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Author: Asok Mitra
Publisher: Popular Prakashan
ISBN: 9788171545377
Category : Civil service
Languages : en
Pages : 236
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Book Description
Author: Asok Mitra
Publisher: Popular Prakashan
ISBN: 9788171545377
Category : Civil service
Languages : en
Pages : 236
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Book Description
Author: Michael Lawrence
Publisher: Bloomsbury Publishing
ISBN: 1844578577
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom-the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars' relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences' investment in and devotion to specific star bodies-across the country's multiple centres of film production and across the overlapping (and increasingly international) zones of the films' distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star's association with film studios and the mainstream media; the star's relationship with historical, political and cultural change and memory; and the star's meaning and value for specific (including marginalised) sectors of the audience.
Author: Ghulam Murshid
Publisher: Niyogi Books
ISBN: 9386906120
Category : History
Languages : en
Pages : 506
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Book Description
Art, literature, music and other intellectual expressions of a particular society are together regarded as the culture of that society. Ideas, customs and social behaviour of a particular people or society are also its ‘culture’. Contrary to what we think, it is not easy to describe ‘culture’, nor is it easy to write the cultural history. Writing the history of Bengali culture is even more difficult because Bengali society is truly plural in its nature, made even more so by its political division. The two main religious communities that share this culture are often more aware of the differences between them than the similarities. Nonetheless, the people remain bound by history and a shared language and literature. Ghulam Murshid’s Bengali Culture over a Thousand Years is the first non-partisan and holistic discussion of Bengali culture. Written for the general reader, the language is simple and the style lucid. It shows how the individual ingredients of Bengali culture have evolved and found expression, in the context of political developments and how certain individuals have moulded culture. Above all, the book presents the identity and special qualities of Bengali culture. The book was originally published in Bengali in Dhaka in 2006. This is the first English translation.
Author: All India Radio (AIR),New Delhi
Publisher: All India Radio (AIR),New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 92
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Book Description
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-08-1947 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 92 VOLUME NUMBER: Vol. XII, No. 17 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 21-22, 28-73, 75, 77 ARTICLE: 1. The New Beginning of a New Age 2. Our Common Allegiance Is To India 3. Make The Indian Union Great and Prosperous 4. The Battle Of Freedom Is Over 5. Prefect Freedom Lies In Service AUTHOR: 1. Sri Aurobindo Ghosh 2. Pandit Jawaharlal Nehru 3. Acharya J.B. Karipalani 4. Mrs. Sarojini Naidu 5. Hon. Rajkumari Amrit Kaur KEYWORDS: 1. Divine force, Spirituality, Humanity, Evolution, Divine will, Constuent Assembly 2. Indian people, Peace, Freedom, Production, Gandhiji 3. Non-violence and Truth, Freedom, British rule, Patriots, Mhatma Gandhi, Indian Union 4. Queen Victoria, Mahatma Gandhi, Justice, Human rights, Independence struggle 5. Tranfer of power, Poorna Swaraj, Freedom, Leadership, Non-violent struggle, Indian Union Document ID: INL-1947 (J-D) Vol-II (04)
Author: Esha Niyogi De
Publisher: University of Illinois Press
ISBN: 0252047478
Category : Performing Arts
Languages : en
Pages : 456
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Book Description
Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region? Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. De uses film tropes to examine the ways women directors and film entrepreneurs claim creative control within the contexts of anti-colonial nationalism and global capitalism. The region’s fictional cinemas have become staging grounds for postcolonialism, with colonial and local hierarchies merged into new imperial formations. De’s analysis shows how the gendered intersections of inequity and opportunity shape women’s fiction filmmaking while illuminating the impact of state and market formations on the process. Innovative and essential, Women’s Transborder Cinema examines the works of South Asia’s women filmmakers from a regional perspective.
Author: Ashish Rajadhyaksha
Publisher: Routledge
ISBN: 1135943257
Category : Social Science
Languages : en
Pages : 3189
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Book Description
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
Author: Sharmistha Gooptu
Publisher: Roli Books Private Limited
ISBN: 8193704959
Category : Performing Arts
Languages : en
Pages : 376
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Book Description
Sharmistha Gooptu is a founder and managing trustee of the South Asia Research Foundation (SARF), a not-for-profit research body based in India. SARF’s current project SAG (South Asian Gateway) is in partnership with Taylor and Francis, and involves the creation of what will be the largest South Asian digital database of historical materials. She is also the joint editor of the journal South Asian History and Culture (Routledge) and the Routledge South Asian History and Culture book series.
Author: Alice Thorner
Publisher: Orient Blackswan
ISBN: 9788125008439
Category : Social Science
Languages : en
Pages : 380
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Book Description
Women studies as a distinct field emerged in India in the mid-seventies. But preoccupation with the position of women dates back to more than a century and a half. By the use of methods of history, literary criticism and analysis of discourse, this volume seeks not only to illustrate the broadening of the sphere of women studies in India in recent years, but also to point to the need for relating ideas about women and gender relations to the social and economic forces that shape history.
Author: Subhash Chandra Sarker
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
Collection of articles on Bengali literature in particular and Indic literature in general.
Author: Madhuja Mukherjee
Publisher: Routledge
ISBN: 1000448924
Category : Art
Languages : en
Pages : 292
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Book Description
Popular Cinema in Bengal marks a decisive turn in studies of Bengali language cinema by shifting the focus from auteur and text-based studies to exhaustive readings of the film industry. The book covers a wide range of themes and issues, including: generic tropes (like comedy and action); iconic figurations (of the detective and the city); (female) stars such as Kanan Bala, Sadhana Bose and Aparna Sen; intensities of public debates (subjects of high and low cultures, taste, viewership, gender and sexuality); print cultures (including posters, magazines and song-booklets); cinematic spaces; and trans-media and trans-cultural traffic. By locating cinema within the crosscurrents of geo-political transformations, the book highlights the new and persuasive research that has materialised over the last decade. The authors raise pertinent questions regarding 'regional' cinema as a category, in relation to 'national' cinema models, and trace the non-linear journey of the popular via multiple (media) trajectories. They address subjects of physicality, sexuality and its representations, industrial change, spaces of consumption, and cinema’s meandering directions through global circuits and low-end networks. Highlighting the ever-changing contours of cinema in Bengal in all its popular forms and proposing a new historiography, Popular Cinema in Bengal will be of great interest to scholars of film studies and South-Asian popular culture. The chapters were originally published in the journal South Asian History and Culture.
