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Author: Franziska Aigner
Publisher: Bloomsbury Publishing
ISBN: 1350299057
Category : Technology & Engineering
Languages : en
Pages : 281
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Book Description
Martin Heidegger, Gilbert Simondon, and Bernard Stiegler each argued in their own way that, ever since its inception in ancient Greece, western philosophy is incapable of thinking technics, which reaches its clearest expression in the philosophy of Immanuel Kant. According to Heidegger, Kant articulated the essence of modern technics as enframing (Gestell) without understanding the nature of his own insight, while Simondon claimed that transcendental philosophy is structurally incapable of thinking technics as its answer to the question of technics either comes too early (a priori) or too later (a posteriori). Stiegler synthesized both positions in his claim that Kant was incapable of acknowledging the technical constitution of his own consciousness. All three thinkers thus argue, in one way or another, that Kant was essentially incapable of seeing, understanding, let alone thinking, technics. The intention of this book is two-fold. On the one hand, it argues that, despite Heidegger, Simondon, and Stiegler's inability of recognizing it, there is an explicit concept of technics at work in Kant's philosophy. This technics is however not a technics that was overlooked by Heidegger, Simondon, and Stiegler. Instead, this book shows that, from the Critique of Pure Reason (1780) until the posthumously published Opus Postumum (1796-1803), transcendental philosophy is at once constituted against, while at the same time relying upon, and proceeding from technics. On the other hand, this book engages with the broader relation between philosophy and technics. If there is indeed such a thing as a Kantian thought on technics, then Kant can no longer be considered philosophy's most prominent 'techno-oblivious' thinker. The question about the relation between Kant and technics is thus nothing less than a question about the relation between philosophy and technics as a whole.
Author: Franziska Aigner
Publisher: Bloomsbury Publishing
ISBN: 1350299057
Category : Technology & Engineering
Languages : en
Pages : 281
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Book Description
Martin Heidegger, Gilbert Simondon, and Bernard Stiegler each argued in their own way that, ever since its inception in ancient Greece, western philosophy is incapable of thinking technics, which reaches its clearest expression in the philosophy of Immanuel Kant. According to Heidegger, Kant articulated the essence of modern technics as enframing (Gestell) without understanding the nature of his own insight, while Simondon claimed that transcendental philosophy is structurally incapable of thinking technics as its answer to the question of technics either comes too early (a priori) or too later (a posteriori). Stiegler synthesized both positions in his claim that Kant was incapable of acknowledging the technical constitution of his own consciousness. All three thinkers thus argue, in one way or another, that Kant was essentially incapable of seeing, understanding, let alone thinking, technics. The intention of this book is two-fold. On the one hand, it argues that, despite Heidegger, Simondon, and Stiegler's inability of recognizing it, there is an explicit concept of technics at work in Kant's philosophy. This technics is however not a technics that was overlooked by Heidegger, Simondon, and Stiegler. Instead, this book shows that, from the Critique of Pure Reason (1780) until the posthumously published Opus Postumum (1796-1803), transcendental philosophy is at once constituted against, while at the same time relying upon, and proceeding from technics. On the other hand, this book engages with the broader relation between philosophy and technics. If there is indeed such a thing as a Kantian thought on technics, then Kant can no longer be considered philosophy's most prominent 'techno-oblivious' thinker. The question about the relation between Kant and technics is thus nothing less than a question about the relation between philosophy and technics as a whole.
Author: Franziska Aigner
Publisher:
ISBN: 1350299030
Category : Philosophy
Languages : en
Pages : 0
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Book Description
Martin Heidegger, Gilbert Simondon, and Bernard Stiegler each argued in their own way that, ever since its inception in ancient Greece, western philosophy is incapable of thinking technics, which reaches its clearest expression in the philosophy of Immanuel Kant. According to Heidegger, Kant articulated the essence of modern technics as enframing (Gestell) without understanding the nature of his own insight, while Simondon claimed that transcendental philosophy is structurally incapable of thinking technics as its answer to the question of technics either comes too early (a priori) or too later (a posteriori). Stiegler synthesized both positions in his claim that Kant was incapable of acknowledging the technical constitution of his own consciousness. All three thinkers thus argue, in one way or another, that Kant was essentially incapable of seeing, understanding, let alone thinking, technics. The intention of this book is two-fold. On the one hand, it argues that, despite Heidegger, Simondon, and Stiegler's inability of recognizing it, there is an explicit concept of technics at work in Kant's philosophy. This technics is however not a technics that was overlooked by Heidegger, Simondon, and Stiegler. Instead, this book shows that, from the Critique of Pure Reason (1780) until the posthumously published Opus Postumum (1796-1803), transcendental philosophy is at once constituted against, while at the same time relying upon, and proceeding from technics. On the other hand, this book engages the broader relation between philosophy and technics. If there is indeed such a thing as a Kantian thought on technics, then Kant can no longer play the role of philosophy's most prominent 'techno-oblivious' thinker, and the question regarding the relation between philosophy and technics as a whole needs to be re-opened. At stake in the restricted question about the relation between Kant and technics lies thus nothing less, than the question of the relation between philosophy and technics as a whole.
