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Author: Christine Y. Kim
Publisher: Prestel Publishing
ISBN: 9783791358741
Category : Painting, Abstract
Languages : en
Pages : 0
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Book Description
One of The New York Times Best Art Books of 2019 This full-scale retrospective monograph of Julie Mehretu's work traces the development of one of America's most celebrated abstract painters. Over the past twenty-five years Julie Mehretu has emerged as a major force in American art. Known mostly for her enormous abstract paintings, she also produces exquisite drawings, often created as studies for larger works. This sumptuous volume accompanies a major mid-career survey of Mehretu's work. Designed to allow close viewing of Mehretu's vast canvases, it features lush reproductions of her paintings in their entirety, as well as numerous full-page details. The genesis for much of Mehretu's work lies in the black ink drawings she created in the late 1990s. From these early drawings and paintings, Mehretu moved onto large-scale canvases. These drawings and paintings are maplike and colorful, with diagrammatic elements that reflect her life experience. Each of these stages of her oeuvre is represented here, including works from her landmark exhibition Drawing into Painting, the twelve-panel intaglio, Auguries, and the paintings she created as a result of time spent in Africa and the Middle East. Accompanying these images are numerous essays by leading curators, scholars, and writers. Long overdue, this magnificent volume pays tribute to an artist whose work and process intermingle in a unique and important examination of painting, history, geopolitics, and displacement. Published with the Whitney Museum of American Art
Author: Christine Y. Kim
Publisher: Prestel Publishing
ISBN: 9783791358741
Category : Painting, Abstract
Languages : en
Pages : 0
Get Book Here
Book Description
One of The New York Times Best Art Books of 2019 This full-scale retrospective monograph of Julie Mehretu's work traces the development of one of America's most celebrated abstract painters. Over the past twenty-five years Julie Mehretu has emerged as a major force in American art. Known mostly for her enormous abstract paintings, she also produces exquisite drawings, often created as studies for larger works. This sumptuous volume accompanies a major mid-career survey of Mehretu's work. Designed to allow close viewing of Mehretu's vast canvases, it features lush reproductions of her paintings in their entirety, as well as numerous full-page details. The genesis for much of Mehretu's work lies in the black ink drawings she created in the late 1990s. From these early drawings and paintings, Mehretu moved onto large-scale canvases. These drawings and paintings are maplike and colorful, with diagrammatic elements that reflect her life experience. Each of these stages of her oeuvre is represented here, including works from her landmark exhibition Drawing into Painting, the twelve-panel intaglio, Auguries, and the paintings she created as a result of time spent in Africa and the Middle East. Accompanying these images are numerous essays by leading curators, scholars, and writers. Long overdue, this magnificent volume pays tribute to an artist whose work and process intermingle in a unique and important examination of painting, history, geopolitics, and displacement. Published with the Whitney Museum of American Art
Author: Julie Mehretu
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 56
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Book Description
Incorporating the dynamic visual vocabulary of maps, urban planning grids, and architectural forms, alternating between historical narratives and fictional landscapes, Julie Mehretu's beautifully layered paintings and drawings combine abstract forms with the familiar, pairing the Roman Coliseum with floor plans from international airports, Le Corbusier's unbuilt megacity with blueprints from Zaha Hadid and Tadao Ando, and dashing it all together with a color field full of abstract geometry. What does a city in motion look like? The closest picture of it exists in Mehretu's semiabstractions, their maelstroms of color and line, power, history, globalism and personal narrative frozen, swirled and encased in coats of accumulated resin.
