporary cinema, very little critical work on Kitano's films exists in the United States. Abe's book, originally published in Japan, combines a detailed look at Kitano's filmography with an incisive critique of the consumerist culture which Kitano's films play against. It is also purportedly Kitano's favorite book on his own work. This translation of Abe's writings on Kitano has been updated with articles that discuss Kitano's most recent releases, up to and including Dolls (2002), as well as extensive appendices and footnotes. Abe is one of Japan's preeminent cultural critics, and his book gives a rare and insightful look into the workings of one of the largest media cultures in the world. This will be the first book devoted exclusively to Kitano's work to be published in the United States. Beat Takeshi vs. Takeshi Kitano is the first volume in Kaya's Wicked Radiance series, which examines the work of a new wave of Asian filmmakers who are reshaping contemporary cinema.
Author: Aaron Andrew Gerow
Publisher: Univ of California Press
ISBN: 0520256727
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
In this study, Aaron Gerow focuses on the early period in which the institutional and narrational structure of Japanese cinema was in flux, arguing that the transnational intertext is less important than the power-laden operations by which the meaning of cinema itself was discursively defined. Both progressive critics of the 'pure film' movement and the more conservative Japanese cultural bureaucrats demanded a unitary text that suppressed the hybrid and unpredictable meanings attendant on early Japanese cinema's informal exhibition contexts. Gerow points out the irony that the progressive and individualist pure film movement critics worked in concert with the Japanese state to undo the 'theft' of Japanese cinema, proposing to replace representations of Japan in Western films by exporting a Japanese cinema 'reformed' to emulate the international norm.
Author: Mitchell Takeshi Maki
Publisher: University of Illinois Press
ISBN: 9780252067648
Category : Japanese Americans
Languages : en
Pages : 348
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Book Description
The Redress Movement refers to efforts to obtain the restitution of civil rights, an apology, and/or monetary compensation from the U.S. government during the six decades that followed the World War II mass removal and confinement of Japanese Americans. Early campaigns emphasized the violation of constitutional rights, lost property, and the repeal of anti-Japanese legislation. 1960s activists linked the wartime detention camps to contemporary racist and colonial policies. In the late 1970s three organizations pursued redress in court and in Congress, culminating in the passage of the Civil Liberties Act of 1988, providing a national apology and individual payments of $20,000 to surviving detainees.
Author: Mark Schilling
Publisher: Shambhala Publications
ISBN: 0834804158
Category : Performing Arts
Languages : en
Pages : 401
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Book Description
This comprehensive look at Japanese cinema in the 1990s includes nearly four hundred reviews of individual films and a dozen interviews and profiles of leading directors and producers. Interpretive essays provide an overview of some of the key issues and themes of the decade, and provide background and context for the treatment of individual films and artists. In Mark Schilling's view, Japanese film is presently in a period of creative ferment, with a lively independent sector challenging the conventions of the industry mainstream. Younger filmmakers are rejecting the stale formulas that have long characterized major studio releases, reaching out to new influences from other media—television, comics, music videos, and even computer games—and from both the West and other Asian cultures. In the process they are creating fresh and exciting films that range from the meditative to the manic, offering hope that Japanese film will not only survive but thrive as it enters the new millennium.
Author: Ishle Yi Park
Publisher:
ISBN:
Category : Korean Americans
Languages : en
Pages : 140
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Book Description
"The author samples the climates of New York and Korea to present an unflinching, meticulously detailed view of lives cracked open as much by love as they are by overwork, violence, and racism. Sharp street wit and sensual attention to detail give vivid, palpable form to the lovers and criminals, mothers and gangsters who live behind the closed doors of New York immigrant life. Within each poem lives a story; within each story lies a whole community waiting to be uncovered. Whether tracing the path of prisoners meeting girlfriends or Korean comfort women or .44s shot from rooftops in Brooklyn, Park's passion and uncompromising honesty lays bare the ruined heart of a city still pulsing with light"--Back cover.
