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Author: Vikram Visana
Publisher: Cambridge University Press
ISBN: 1009276735
Category : History
Languages : en
Pages : 260
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Book Description
Uncivil Liberalism studies how ideas of liberty from the colonized South claimed universality in the North. Recovering the political theory of Dadabhai Naoroji, India's pre-eminent liberal, this book offers an original global history of this process by focussing on Naoroji's pre-occupation with social interdependence and civil peace in an age of growing cultural diversity and economic inequality. It shows how Naoroji used political economy to critique British liberalism's incapacity for civil peace by linking periods of communal rioting in colonial Bombay with the Parsi minority's economic decline. He responded by innovating his own liberalism, characterized by labour rights, economic republicanism and social interdependence maintained by freely contracting workers. Significantly, the author draws attention to how Naoroji seeded 'Western' thinkers with his ideas as well as influencing numerous ideologies in colonial and post-colonial India. In doing so, the book offers a compelling argument which reframes Indian 'nationalists' as global thinkers.
Author: Vikram Visana
Publisher: Cambridge University Press
ISBN: 1009276735
Category : History
Languages : en
Pages : 260
Get Book Here
Book Description
Uncivil Liberalism studies how ideas of liberty from the colonized South claimed universality in the North. Recovering the political theory of Dadabhai Naoroji, India's pre-eminent liberal, this book offers an original global history of this process by focussing on Naoroji's pre-occupation with social interdependence and civil peace in an age of growing cultural diversity and economic inequality. It shows how Naoroji used political economy to critique British liberalism's incapacity for civil peace by linking periods of communal rioting in colonial Bombay with the Parsi minority's economic decline. He responded by innovating his own liberalism, characterized by labour rights, economic republicanism and social interdependence maintained by freely contracting workers. Significantly, the author draws attention to how Naoroji seeded 'Western' thinkers with his ideas as well as influencing numerous ideologies in colonial and post-colonial India. In doing so, the book offers a compelling argument which reframes Indian 'nationalists' as global thinkers.
Author: Alexandra Native Girls'English Institution (Bombay, India)
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
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Book Description
Author: Afshin Marashi
Publisher: University of Texas Press
ISBN: 1477320822
Category : History
Languages : en
Pages : 432
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Book Description
In the aftermath of the seventh-century Islamic conquest of Iran, Zoroastrians departed for India. Known as the Parsis, they slowly lost contact with their ancestral land until the nineteenth century, when steam-powered sea travel, the increased circulation of Zoroastrian-themed books, and the philanthropic efforts of Parsi benefactors sparked a new era of interaction between the two groups. Tracing the cultural and intellectual exchange between Iranian nationalists and the Parsi community during the late nineteenth and early twentieth centuries, Exile and the Nation shows how this interchange led to the collective reimagining of Parsi and Iranian national identity—and the influence of antiquity on modern Iranian nationalism, which previously rested solely on European forms of thought. Iranian nationalism, Afshin Marashi argues, was also the byproduct of the complex history resulting from the demise of the early modern Persianate cultural system, as well as one of the many cultural heterodoxies produced within the Indian Ocean world. Crossing the boundaries of numerous fields of study, this book reframes Iranian nationalism within the context of the connected, transnational, and global history of the modern era.
Author: Enrico Raffaelli
Publisher: Routledge
ISBN: 1317913604
Category : Religion
Languages : en
Pages : 391
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Book Description
Focusing on the Avestan and Pahlavi versions of the Sīh-rōzag, a text worshipping Zoroastrian divine entities, this book explores the spiritual principles and physical realities associated with them. Introducing the book is an overview of the structural, linguistic and historico-religious elements of the Avestan Sīh-rōzag. This overview, as well as reconstructing its approximate chronology, helps in understanding the original ritual function of the text and its relationship to the other Avestan texts.The book then studies the translation of the text in the Middle Persian language, Pahlavi, which was produced several centuries after its initial composition, when Avestan was no longer understood by the majority of the Zoroastrian community. Addressing the lacuna in literature examining an erstwhile neglected Zoroastrian text, The Sih-Rozag in Zoroastrianism includes a detailed commentary and an English translation of both the Avestan and Pahlavi version of the Sīh-rōzag and will be of interest to researchers and scholars of Iranian Studies, Religion, and History.
Author: Geraldine Hancock Forbes
Publisher: Orient Blackswan
ISBN: 9788180280177
Category : Women
Languages : en
Pages : 236
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Book Description
This Collection Of Essays On Politics, Medicine And Historiography Is About Those India Women Who Began To Be Educated And To Pay Some Role In Public Life.
Author: New York Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 606
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Book Description
Includes its Report, 1896-1945.
Author: Sumathi Ramaswamy
Publisher: Duke University Press
ISBN: 0822391538
Category : History
Languages : en
Pages : 402
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Book Description
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.
Author: Talinn Grigor
Publisher: Penn State Press
ISBN: 0271089709
Category : Architecture
Languages : en
Pages : 277
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Book Description
One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.
Author: Jesse Palsetia
Publisher: BRILL
ISBN: 9004491279
Category : History
Languages : en
Pages : 400
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Book Description
The Parsis of India examines a much-neglected area of Asian Studies. In tracing keypoints in the development of the Parsi community, it depicts the Parsis’ history, and accounts for their ability to preserve, maintain and construct a distinct identity. For a great part the story is told in the colonial setting of Bombay city. Ample attention is given to the Parsis’ evolution from an insular minority group to a modern community of pluralistic outlook. Filling the obvious lacunae in the literature on British colonialism, Indian society and history, and, last but not least, Zoroastrianism, this book broadens our knowledge of the interaction of colonialism and colonial groups, and elucidates the significant role of the Parsis in the commercial, educational, and civic milieu of Bombay colonial society.
Author: Rashna Darius Nicholson
Publisher: Springer Nature
ISBN: 3030658368
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre.
