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Author: Julius Steinberg
Publisher: Penn State Press
ISBN: 1575063743
Category : History
Languages : en
Pages : 385
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Book Description
Are the Writings a miscellaneous collection of books, as is so often asserted, or do they have a purposeful design or arrangement? Over the past 35 years, there has been a significant amount of scholarly interest in the shape of the Law, Former Prophets, Twelve Minor Prophets and the Psalms, while examinations of the shape of the Writings were almost nonexistent until very recently. The 11 essays in this volume explore this often-neglected issue from a variety of critical perspectives—reader-centered approaches, canonical, structural-canonical, and redactional—made more robust by the mix of German- and English-language scholarship on this question, including 4 articles translated from German into English. Essays range from the historical development of the collection, to analysis of the collection’s different arrangements, to the relationship of books and subcollections within the Writings, to the reception of the collection in Jewish and Christian sources. Every book in the Writings is discussed, with particular attention given to Job, Ruth, and 1 and 2 Chronicles. The volume closes with 3 critical responses from John Barton, Tamara Cohn Eskenazi, and Christopher Seitz.
Author: Julius Steinberg
Publisher: Penn State Press
ISBN: 1575063743
Category : History
Languages : en
Pages : 385
Get Book Here
Book Description
Are the Writings a miscellaneous collection of books, as is so often asserted, or do they have a purposeful design or arrangement? Over the past 35 years, there has been a significant amount of scholarly interest in the shape of the Law, Former Prophets, Twelve Minor Prophets and the Psalms, while examinations of the shape of the Writings were almost nonexistent until very recently. The 11 essays in this volume explore this often-neglected issue from a variety of critical perspectives—reader-centered approaches, canonical, structural-canonical, and redactional—made more robust by the mix of German- and English-language scholarship on this question, including 4 articles translated from German into English. Essays range from the historical development of the collection, to analysis of the collection’s different arrangements, to the relationship of books and subcollections within the Writings, to the reception of the collection in Jewish and Christian sources. Every book in the Writings is discussed, with particular attention given to Job, Ruth, and 1 and 2 Chronicles. The volume closes with 3 critical responses from John Barton, Tamara Cohn Eskenazi, and Christopher Seitz.
Author: Julius Hensel
Publisher: Lulu.com
ISBN: 1446759660
Category :
Languages : en
Pages : 101
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Book Description
Author: Julius Stone
Publisher:
ISBN: 9788175343740
Category : Political Science
Languages : en
Pages : 0
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Book Description
Author: Julius Stone
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Julius Stone
Publisher: Lexis Law Publishing (Va)
ISBN:
Category : Evidence (Law)
Languages : en
Pages : 824
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Book Description
Historical study of the question and use of evidence in English law. The text was written before the second world war by the emminent jurist, Julius Stone (1907-1085), and edited and revised where appropriate by W A N Wells. Includes a table of cases and an index.
Author: Helen Irving
Publisher:
ISBN: 9781862877917
Category : Festschrift
Languages : en
Pages : 271
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Book Description
This collection of essays celebrates the life of Julius Stone, one of the leading legal academics of the twentieth century, by exploring the contemporary significance of his contributions to legal theory and international law.
Author: Julius Stone
Publisher: The Lawbook Exchange, Ltd.
ISBN: 1584776013
Category : Law
Languages : en
Pages : 270
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Book Description
With a New Introductory Essay, Paradoxes of a Sharp Legal Mind: Professor Julius Stone and International Aggression by Benjamin B. Ferencz. Efforts to enforce world peace during the twentieth century through international organizations created a demand for a legal definition of aggression. A U.N. committee attempted to provide one in a 1956 report. Stone rejected it for two reasons. Citing a broad array of examples, he shows that the concept of aggression eludes definition. More important, he argues that a definition is not necessary for the goals of international peace-enforcement.
Author: Julius S. Scott
Publisher: Verso Books
ISBN: 1788732502
Category : History
Languages : en
Pages : 273
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Book Description
This widely acclaimed and influential work of African American history traces the slave revolts that made the modern revolutionary era. “An important part of the tradition of scholarship that puts the end of modern slavery in a global perspective.” —Robin D.G. Kelley, author of Freedom Dreams and Race Rebel Out of the grey expanse of official records in Spanish, English and French, The Common Wind provides a gripping and colorful account of inter-continental communication networks that tied together the free and enslaved masses of the new world, offering a powerful “history from below.” Scott follows the spread of “rumors of emancipation” and the people behind them, bringing to life the protagonists in the slave revolution. By tracking the colliding worlds of buccaneers, military deserters, and maroon communards from Venezuela to Virginia, Scott records the transmission of contagious mutinies and insurrections in unparalleled detail, providing readers with an intellectual history of the enslaved. Though The Common Wind is credited with having “opened up the Black Atlantic with a rigor and a commitment to the power of written words,” the manuscript remained unpublished for 32 years. Now, after receiving wide acclaim from leading historians of slavery and the New World, it has been published by Verso for the first time, with a foreword by the academic and author Marcus Rediker.
Author: Julius Stone
Publisher:
ISBN: 9781561696697
Category : Law
Languages : en
Pages : 933
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Book Description
Author: Julius Friedman
Publisher:
ISBN: 9781938462191
Category : Art
Languages : en
Pages : 0
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Book Description
Destroying books has traditionally been seen as a brutal, almost inhumane, act. Is it possible that instead, book destruction can be turned into beautiful and inspiring works of art? That's the premise behind a new book from distinguished designer and photographer, Julius Friedman. Titled simply, The Book, Friedman's latest project is an art book made possible by the sacrifice of several other beautiful books for the pieces within. "The Book project was inspired by Gail Gilbert, the art librarian at the University of Louisville Library, when she gave me a bag of books she was discarding," Friedman noted. "She thought I could tear them up and make collages or an art project. I told her I was not a collage artist and, being a book designer, I could not tear them up. After months of them sitting in my basement and Gail saying, 'Do something with them,' I made my first deconstruction and collage," he added. Those first collages grew into a body of work, and later, a limited edition of 20 books, all hand-sewn and hand-bound, using hand-set type, letterpress, and tipped-in photographs--and a box made of cherry wood to house each copy. The "run" sold out immediately. "After that project, I continued to make collages and decided to do a coffee table book that people from all walks of life could afford, enjoy, and experience," the artist added. The result is stunning. In 130 beautiful photographs, Friedman gives his torn-apart and twisted books fascinating shapes and structures, some lit from within or without, ranging from the abstract to the concrete, and from the visceral to the intellectual. "I looked at the book from its beginnings to the current and emerging world of the Kindle and other electronic tablets, intuitively keeping in mind the sacred word, censorship, holding an object, its tactile way, even the smell of a book," he stated. The Book will be loved, ironically, by book lovers who will recognize how the artist has harnessed the tactile power of books and transformed them into new and moving forms for his art.
