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Author: Hannah Stouffer
Publisher: Gingko Press Editions
ISBN: 9781584235415
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Showcase of artworks by contemporary practitioners working in the genre of psychedelic, metaphysical and surrealistic art.
Author: Hannah Stouffer
Publisher: Gingko Press Editions
ISBN: 9781584235415
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Showcase of artworks by contemporary practitioners working in the genre of psychedelic, metaphysical and surrealistic art.
Author: Evan Pricco
Publisher: Gingko Press Editions
ISBN: 9781584233961
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
This carefully curated book in the ongoing Juxtapoz series collects handicrafts that have crossed the boundary between craft, design and contemporary art.
Author: Evan Pricco
Publisher: Gingko Press Editions
ISBN: 9781584236825
Category : Art
Languages : en
Pages : 0
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Book Description
"Juxtapoz Black and White spotlights 28 contemporary artists from David Shrigley to Shantell Martin, Geoff McFetridge to Katy Ann Gilmore, who strip their work down to basic, often breathtaking black and white. The immutable black line is primal and direct, originating in prehistoric cave drawings first rendered in charcoal eons ago. Within the pages of Juxtapoz Black & White, an impressive list of artists with fascinating results affirm the role monochromatic treatments play in their practice. Paintings and drawings bolster this dialogue in lavishly presented, oversize format. More fascinating contributors such as Cleon Peterson, Saner, Matt Leines, Brendan Monroe, Mrzyk & Moriceau, Carl Krull, Nicomi Nix Turner and many more join the armament of black and white offerings"--Publisher's description.
Author: David Rubin
Publisher: Mit Press
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
"This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and "teashades," but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn't die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium." "Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world - not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context." --Book Jacket.
Author: Kevin Thomson
Publisher:
ISBN: 9781584233466
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
The third book in a series from the seminal West Coast art and culture magazine, Juxtapoz Poster Art focuses on the art of screen print posters. In the past 10 years screen printing has ballooned in popularity and a new class of artists has emerged. These artists stepped away from the psychedelic posters of the '60s and developed their own aesthetic - incorporating everything from hand-drawn type to found objects. Their posters have become sought-after collector's items for art and music fans alike.
Author:
Publisher:
ISBN:
Category : Kitsch
Languages : en
Pages : 554
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Book Description
Author: James Oroc
Publisher: Simon and Schuster
ISBN: 1620556634
Category : Body, Mind & Spirit
Languages : en
Pages : 596
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Book Description
A bold exploration of modern psychedelic culture, its history, and future • Examines 3 modern psy-culture architects: chemist Alexander “Sasha” Shulgin, mycologist-philosopher Terence McKenna, and visionary artist Alex Grey • Investigates the use of microdosing in extreme sports, the psy-trance festival experience, and the relationship between the ego, entheogens, and toxicity • Presents a “History of Visionary Art,” from its roots in prehistory, to Ernst Fuchs and the Vienna School of the Fantastic, to contemporary psychedelic art After the dismantling of a major acid laboratory in 2001 dramatically reduced the world supply of LSD, the psychedelic revolution of the 1960s appeared to have finally run its course. But the opposite has actually proven to be true, and a psychedelic renaissance is rapidly emerging with the rise in popularity of transformational festivals like Burning Man and BOOM!, the return to positive media coverage of the potential benefits of entheogens, and the growing number of celebrities willing to admit the benefits of their own personal use. Along with the return of university research, the revival of psychedelic philosophy, and the increasing popularity of visionary art, these new developments signify the beginning of a worldwide psychedelic cultural revolution more integrated into the mainstream than the counterculture uprising of the 1960s. In his latest book, James Oroc defines the borders of 21st-century psychedelic culture through the influence of its three main architects-- chemist Alexander Shulgin, mycologist Terence McKenna, and visionary artist Alex Grey--before illustrating a number of facets of this “Second Psychedelic Revolution,” including the use of microdosing in extreme sports, the tech-savvy psychedelic community that has arisen around transformational festivals, and the relationship between the ego, entheogens, and toxicity. This volume also presents for the first time a “History of Visionary Art” that explains its importance to the emergence of visionary culture. Exploring the practical role of entheogens in our selfish and fast-paced modern world, the author explains how psychedelics are powerful tools to examine the ego and the shadow via the transpersonal experience. Asserting that a cultural adoption of the entheogenic perspective is the best chance that our society has to survive, he then proposes that our ongoing psychedelic revolution--now a century old since the first synthesis of a psychedelic in 1918--offers the potential for the birth of a new Visionary Age.
Author:
Publisher:
ISBN: 9781584235521
Category : Assemblage (Art)
Languages : en
Pages : 0
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Book Description
Revok is undoubtedly one of the most renowned graffiti writers on the planet. Although he's originally from Los Angeles and has travelled the world over, in his adopted home of Detroit, this gifted artist has found grist for an entirely new form. This newer body of work is comprised of found materials from abandoned buildings throughout Detroit. These colourfully textured 3D collages are highly sought after by collectors and fully documented in the book.
Author: Robert Williams
Publisher: Last Gasp
ISBN: 9780867193992
Category : Art
Languages : en
Pages : 106
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Book Description
Collects 60 of Williams's paintings. Hot rods, monsters, girls in bikinis and taco stands are among the prominent elements. The chromatic chaos disseminated by Williams in this multimedia book is about as masterful as it can get in the wood-pulp page-trade. Heisenberg's SurRealities involved continual change and self-determined subjective, bizarre singularities. Introduction by Timothy Leary.
Author: Bolton T. Colburn
Publisher: Gingko PressInc
ISBN: 9781584233176
Category : Art
Languages : en
Pages : 192
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Book Description
Since 1994, Juxtapoz magazine, published in San Francisco, has provided a forum for so called Lo-Brow art-work inspired by Comics, hot rods, and popular culture --and has become, in the years since, the most widely read art magazine in the United States. Juxtapoz provides a voice and validation for a brand of artist, like founder Robert Williams, Mark Ryden, Coop, Camille Rose Garcia, Glen Barr, the Clayton Brothers, Isabel Samaras, Joe Coleman, and many,many others, who have not historically been accepted by the typical art-world infrastructure of collector, curator, and critic. However, since its founding, it has become the leverage point for the creation of its own infrastructure that supports Juxtapozian art with galleries around the world, collectors, increasing critical attention, and museum exhibitions at adventurous institutions. This exciting and provocative collection presents a group of artists who rejected traditional rules of the art establishment and created their own canon, known as the Juxtapoz School. Published in conjunction with the Laguna Art Museum for the 2008 exhibition In the Land of Retinal Delights.