Author: Julie Mehretu
Publisher:
ISBN: 9780847829804
Category : Drawing
Languages : en
Pages : 0
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Book Description
A recent recipient of the highly prestigious MacArthur Foundation “Genius Grant,” Julie Mehretu is an important American artist. With several major solo exhibitions in the last few years, including a traveling exhibition organized by the Detroit Institute of the Arts that debuts in fall 2007, Mehretu has captivated her audience with her ambitious large-scale wall installations that include a dizzying array of signs, symbols, and motifs worked into compositions that take as their point of departure architectural renderings and sketches. While known primarily as a painter, it is the artist’s drawings that drive her work; she produces scores of major drawings a year (while her output of paintings generally never exceeds ten in a given year.) Concerned with how individuals come to understand their place in the world–both metaphorically and physically–through their identification with different communities or their experience of different places, Mehretu has created a body of work that is as dynamic as the subjects with which she is engaged. In this book–the most comprehensive study of her exquisite drawings–the fullness of her ideas and explorations of form are considered.
Author:
Publisher:
ISBN: 9783775718639
Category :
Languages : es
Pages : 0
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Book Description
Author: Siemon Allen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
Foreword by Graham W.J. Beal. Text by Rebecca Hart, Kinsey Katchka, Siemon Allen.
Author: Andrew Nairne
Publisher:
ISBN: 9781904561927
Category : Drawing
Languages : en
Pages : 0
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Book Description
Julie Mehretu Drawings and Monotypes documents her solo exhibition at Kettle's Yard in 2019. For this exhibition, Mehretu made a new installation of richly layered drawings and monotypes, extending her dynamic exploration of the potential of drawing and mark making which are fundamental to her artistic practice. Inspired by current world issues, her personal biography, and the history of abstraction, Mehretu's powerful works interrogate the present with urgency and lyricism. Born in Addis Ababa, Ethiopia in 1970, and now resident in New York, Julie Mehretu is among the most highly regarded artists working today. A recent painting by the artist, Ghosthymn, was included in the exhibition Actions. The image of the world can be different, which marked the re-opening of Kettle's Yard in 2018.
Author: Julia Bryan-Wilson
Publisher: University of Chicago Press
ISBN: 0226077829
Category : Art
Languages : en
Pages : 335
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Book Description
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
Author: Christophe Cherix
Publisher: The Museum of Modern Art
ISBN: 0870708252
Category : Art
Languages : en
Pages : 238
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Book Description
Catalog of an exhibition held at The Museum of Modern Art, New York, Feb. 19-May 14, 2012.
Author: Elizabeth Harney
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
This study introduces audiences to the importance of the arts in the African diaspora and tells of the important histories of migration and the myriad negotiations of artistic, cultural, group and personal identities among African artists in the diaspora.
Author: Henri Lefebvre
Publisher: Walther Konig Verlag
ISBN: 9783960989028
Category :
Languages : en
Pages : 64
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Book Description
A new, affordable edition of French Marxist and proto-Situationist Henri Lefebvre's classic text on the everyday, illustrated by Julie Mehretu The work of French Marxist sociologist and philosopher Henri Lefebvre radically transformed the discourse of political geography. Witness to the rapid urbanization of the 20th century, Lefebvre conceptualized public space as socially produced--a mirror image of capitalist ideology--and levied a humanitarian slogan in response: "the right to the city," a notion that has energized the thought of leading American geographers such as David Harvey and Edward Soja. Lefebvre also worked closely with the Situationist International, collaborating with them on urban experiments in the '50s and '60s. Arguably his greatest legacy, however, is his theory of "the everyday"--a topic he returned to throughout his life, culminating in his three-volume magnum opus, The Critique of Everyday Life. Like public space, Lefebvre argued, the everyday is a social structure concurrent with modernity: "the everyday is a product, the most general of products in an era where production engenders consumption." In this edition of Lefebvre's classic but largely unavailable text, New York-based artist Julie Mehretu responds to Lefebvre's 1987 essay, reflecting upon its implications during a time when conceptions of "the everyday" are both heightened and obscured. She identifies thematic connections between his text and her own work, casting into relief the enduring relevance of Lefebvre's consideration of time, space and place. An immensely prolific author, Henri Lefebvre (1901-91) is best known for his books Critique of Everyday Life (1947-81), The Production of Space (1974) and The Urban Revolution (1970).
