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Author: Hans Konrad Röthel
Publisher: Sotheby's
ISBN: 9780856671494
Category :
Languages : en
Pages : 1118
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Book Description
Author: Hans Konrad Röthel
Publisher: Sotheby's
ISBN: 9780856671494
Category :
Languages : en
Pages : 1118
Get Book Here
Book Description
Author: Hans K. Roethel
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 568
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Book Description
Arranged chronologically, this volume spans from 1916 to the artist's death in 1944. It includes over 575 entries, 536 of which were entered by Kandinsky in his own Handlists. An illustration is included in this volume for every entry (with one exception).
Author: Christopher Short
Publisher: Peter Lang
ISBN: 9783039113996
Category : Art
Languages : en
Pages : 286
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Book Description
Kandinsky's theory of art has usually been treated as little more than a guide to help our understanding of his paintings. In contrast, this book attends primarily to the artist's writings on art; thus his art theory is treated on its own terms. Drawing on the diverse literature that has been written on Kandinsky's art and theory, the author demonstrates that while many different perspectives on his work have been identified, none holds the 'key' to that work. Instead, the book shows Kandinsky's method in his writings to be highly eclectic, resulting in an exciting and challenging variety of content (a description that also applies, as a postscript to the book shows, to his method in painting). Kandinsky, however, transcended this diversity and consistently sought evidence of the unity of all things: something that would be realised through his understanding of the term 'synthesis'. The book follows Kandinsky's fascinating attempts to establish synthesis (not only in art but also in other disciplines including science, mathematics, law and politics) in his key theoretical publications: On the Spiritual in Art (1911) and Point and Line to Plane (1926). The result is a new and innovative understanding of both Kandinsky's art theory and his art.
Author: Hans K. Roethel
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 568
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Book Description
Arranged chronologically, this volume spans from 1916 to the artist's death in 1944. It includes over 575 entries, 536 of which were entered by Kandinsky in his own Handlists. An illustration is included in this volume for every entry (with one exception).
Author: Vivian Endicott Barnett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 618
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Book Description
Volume Two
Author: Wassily Kandinsky
Publisher:
ISBN:
Category : Art, Abstract
Languages : en
Pages : 284
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Book Description
Author: Heusser
Publisher: BRILL
ISBN: 9004648275
Category : Art
Languages : en
Pages : 356
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Book Description
ISBN 9042001909 (paperback) NLG 45.00 From the contents: On representation in concrete and semiotic poetry (Claus Cluever). - L'image pensee (Aron Kibedi Varga).- Seeing and believing in the early Middle Ages: a preliminary investigation (Giselle de Nie).- Visual literature and semiotic conventions (Eric Vos).- The assertion of heterodoxy in Kyoden's verbal-visual texts (Fumiko Togasaki).
Author: Hans Konrad Röthel
Publisher: Sotheby's
ISBN:
Category : Art
Languages : en
Pages : 584
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Book Description
Author: Vivian Endicott Barnett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 564
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Book Description
Volume One
Author: OliverA.I. Botar
Publisher: Routledge
ISBN: 1351573721
Category : Art
Languages : en
Pages : 318
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Book Description
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