Author: Christina Howells
Publisher: Edinburgh University Press
ISBN: 0748677046
Category : Philosophy
Languages : en
Pages : 248
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Book Description
These 17 essays covers all aspects of Bernard Stiegler's work, from poststructuralism, anthropology and psychoanalysis to his work on the politics of memory, 'libidinal economy', technoscience and aesthetics, keeping a focus on his key theory of technics throughout. Stiegler brings together key concepts from Plato, Freud, Derrida and Simondon to argue that the human is 'invented' through technics rather than a product of purely biological evolution. Stiegler is a thinker at the forefront of our contemporary concerns with consumerism, technology, inter-generational division, political apathy and economic crisis. His ambitious project is to go beyond these sources of social distress to uncover and examine precisely 'what makes life worth living'. Contributors include: Stephen Barker, University of California Irvine and translator of Steigler; Richard Beardsworth, American University of Paris and translator of Stiegler; Miguel de Beistegui; University of Warwick; Marc Crepon, Ecole normale superieure and co-founder of Stiegler's think tank, Ars Industrialis and Daniel Ross, co-director of 'The Ister', the award-winning film on Heidegger, and translator of Stiegler.
Author: Aloisia Moser
Publisher: Springer Nature
ISBN: 303077550X
Category : Philosophy
Languages : en
Pages : 165
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Book Description
This book explores the idea that there is a certain performativity of thought connecting Kant’s Critique of Pure Reason and Wittgenstein’s Tractatus Logico-Philosophicus. On this view, we make judgments and use propositions because we presuppose that our thinking is about something, and that our propositions have sense. Kant’s requirement of an a priori connection between intuitions and concepts is akin to Wittgenstein’s idea of the general propositional form as sharing a form with the world. Aloisia Moser argues that Kant speaks about acts of the mind, not about static categories. Furthermore, she elucidates the Tractatus’ logical form as a projection method that turns into a so-called ‘zero method’, whereby propositions are merely the scaffolding of the world. In so doing, Moser connects Kantian reflective judgment to Wittgensteinian rule-following. She thereby presents an account of performativity centering neither on theories nor methods, but on the application enacting them in the first place.
Author: Bernard Stiegler
Publisher: Stanford University Press
ISBN: 0804799369
Category : Philosophy
Languages : en
Pages : 276
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Book Description
In the first two volumes of Technics and Time, Bernard Stiegler worked carefully through Heidegger's and Husserl's relationship to technics and technology. Here, in volume three, he turns his attention to the prolematic relationship to technics he finds in Kant's Critique of Pure Reason, particularly in the two versions of the Transcendental Deduction. Stiegler relates this problematic to the "cinematic nature" of time, which precedes cinema itself but reaches an apotheosis in it as the exteriorization process of schema, through tertiary retentions and their mechanisms. The book focuses on the relationship between these themes and the "culture industry"— as defined by Adorno and Horkheimer—that has supplanted the educational institutions on which genuine cultural participation depends. This displacement, Stiegler says, has produced a malaise from which current global culture suffers. The result is potentially catastrophic.
Author: A. Toscano
Publisher: Springer
ISBN: 0230514197
Category : Philosophy
Languages : en
Pages : 262
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Book Description
This book provides a historical analysis of the philosophical problem of individuation, and a new trajectory in its treatment. Drawing on the work of Gilles Deleuze, C.S. Peirce and Gilbert Simondon, the problem of individuation is taken into the realm of modernity. This is a vibrant contribution to contemporary debates in European philosophy.
