Kandinsky: 1916-44 V. 2 PDF Download
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Author: Hans K. Roethel
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 568
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Book Description
Arranged chronologically, this volume spans from 1916 to the artist's death in 1944. It includes over 575 entries, 536 of which were entered by Kandinsky in his own Handlists. An illustration is included in this volume for every entry (with one exception).
Author: Hans K. Roethel
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 568
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Book Description
Arranged chronologically, this volume spans from 1916 to the artist's death in 1944. It includes over 575 entries, 536 of which were entered by Kandinsky in his own Handlists. An illustration is included in this volume for every entry (with one exception).
Author: Neil A. Weiss
Publisher: Yale University Press
ISBN: 0300056478
Category : Art
Languages : en
Pages : 321
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Book Description
Vasilii Kandinsky, whom many consider to be the father of abstract painting, was also a trained ethnographer with an abiding interest in the folklore of Old Russia. In this provocative book, Peg Weiss provides an entirely new interpretation of Kandinsky's art by examining for the first time how this commitment to his ethnic Russian heritage influenced the painter's work throughout his career.
Author: Dee Reynolds
Publisher: Cambridge University Press
ISBN: 9780521421027
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
This innovative analysis of the role of imagination as a central concept in both literary and art criticism studies works by Rimbaud, Mallarmé, Kandinsky, and Mondrian.
Author: Shulamith Behr
Publisher: Tate Publishing & Enterprises
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Published to accompany exhibition held at Tate Modern, London, 22 June - 1 October 2006, Kunstmuseum, Basel, 21 October - 4 February 2007.
Author: Paul Taylor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 270
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Book Description
This volume contains most of the papers given at a colloquium held at the Institute in 1997. It provides a study of the concept of composition in European art and art literature from the middle ages to the early twentieth century. Some authors are concerned to show the extent to which writers on art before 1880 would have been able to think of a work of art in the terms put forward by modernist theorists like Maurice Denis, Wassily Kandinsky and Clement Greenberg, as a flat surface, covered with colours, lines and forms arranged in an aesthetically pleasing way. Other authors aim to show how artists and theorists conceived of composition before the modern period, by describing some of the implications and connotations of the concept within a broader field of political and religious meanings. Contents Athene Reiss - Pictorial Composition in Medieval Art. Charles Hope - 'Composition' from Cennini and Alberti to Vasari François Quiviger - Imagining and Composing Stories in the Renaissance. Philip Sohm - Baroque Piles and Other Decompositions. Thomas Frangenberg - Andrea Pozzo on the Ceiling Paintings in S. Ignazio. Colette Nativel - La Théorie de la composition dans le De pictura veterum de Franciscus Junius: Une transition entre Alberti et l'Académie. Thomas Puttfarken - Composition, Disposition and Ordonnance in French Seventeenth-century Writings on Art. Paul Taylor - Composition in Seventeenth-century Dutch Art Theory. Harry Mount - Reynolds, Chiaroscuro and Composition. Richard Wrigley - The Politics of Composition: Reflection on Jacques Louis David's Serment du Jeu de paume. Hubert Locher - Towards a Science of Art: the Concept of 'Pure Composition' in Nineteenth- and Twentieth- century Art Theory.
Author: Margaret Samu
Publisher: Cornell University Press
ISBN: 1501757040
Category : Art
Languages : en
Pages : 243
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Book Description
This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines—those of art history, Slavic Russian studies, and cultural history, among others—and promise to fuel a vibrant and ascendant field.
Author: Vivian Endicott Barnett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Studie over het werk van de Russische kunstenaar Vasilij Vasil'evic̆ Kandinskij (1866-1944) in het New Yorkse museum.
Author: Magdalena Dabrowski
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 134
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Book Description
Essay by Magdalena Dabrowski. Foreword by Richard E. Oldenburg.
Author: Hubert van den Berg
Publisher: Rodopi
ISBN: 9401208913
Category : Art
Languages : en
Pages : 653
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Book Description
A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925 is the first publication to deal with the avant-garde in the Nordic countries at the start of the twentieth century. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, painting as well as photography, architecture and design, film, radio, and performing arts like music, theatre and dance. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective which includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field, but in a broader cultural context. It examines the social and cultural context of the avant-garde: its media, its locations, its reception and audiences, the transmissions between Scandinavia and Europe, and its cultural consequences. The essays trace the connections between the avant-garde and the cultural discourses of contemporary currents such as revolutionary socialism, radical nationalism and occultism, and discuss questions of gender, ideology and politics, geographical location and technological innovation. The cultural history thus focuses on the role of the avant-garde in shaping the ideas of cultural modernity in the Nordic countries.
Author: Dafydd Jones
Publisher: Liverpool University Press
ISBN: 1781386005
Category : Art
Languages : en
Pages : 265
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Book Description
This book presents theoretical engagements with Dada – the cultural formation routinely characterised as ‘revolutionary’ – in order to contest perpetuated assumptions that underlie the popular myth.
