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Author: Lucinda Hill
Publisher: Routledge
ISBN: 100057170X
Category : Psychology
Languages : en
Pages : 235
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Book Description
This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932. Offering an important contribution towards understanding Jung’s attitudes towards Picasso and modern art, the book addresses the impact that Jung’s unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung’s derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung’s interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung’s attitudes towards modern art all the more surprising. Jung’s Reception of Picasso and Abstract Art will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.
Author: Lucinda Hill
Publisher: Routledge
ISBN: 100057170X
Category : Psychology
Languages : en
Pages : 235
Get Book Here
Book Description
This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932. Offering an important contribution towards understanding Jung’s attitudes towards Picasso and modern art, the book addresses the impact that Jung’s unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung’s derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung’s interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung’s attitudes towards modern art all the more surprising. Jung’s Reception of Picasso and Abstract Art will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.
Author: Lucinda Hill
Publisher: Routledge
ISBN: 9781032120331
Category :
Languages : en
Pages : 160
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Book Description
This book explores the nature of Jung's understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932. Offering an important contribution towards understanding Jung's attitudes towards Picasso and modern art, the book addresses the impact that Jung's unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung's derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung's interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung's attitudes towards modern art all the more surprising. Jung's Reception of Picasso and Abstract Art will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.
Author: Maya Balakirsky Katz
Publisher: Cambridge University Press
ISBN: 1009117289
Category : Psychology
Languages : en
Pages : 397
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Book Description
Religion, more than sexuality, cast psychoanalysis in controversy and onto the world stage even as it threatened to dismantle the psychoanalytic collective. In the founding years of the first psychoanalytic periodicals, relational dynamics shaped the psychoanalytic corpus on religion. The psychoanalytic pioneers developed their ideas in tandem even if in protest to one another. Religion is a topic worthy of engagement, not least because the symbolized terrain in the history of religion was so often deployed as a vehicle for motivating, disciplining, or editing out a member of the psychoanalytic community in publication. This book offers an interdisciplinary approach to religion and psychology, including a compelling denouement that reveals new narratives about longstanding rumours in the early history of the psychoanalytic movement. Above all, this volume demonstrates that the first generation of psychoanalysts succeeded in writing themselves into the history of religious thought and sacralizing the origins of psychoanalysis.
Author: Laura Andrikopoulos
Publisher: Taylor & Francis
ISBN: 1040175716
Category : Psychology
Languages : en
Pages : 162
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Book Description
Using the works and theories of Carl Gustav Jung and the astrologers Alan Leo, Dane Rudhyar and Liz Greene, this volume provides a cultural history of psychological astrology in the twentieth century, demonstrating the prevalence of ‘magic’ in modern culture through its presence in astrology. Astrology’s links to psychology are akin to those in wider culture, such as the exploration of the unconscious by writers and artists. The dominant form of astrology in the twentieth century was psychological astrology, a form principally influenced by the work of the psychologist Carl Gustav Jung. Through in-depth exploration of the three major astrologers of the period (Alan Leo, Dane Rudhyar and Liz Greene) and their psychological innovations, this volume considers whether psychology was used by astrology as a survival strategy to legitimise magic in the modern world and whether the result was ‘an astrology that has lost its magic’. Chapters consider the survival of magic in the modern world, the history of astrology as a psychological subject and astrology’s relationship to modernity, as well as a fundamental exploration of the nature of astrology. Ultimately arguing that the existence of psychological astrology represents a form of living magic, this book will be of interest to researchers, scholars and postgraduate students studying Jung and analytical psychology, magic, astrology and alchemy, and culture in the twentieth century more broadly.
Author: Tommaso Priviero
Publisher: Taylor & Francis
ISBN: 100092243X
Category : Psychology
Languages : en
Pages : 222
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Book Description
This book explores the genesis of the Red Book (or Liber Novus), through the lens of Jung’s lifelong confrontation with Dante and, in doing so, provides the first-ever thorough comparative analysis of the intertextual and symbolical correspondences between Liber Novus and the Commedia. Starting from Jung’s multifaceted fascination with Dante and his pivotal role in the former’s visionary material at historical, hermeneutical, and psychological levels, the book challengingly envisions Liber Novus as Jung’s Divine Comedy. This work finds a new way of approaching Jung’s understanding of concepts such as "visionary works" and "visionary mind" and considers how this approach can enhance our vision of depth psychology. Through various thematics such as the metanoia and the symbolism of animals, as well as the transformative role of the feminine and the erotic and spiritual imagery of the soul, this work revolves around the Jung-Dante correlation. Offering an original perspective within the field of Jungian and Dante scholarship, this book will be of great interest to academics and postgraduate students studying in the areas of Jung, Dante, analytical psychology, depth psychology, hermeneutics and Western esoteric currents and practices. The book will also appeal to Jungian analysts and psychoanalysts more broadly.
