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Author: James Aulich
Publisher: Manchester University Press
ISBN: 9780719055263
Category : Art
Languages : en
Pages : 278
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Book Description
Kataj is a major figure on the post-war international art scene. His retrospective at the Tate in 1994 generated argument and discussion. In over 30 years as a successful artist, he has explored the relationship between the visual and the poetic, taken references from high literature and popular culture, represented heroic figures and struggled to develop an iconography of post-Holocaust Jewish identity.
Author: James Aulich
Publisher: Manchester University Press
ISBN: 9780719055263
Category : Art
Languages : en
Pages : 278
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Book Description
Kataj is a major figure on the post-war international art scene. His retrospective at the Tate in 1994 generated argument and discussion. In over 30 years as a successful artist, he has explored the relationship between the visual and the poetic, taken references from high literature and popular culture, represented heroic figures and struggled to develop an iconography of post-Holocaust Jewish identity.
Author: Jennifer Ramkalawon
Publisher: Harry N. Abrams
ISBN: 9781468312775
Category : Art
Languages : en
Pages : 0
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Book Description
The definitive collection of the artist's graphic works in a beautifully produced volume.
Author: R. B. Kitaj
Publisher: Schirmer Mosel
ISBN: 9783829608138
Category : Artists
Languages : en
Pages : 0
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Book Description
R.B. Kitaj (1932-2007) is one of the most intriguing 20th century artists. Kitaj left behind a manuscript unmatched among 20th-century artist autobiographies -- Confessions of an Old Jewish Painter. Eloquently describing his vices and sufferings, it stands in the traditions of both St. Augustine and Thomas de Quincey.
Author: R. B. Kitaj
Publisher: Thames & Hudson
ISBN: 9780500275436
Category : Drawing
Languages : en
Pages : 128
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Book Description
An artist declares his credo on art and life
Author: Ann M. Feldman
Publisher: State University of New York Press
ISBN: 0791478661
Category : Education
Languages : en
Pages : 238
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Book Description
Challenging more limited approaches to service learning, this book examines writing instruction in the context of universities fully engaged in community partnerships.
Author: Aaron Rosen
Publisher: Routledge
ISBN: 1351563203
Category : Foreign Language Study
Languages : en
Pages : 141
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Book Description
Short-listed for the Art and Christian Enquiry/Mercers' International Book Award 2009: 'a book which makes an outstanding contribution to the dialogue between religious faith and the visual arts'. What does modern Jewish art look like? Where many scholars, critics, and curators have gone searching for the essence of Jewish art in Biblical illustrations and other traditional subjects, Rosen sets out to discover Jewishness in unlikely places. How, he asks, have modern Jewish painters explored their Jewish identity using an artistic past which is- by and large - non-Jewish? In this new book we encounter some of the great works of Western art history through Jewish eyes. We see Matthias Grunewald's Isenheim Altarpiece re-imagined by Marc Chagall (1887-1985), traces of Paolo Uccello and Piero della Francesca in Philip Guston (1913-1980), and images by Diego Velazquez and Paul Cezanne studiously reworked by R.B. Kitaj (1932-2007). This highly comparative study draws on theological, philosophical and literary sources from Franz Rosenzweig to Franz Kafka and Philip Roth. Rosen deepens our understanding not only of Chagall, Guston, and Kitaj but also of how art might serve as a key resource for rethinking such fundamental Jewish concepts as family, tradition, and homeland.
Author: Stephen C. Feinstein
Publisher: Syracuse University Press
ISBN: 9780815630838
Category : History
Languages : en
Pages : 392
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Book Description
Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. As it analyzes a cross section of Holocaust art within the context of art history, Absence / Presence addresses the discussion head on and explores the interchange between media and horror. The book's contributors include case studies from a broad spectrum of artists in North America, Europe, and Israel to examine some of the more dominant themes in these artists' work. In addition to standard readings of Holocaust art, the essays help illuminate the issues of eugenics; the importance of art for Hitler and the Nazis; the immense pilfering of art that occurred during World War II; and the length and degree of the destruction of European Jewry, which forced artists to reinvent their work through their own fate. This selection of essays also provides alternative views to more typical readings on the Holocaust, specifically, to the story of the Shoah as a relevant art subject, and to those "who ha[ve] a right to create art about the Holocaust." These issues were the subject of an intense international debate based on an exhibition at New York's Jewish Museum titled Mirroring Evil. The retrospective brought to art a series of contemporary perspectives that represented both the outer edges as well as mainstream postmodern thinking concerning representations of the Holocaust. This book, which covers the art from the late I 980s through 2002, includes the work of an array of scholars, curators, and artists from many co11nlries. It will be of great interest to art historians, Jewish scholars, and anyone interested in learning more about the art and artists of the Holocaust.
Author: Marco Livingstone
Publisher: Phaidon
ISBN:
Category : Art
Languages : en
Pages : 228
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Book Description
Rev. ed. of: R.B. Kitaj. Rev. & expanded pbk. ed. 1992.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 188
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Book Description
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
Author: Kathryn Brown
Publisher: Bloomsbury Publishing
ISBN: 1350258717
Category : Art
Languages : en
Pages : 299
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Book Description
Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices. The first in-depth examination of this major artist's impact on contemporary art, this book explores how contemporary practitioners have used Degas's creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class. Individual chapters are devoted to dialogues between Degas's art and works produced by Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren. Through close analyses of selected paintings, drawings, prints and sculptures, Kathryn Brown explores how Degas's technical and compositional experiments have been extended or challenged in innovative ways. By experimenting with the materials and methods of existing works, contemporary artists generate visual palimpsests that make new demands of the viewer and prompt a reconsideration of ideas that have informed histories of 19th-century French art. The book overturns familiar conceptions of influence by eschewing a genealogical approach and prioritizing, instead, the analysis of non-linear encounters between artworks. This encourages a new conception of the agency of visual artefacts and of the conversations they are capable of entertaining with each other. While this study sheds new light on Degas's art and that of his interlocutors, it also has methodological significance for the writing of art history.
