A Comprehensive Performance Project in Violin Literature and an Essay Consisting of a Stylistic Study of Cadenzas Presently in Print for W.A. Mozart's Violin Concertos in G Major (K. 216), D Major (K. 218), and A Major (K. 219) PDF Download
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Author: David Harold Moskovitz
Publisher:
ISBN:
Category : Cadences (Music)
Languages : en
Pages : 296
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Book Description
Author: David Harold Moskovitz
Publisher:
ISBN:
Category : Cadences (Music)
Languages : en
Pages : 296
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Book Description
Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 432
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1088
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Book Description
Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 866
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Book Description
Author: GK Hall
Publisher: G. K. Hall
ISBN: 9780783897196
Category : Music
Languages : en
Pages : 598
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Book Description
The holdings of the Music Division of the New York Public Library cover virtually all musical subjects; its scores represent a broad spectrum of musical style and history.
Author: Wolfgang Amadeus Mozart
Publisher: Courier Dover Publications
ISBN: 1606600591
Category : Music
Languages : en
Pages : 437
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Book Description
This deluxe hardcover edition of Mozart's violin concerti reproduces the composer's original manuscripts from a rare limited edition. Includes two additional pieces, Adagio in E, K. 261, and Rondo in B Flat, K. 261a.
Author: Frederick Neumann
Publisher: Princeton University Press
ISBN: 0691656843
Category : Music
Languages : en
Pages : 315
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Book Description
This book is a sequel to Frederick Neumann's Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart's music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left "white spots" in his notation. These additions range from single notes to lengthy cadenzas. The problem addressed is the question of where such additions are possible or necessary and how they might best be designed. Professor Neumann draws on an immense knowledge of the literature written during Mozart's time and on his own comprehension of the subtleties of Mozart's music and musical styles. Refusing to interpret the sources dogmatically, he frees performers of Mozart from the rigid princples too often imposed by modern scholars. Frederick Neumann is Professor of Music Emeritus at the University of Richmond. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Eva Badura-Skoda
Publisher: Routledge
ISBN: 1135868506
Category : Music
Languages : en
Pages : 579
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Book Description
Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart's music, addressing the elements of performance and problems that may occur in performing Mozart's works on modern instruments.
Author: Paul Badura-Skoda
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : de
Pages : 10
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Book Description
Author: Gernot Gruber
Publisher:
ISBN: 9781555531942
Category : Music
Languages : en
Pages : 277
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Book Description
"In the first comprehensive history of the changing reception of Mozart and his music over the last two hundred years, Gernot Gruber skillfully charts Mozart's evolution from forgotten composer to "a youth beloved of the gods." He considers Mozart's waning reputation during the decade preceding his death in 1791, and thoroughly examines how Mozart was deified by the Romantics, sanitized by the Victorians, and commercialized in the 1980s and early 1990s." "This insightful volume probes beyond the sphere of music into literature, philosophy, the fine arts, and theology to provide a refreshing discussion of the shifting ideas, images, interpretations, and questions surrounding Mozart over the last two centuries. With profound knowledge of the relevant literature, Gruber shows how figures such as Goethe, E.T.A. Hoffmann, Felix Mendelssohn, Soren Kierkegaard, George Bernard Shaw, Richard Wagner, Richard Strauss, Arnold Schoenberg, Hermann Hesse, Marc Chagall, Ingmar Bergman, and Peter Shaffer attempted to define the elusive nature of the composer's genius in their quest to discover the "true" Mozart. The volume includes provocative perspectives on the impact of Milos Forman's highly successful film Amadeus and on the commercial packaging of Mozart for mass consumption." "Gruber's compelling account of the evolving perceptions of Mozart's music reveals as much about the changes in European ideology and culture as it does about the composer of his music."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
