Jurassic Jane Collected 1996-HARTSOE COVER PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Jurassic Jane Collected 1996-HARTSOE COVER PDF full book. Access full book title Jurassic Jane Collected 1996-HARTSOE COVER by Everette Hartsoe. Download full books in PDF and EPUB format.
Author: Everette Hartsoe
Publisher: Lulu.com
ISBN: 1365741427
Category : Comics & Graphic Novels
Languages : en
Pages : 118
Get Book Here
Book Description
Jane Masterson is a scientist creating a particle collider which can open time portals and produce black holes. What can go wrong?
Author: Everette Hartsoe
Publisher: Lulu.com
ISBN: 1365741427
Category : Comics & Graphic Novels
Languages : en
Pages : 118
Get Book Here
Book Description
Jane Masterson is a scientist creating a particle collider which can open time portals and produce black holes. What can go wrong?
Author: Erik Bear
Publisher: IDW Publishing
ISBN: 9781613770023
Category : Dinosaurs
Languages : en
Pages : 0
Get Book Here
Book Description
"It is eleven years after the events of the 'Jurassic Park' movie and CIA agent Daniel Espinoza is working undercover to infiltrate infamously brutal Nicaraguan drug lord Gabriel Cazares' drug ring. ... When his deep cover is blown, Espinoza finds himself lost and alone on the dangerous island, hunted by both armed thugs and prehistoric monstrosities. And there is someone else watching him, too-- a mysterious figure in the shadows who could be Espinoza's only hope for survival ... or the bringer of his ultimate doom"--from p. [4] of cover.
Author: Kathleen McHugh
Publisher: University of Illinois Press
ISBN: 0252074475
Category : Biography & Autobiography
Languages : en
Pages : 208
Get Book Here
Book Description
Publisher description
Author: Kathleen Anne McHugh
Publisher: Oxford University Press
ISBN: 0195352726
Category : Literary Criticism
Languages : en
Pages : 246
Get Book Here
Book Description
From the cult of domesticity to the Semiotics of the Kitchen, housekeeping has been central to both constructing and critiquing the role of women in American society. Frequently domesticity's style has been to make invisible the labor that produces it, allowing woman to be asserted or argued about in universal terms that downplay race, class, and material relations. American Domesticity considers this relationship in representations of domesticity and domestic labor over the last two centuries in didactic, cinematic, and feminist texts. While the domestic is usually conceived of as the antithesis of the public, economical, and political, Kathleen McHugh demonstrates how domestic discourse established the terms within which the most crucial national issues--the market economy, universal white male suffrage, slavery, the construction of racial difference, consumerism, spectatorship, desire, and even feminism--were conceived, assimilated, and understood. Beginning in the nineteenth century, the book investigates the historical roots of domestic labors invisibility in widely circulated didactic housekeeping manuals written by Lydia Child, Catherine Beecher, Mary Pattison, and Christine Frederick. It then considers how pedagogical discourses became entertainment discourses, their focus shifting from the silent era of film to the twilight of the classical period. The book concludes with an examination of the return of a pedagogical impulse within feminist film production concerning domesticity, comparing it to the concurrent rise of feminist film theory in the academy. Looking at this wide range of print and film texts, McHugh traces the outlines of a discourse of domesticity that claims to be private and universal but instead brokers difference within the public sphere.
Author: John Spencer
Publisher:
ISBN:
Category : Horn fly
Languages : en
Pages : 18
Get Book Here
Book Description
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Get Book Here
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author:
Publisher:
ISBN:
Category : Fossils
Languages : en
Pages : 58
Get Book Here
Book Description
Author: John E. Cooney
Publisher: Simon & Schuster
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 456
Get Book Here
Book Description
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
Author: Hilary Radner
Publisher: Wayne State University Press
ISBN: 9780814334324
Category : Art
Languages : en
Pages : 350
Get Book Here
Book Description
An innovative collection of original essays on Jane Campion, renowned female auteur filmmaker. In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars--like her debt to New Zealand sources and her personal views of family dynamics--and those that benefit from additional insight--such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal. Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum. Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.
Author: Albert Somit
Publisher: Emerald Group Publishing
ISBN: 1780528205
Category : Science
Languages : en
Pages : 251
Get Book Here
Book Description
This volume explores the linkage of the life sciences with policy (biopolicy). It features two points of departure: the implications of the neurosciences for public policy; and the implications of evolutionary theory for policy-making. It includes several case studies of how these points of departure inform our knowledge of policy.
