Author: Brander Matthews
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 328
Book Description
Kean and Booth; and their contemporaries
Author: Brander Matthews
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 328
Book Description
Edwin Booth and His Contemporaries
Author: Brander Matthews
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 370
Book Description
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 370
Book Description
Players and Plays of the Last Quarter Century: The theatre of yesterday
Author: Lewis Clinton Strang
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 402
Book Description
Cataloging
Author: Esther Crawford
Publisher:
ISBN:
Category : Cataloging
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Cataloging
Languages : en
Pages : 56
Book Description
Players and Plays of the Last Quarter Century: The theatre of today
Author: Lewis Clinton Strang
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 410
Book Description
My Thoughts Be Bloody
Author: Nora Titone
Publisher: Simon and Schuster
ISBN: 1416586164
Category : History
Languages : en
Pages : 498
Book Description
Historian Nora Titone takes a fresh look at the strange and startling history of the Booth brothers, answering the question of why one became the nineteenth-century’s brightest, most beloved star, and the other became the most notorious assassin in American history. The scene of John Wilkes Booth shooting Abraham Lincoln in Ford’s Theatre is among the most vivid and indelible images in American history. The literal story of what happened on April 14, 1865, is familiar: Lincoln was killed by John Wilkes Booth, a lunatic enraged by the Union victory and the prospect of black citizenship. Yet who Booth really was—besides a killer—is less well known. The magnitude of his crime has obscured for generations a startling personal story that was integral to his motivation. My Thoughts Be Bloody, a sweeping family saga, revives an extraordinary figure whose name has been missing, until now, from the story of President Lincoln’s death. Edwin Booth, John Wilkes’s older brother by four years, was in his day the biggest star of the American stage. Without an account of Edwin Booth, author Nora Titone argues, the real story of Lincoln’s assassin has never been told. Using an array of private letters, diaries, and reminiscences of the Booth family, Titone has uncovered a hidden history that reveals the reasons why John Wilkes Booth became this country’s most notorious assassin. The details of the conspiracy to kill Lincoln have been well documented elsewhere. My Thoughts Be Bloody tells a new story, one that explains for the first time why Lincoln’s assassin decided to conspire against the president in the first place, and sets that decision in the context of a bitterly divided family—and nation. By the end of this riveting journey, readers will see Abraham Lincoln’s death less as the result of the war between the North and South and more as the climax of a dark struggle between two brothers who never wore the uniform of soldiers, except on stage.
Publisher: Simon and Schuster
ISBN: 1416586164
Category : History
Languages : en
Pages : 498
Book Description
Historian Nora Titone takes a fresh look at the strange and startling history of the Booth brothers, answering the question of why one became the nineteenth-century’s brightest, most beloved star, and the other became the most notorious assassin in American history. The scene of John Wilkes Booth shooting Abraham Lincoln in Ford’s Theatre is among the most vivid and indelible images in American history. The literal story of what happened on April 14, 1865, is familiar: Lincoln was killed by John Wilkes Booth, a lunatic enraged by the Union victory and the prospect of black citizenship. Yet who Booth really was—besides a killer—is less well known. The magnitude of his crime has obscured for generations a startling personal story that was integral to his motivation. My Thoughts Be Bloody, a sweeping family saga, revives an extraordinary figure whose name has been missing, until now, from the story of President Lincoln’s death. Edwin Booth, John Wilkes’s older brother by four years, was in his day the biggest star of the American stage. Without an account of Edwin Booth, author Nora Titone argues, the real story of Lincoln’s assassin has never been told. Using an array of private letters, diaries, and reminiscences of the Booth family, Titone has uncovered a hidden history that reveals the reasons why John Wilkes Booth became this country’s most notorious assassin. The details of the conspiracy to kill Lincoln have been well documented elsewhere. My Thoughts Be Bloody tells a new story, one that explains for the first time why Lincoln’s assassin decided to conspire against the president in the first place, and sets that decision in the context of a bitterly divided family—and nation. By the end of this riveting journey, readers will see Abraham Lincoln’s death less as the result of the war between the North and South and more as the climax of a dark struggle between two brothers who never wore the uniform of soldiers, except on stage.
Players and Plays of the Last Quarter Century
Author: Lewis Clinton Strang
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 404
Book Description
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 404
Book Description
Bulletin
Author: Cincinnati (Ohio), Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
Famous Actresses of the Day in America
Author: Lewis Clinton Strang
Publisher:
ISBN:
Category : Actresses
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Actresses
Languages : en
Pages : 408
Book Description
Bloody Tyrants and Little Pickles
Author: Marlis Schweitzer
Publisher: University of Iowa Press
ISBN: 1609387368
Category : Performing Arts
Languages : en
Pages : 300
Book Description
Bloody Tyrants and Little Pickles traces the theatrical repertoire of a small group of white Anglo-American actresses as they reshaped the meanings of girlhood in Britain, North America, and the British West Indies during the first half of the nineteenth century. It is a study of the possibilities and the problems girl performers presented as they adopted the manners and clothing of boys, entered spaces intended for adults, and assumed characters written for men. It asks why masculine roles like Young Norval, Richard III, Little Pickle, and Shylock came to seem “normal” and “natural” for young white girls to play, and it considers how playwrights, managers, critics, and audiences sought to contain or fix the at-times dangerous plasticity they exhibited both on and off the stage. Schweitzer analyzes the formation of a distinct repertoire for girls in the first half of the nineteenth century, which delighted in precocity and playfulness and offered up a model of girlhood that was similarly joyful and fluid. This evolving repertoire reflected shifting perspectives on girls’ place within Anglo-American society, including where and how they should behave, and which girls had the right to appear at all.
Publisher: University of Iowa Press
ISBN: 1609387368
Category : Performing Arts
Languages : en
Pages : 300
Book Description
Bloody Tyrants and Little Pickles traces the theatrical repertoire of a small group of white Anglo-American actresses as they reshaped the meanings of girlhood in Britain, North America, and the British West Indies during the first half of the nineteenth century. It is a study of the possibilities and the problems girl performers presented as they adopted the manners and clothing of boys, entered spaces intended for adults, and assumed characters written for men. It asks why masculine roles like Young Norval, Richard III, Little Pickle, and Shylock came to seem “normal” and “natural” for young white girls to play, and it considers how playwrights, managers, critics, and audiences sought to contain or fix the at-times dangerous plasticity they exhibited both on and off the stage. Schweitzer analyzes the formation of a distinct repertoire for girls in the first half of the nineteenth century, which delighted in precocity and playfulness and offered up a model of girlhood that was similarly joyful and fluid. This evolving repertoire reflected shifting perspectives on girls’ place within Anglo-American society, including where and how they should behave, and which girls had the right to appear at all.