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Author: Kaikodo (Gallery : New York, N.Y.)
Publisher:
ISBN:
Category : Art objects, Asian
Languages : en
Pages : 386
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Book Description
Author: Kaikodo (Gallery : New York, N.Y.)
Publisher:
ISBN:
Category : Art objects, Asian
Languages : en
Pages : 386
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 250
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Book Description
Author:
Publisher:
ISBN:
Category : Calligraphy, Chinese
Languages : en
Pages : 92
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Book Description
Author: University of Michigan. Museum of Art
Publisher: UM Libraries
ISBN:
Category : Archaeology
Languages : en
Pages : 164
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 394
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Paul Duro
Publisher: John Wiley & Sons
ISBN: 1119004039
Category : Art
Languages : en
Pages : 240
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Book Description
The theory and practice of imitation has long been central to the construction of art and yet imitation is still frequently confused with copying. Theorizing Imitation in the Visual Arts challenges this prejudice by revealing the ubiquity of the practice across cultures and geographical borders. This fascinating collection of original essays has been compiled by a group of leading scholars Challenges the prejudice of imitation in art by bringing to bear a perspective that reveals the ubiquity of the practice of imitation across cultural and geographical borders Brings light to a broad range of areas, some of which have been little researched in the past
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393992
Category : Buddhist sculpture
Languages : en
Pages : 258
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Book Description
Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art --
Author: An-Yi Pan
Publisher: BRILL
ISBN: 9004160612
Category : Social Science
Languages : en
Pages : 463
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Book Description
Drawing from previously untapped Buddhist sources, this book contextualizes Li Gonglin's Buddhist faith and art through the Chan environment in his hometown (Longmian) and the prevailing Tiantai, Pure Land, Huayan and Chan schools of the Northern Song Dynasty.