Author: Antonino Pennisi
Publisher: Springer Nature
ISBN: 3030220907
Category : Language Arts & Disciplines
Languages : en
Pages : 346
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Book Description
This edited volume focuses on the hypothesis that performativity is not a property confined to certain specific human skills, or to certain specific acts of language, nor an accidental enrichment due to creative intelligence. Instead, the executive and motor component of cognitive behavior should be considered an intrinsic part of the physiological functioning of the mind, and as endowed with self-generative power. Performativity, in this theoretical context, can be defined as a constituent component of cognitive processes. The material action allowing us to interact with reality is both the means by which the subject knows the surrounding world and one through which he experiments with the possibilities of his body. This proposal is rooted in models now widely accepted in the philosophy of mind and language; in fact, it focuses on a space of awareness that is not in the individual, or outside it, but is determined by the species-specific ways in which the body acts on the world. This theoretical hypothesis will be pursued through the latest interdisciplinary methodology typical of cognitive science, that coincide with the five sections in which the book is organized: Embodied, enactivist, philosophical approaches; Aesthetics approaches; Naturalistic and evolutionary approaches; Neuroscientific approaches; Linguistics approaches. This book is intended for: linguists, philosophers, psychologists, cognitive scientists, scholars of art and aesthetics, performing artists, researchers in embodied cognition, especially enactivists and students of the extended mind.
Author: Bernard Stiegler
Publisher: Stanford University Press
ISBN: 0804762724
Category : Psychology
Languages : en
Pages : 263
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Book Description
The book presents a powerful reminder of adults' responsibility for the development of long-term attention (and thus of maturity) in children, particularly in the face of the techniques of attention-destruction practiced by the programming industries.
Author: Zeynep Çelik Alexander
Publisher: U of Minnesota Press
ISBN: 1452960607
Category : Architecture
Languages : en
Pages : 364
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Book Description
Leading scholars historicize and theorize technology’s role in architectural design Although the question of technics pervades the contemporary discipline of architecture, there are few critical analyses on the topic. Design Technics fills this gap, arguing that the technical dimension of design has often been flattened into the broader celebratory rhetoric of innovation. Bringing together leading scholars in architectural and design history, the volume’s contributors situate these tools on a broader epistemological and chronological canvas. The essays here construct histories—some panoramic and others unfolding around a specific episode—of seven techniques regularly used by the designer in the architectural studio today: rendering, modeling, scanning, equipping, specifying, positioning, and repeating. Starting with observations about the epistemological changes that have unfolded in the discipline in recent decades but seeking to offer a more expansive meaning for technics, the volume casts new light on concepts such as form, experience, and image that have played central roles in historical architectural discourses. Among the questions addressed: How was the concept of form immanent in practices of scanning since the late nineteenth century? What was the historical relationship between rendering and experience in Enlightenment discourses? How did practices of specifying reconfigure the distinction between intellectual and manual labor? What kind of rationality is inherent in the designer’s constant clicking of the mouse in front of her screen? In addressing these and other questions, this engaging and timely collection thereby proposes technics as a site for historical and philosophical reflection not only for those engaged in architectural design but also for any scholar working in the humanities today. Contributors: Lucia Allais, Edward Eigen, Orit Halpern, John Harwood, Matthew C. Hunter, and Michael Osman.
Author: Roberto Alonso Trillo
Publisher: CRC Press
ISBN: 1003819370
Category : Art
Languages : en
Pages : 517
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Book Description
Is artificial intelligence (AI) becoming more and more expressive, or is human thought adopting more and more structures from computation? What does it mean to perform oneself through AI, or to construct one’s subjectivity through AI? How does AI continue to complicate what it means to have a body? Has the golden age of AI, especially with regards to creative applications, already ended? Choreomata: Performance and Performativity after AI is a book about performance and performativity, but more specifically, it is a book about the performance of artificiality and the performance of intelligence. Both humans and human-designed computational forces are thoroughly engaged in an entangled, mutual performance of AI. Choreomata spins up a latticework of interdisciplinary thought, pairing theoretical inquiry from philosophy, information theory, and computer science with practical case studies from visual art, dance, music, and social theory. Through cross-disciplinary proportions and a diverse roster of contributors, this book contains insights for computer scientists, social scientists, industry professionals, artists, and beyond.