Author: Robert S. Matthews
Publisher: Taylor & Francis
ISBN: 1000608395
Category : Psychology
Languages : en
Pages : 171
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Book Description
This book unites the worlds of physics and depth psychology through analysis of carefully selected existing and new dream materials. Their interpretation by Matthews provides fertile ground for the unifying of the extreme opposites of psyche and matter and forms a continuation of the deep dialogue between acclaimed psychologist Carl Jung and Nobel physicist Wolfgang Pauli. What emerges is an individuation process where inner and outer worlds are intertwined through a succession of dream images, culminating with that of the ring i, the mathematical function at the heart of quantum physics. This mysterious function unites wave and particle and symbolically carries the quality of paradox. The occurrence of the ring i in Pauli’s and the author’s dreams suggests paradox is a necessary psychological state to experience a living union between psyche and matter. Analysis of accompanying materials further indicates the arising of a new world view where inner and outer, mind and matter, may again be seen as a unified whole. This book is an engaging read for academics and researchers in the field of Jungian psychology and will appeal to those interested in the novel application of quantum physics to philosophy, psychology and spirituality.
Author: Hugh Eakin
Publisher: Crown
ISBN: 0451498496
Category : Art
Languages : en
Pages : 489
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Book Description
A riveting story of how dueling ambitions and the power of prodigy made America the cultural center of the world—and Picasso the most famous artist alive—in the shadow of World War II “[Eakin] has mastered this material. . . . The book soars.”—The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Vanity Fair, The New York Times Book Review, The New Yorker In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr., a cultural visionary who, at the age of twenty-seven, became the director of New York’s new Museum of Modern Art. Barr and Quinn’s shared goal would be thwarted in the years to come—by popular hostility, by the Depression, by Parisian intrigues, and by Picasso himself. It would take Hitler’s campaign against Jews and modern art, and Barr’s fraught alliance with Paul Rosenberg, Picasso’s persecuted dealer, to get Picasso’s most important paintings out of Europe. Mounted in the shadow of war, the groundbreaking exhibition Picasso: Forty Years of His Art would launch Picasso in America, define MoMA as we know it, and shift the focus of the art world from Paris to New York. Picasso’s War is the never-before-told story about how a single exhibition, a decade in the making, irrevocably changed American taste, and in doing so saved dozens of the twentieth century’s most enduring artworks from the Nazis. Through a deft combination of new scholarship and vivid storytelling, Hugh Eakin shows how two men and their obsession with Picasso changed the art world forever.
Author: Carl G. Jung
Publisher: Bantam
ISBN: 0307800555
Category : Social Science
Languages : en
Pages : 433
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Book Description
The landmark text about the inner workings of the unconscious mind—from the symbolism that unlocks the meaning of our dreams to their effect on our waking lives and artistic impulses—featuring more than a hundred images that break down Carl Jung’s revolutionary ideas “What emerges with great clarity from the book is that Jung has done immense service both to psychology as a science and to our general understanding of man in society.”—The Guardian “Our psyche is part of nature, and its enigma is limitless.” Since our inception, humanity has looked to dreams for guidance. But what are they? How can we understand them? And how can we use them to shape our lives? There is perhaps no one more equipped to answer these questions than the legendary psychologist Carl G. Jung. It is in his life’s work that the unconscious mind comes to be understood as an expansive, rich world just as vital and true a part of the mind as the conscious, and it is in our dreams—those personal, integral expressions of our deepest selves—that it communicates itself to us. A seminal text written explicitly for the general reader, Man and His Symbolsis a guide to understanding the symbols in our dreams and using that knowledge to build fuller, more receptive lives. Full of fascinating case studies and examples pulled from philosophy, history, myth, fairy tales, and more, this groundbreaking work—profusely illustrated with hundreds of visual examples—offers invaluable insight into the symbols we dream that demand understanding, why we seek meaning at all, and how these very symbols affect our lives. By illuminating the means to examine our prejudices, interpret psychological meanings, break free of our influences, and recenter our individuality, Man and His Symbols proves to be—decades after its conception—a revelatory, absorbing, and relevant experience.
Author: Leonhard Emmerling
Publisher: Taschen
ISBN: 9783822821329
Category : Art
Languages : en
Pages : 104
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Book Description
The life and work of Jackson Pollock.
Author: The Foundation of the Works of C.G. Jung
Publisher: W. W. Norton & Company
ISBN: 0393254887
Category : Psychology
Languages : en
Pages : 588
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Book Description
A lavishly illustrated volume of C.G. Jung’s visual work, from drawing to painting to sculpture. A world-renowned, founding figure in analytical psychology, and one of the twentieth century’s most vibrant thinkers, C.G. Jung imbued as much inspiration, passion, and precision in what he made as in what he wrote. Though it spanned his entire lifetime and included painting, drawing, and sculpture, Jung’s practice of visual art was a talent that Jung himself consistently downplayed out of a stated desire never to claim the title “artist.” But the long-awaited and landmark publication, in 2009, of C.G. Jung’s The Red Book revealed an astonishing visual facet of a man so influential in the realm of thought and words, as it integrated stunning symbolic images with an exploration of “thinking in images” in therapeutic work and the development of the method of Active Imagination. The remarkable depictions that burst forth from the pages of that calligraphic volume remained largely unrecognized and unexplored until publication. The release of The Red Book generated enormous interest in Jung’s visual works and allowed scholars to engage with the legacy of Jung’s creativity. The essays collected here present previously unpublished artistic work and address a remarkably broad spectrum of artistic accomplishment, both independently and within the context of The Red Book, itself widely represented. Tracing the evolution of Jung’s visual efforts from early childhood to adult life while illuminating the close relation of Jung’s lived experience to his scientific and creative endeavors, The Art of C.G. Jung offers a diverse exhibition of Jung’s engagement with visual art as maker, collector, and analyst.
