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Author: Caroline Schneider
Publisher: Sternberg Press
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
Always There offers a comprehensive survey of American artist Julia Scher's work. The artist's installations and performances have always featured a complex relation to techno-social control, demonstrating our complicity in the proliferating technologies used to surveil both our physical and virtual identities. As Brian Wallis writes in his introduction, "Scher's work breaks linguistic codes of security, analyzing the rhetorics of surveillance discourse to allow the savvy user to manipulate and reconstitute those 'bits'. This approach is... akin to that of hackers, who, like Scher, invert the notion of usability, turning the practical on its head. On one level, this radical reversibility undoubtedly stems from some fundamental technoskepticism, but it also shows the artist's more complicated skepticism about the visual and geographical determinants of contemporary space and how they impact the practices of everyday life." The texts discuss how in the aftermath of 9-11, issues of surveillance, data harvesting and scoptophilia have acquired a new meaning. According to author Andrew Ross, "Scher is a wholly political artist with a keen eye and ear for the iconography and poetry of power, especially when it crystallizes into the operational jargon of aggressive intelligence systems." Contributors Bill Horrigan, Andrew Hultkrans, Giovanni Intra, Avital Ronell, Andrew Ross
Author: Caroline Schneider
Publisher: Sternberg Press
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
Always There offers a comprehensive survey of American artist Julia Scher's work. The artist's installations and performances have always featured a complex relation to techno-social control, demonstrating our complicity in the proliferating technologies used to surveil both our physical and virtual identities. As Brian Wallis writes in his introduction, "Scher's work breaks linguistic codes of security, analyzing the rhetorics of surveillance discourse to allow the savvy user to manipulate and reconstitute those 'bits'. This approach is... akin to that of hackers, who, like Scher, invert the notion of usability, turning the practical on its head. On one level, this radical reversibility undoubtedly stems from some fundamental technoskepticism, but it also shows the artist's more complicated skepticism about the visual and geographical determinants of contemporary space and how they impact the practices of everyday life." The texts discuss how in the aftermath of 9-11, issues of surveillance, data harvesting and scoptophilia have acquired a new meaning. According to author Andrew Ross, "Scher is a wholly political artist with a keen eye and ear for the iconography and poetry of power, especially when it crystallizes into the operational jargon of aggressive intelligence systems." Contributors Bill Horrigan, Andrew Hultkrans, Giovanni Intra, Avital Ronell, Andrew Ross
Author: Tom Lingnau
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: PMF Publishers
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Julia Bryan-Wilson
Publisher: Univ of California Press
ISBN: 0520269756
Category : Art
Languages : en
Pages : 302
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Book Description
From artists to art workers -- Carl Andre's work ethic -- Robert Morris's art strike -- Lucy Lippard's feminist labor -- Hans Haacke's paperwork.
Author: Tom Lingnau
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Giovanni Intra
Publisher: MIT Press
ISBN: 1635901650
Category : Art
Languages : en
Pages : 241
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Book Description
Artist, gallerist, and writer Giovanni Intra’s inventive approach to art writing provides a guide to the New Zealand and Los Angeles art scenes of his era. Everything you read about Los Angeles is true. The city adapts to its own mythology. It’s such a ludicrously discussed place that I always feel slightly idiotic in my attempts to produce a serious discourse about it. Raves in the desert, however, are superb. And ecstasy is a great drug. Also, if you hadn’t heard, music sounds better when you’re high. And the desert surrounding LA is wondrous. —Giovanni Intra, “LA Politics” Before his early death in 2002, Giovanni Intra enjoyed a rollercoaster ride through the art world. He was an artist and gallerist—cofounding two legendary galleries, the artist-run space Teststrip in Auckland and China Art Objects Galleries in Los Angeles—as well as a writer. Clinic of Phantasms provides a guide to the New Zealand and Los Angeles art scenes of the day, including texts on key artists from New Zealand (John Hurrell, Fiona Pardington, Denise Kum, Ava Seymour, Ann Shelton, Gavin Hipkins, Daniel Malone, and Slave Pianos) and Los Angeles (Charles Ray, Mike Kelley, Paul McCarthy, Dave Muller, Evan Holloway, John McCracken, and Julia Scher). What makes Intra’s work of enduring significance is his inventive approach to art writing, which was informed by his interest in punk, surrealism, and Daniel Paul Schreber, the famous case study in paranoia and hallucination. This volume features writing on Intra from Chris Kraus and Mark von Schlegell, Andrew Berardini, Roberta Smith, Tessa Laird, Will Bradley, Joel Mesler, and Robert Leonard. “He emerged the radically elegant punk, whip-crack smart and charming as hell . . . The hilarious honesty and sharp intelligence of Giovanni was to me a breeze, a knife, a wonder.” —Andrew Berardini, “Everything You Read About Giovanni Intra is True” Published by Bouncy Castle and Semiotext(e).
Author: Mira Schor
Publisher: Duke University Press
ISBN: 0822391414
Category : Art
Languages : en
Pages : 338
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Book Description
A Decade of Negative Thinking brings together writings on contemporary art and culture by the painter and feminist art theorist Mira Schor. Mixing theory and practice, the personal and the political, she tackles questions about the place of feminism in art and political discourse, the aesthetics and values of contemporary painting, and the influence of the market on the creation of art. Schor writes across disciplines and is committed to the fluid interrelationship between a formalist aesthetic, a literary sensibility, and a strongly political viewpoint. Her critical views are expressed with poetry and humor in the accessible language that has been her hallmark, and her perspective is informed by her dual practice as a painter and writer and by her experience as a teacher of art. In essays such as “The ism that dare not speak its name,” “Generation 2.5,” “Like a Veneer,” “Modest Painting,” “Blurring Richter,” and “Trite Tropes, Clichés, or the Persistence of Styles,” Schor considers how artists relate to and represent the past and how the art market influences their choices: whether or not to disavow a social movement, to explicitly compare their work to that of a canonical artist, or to take up an exhausted style. She places her writings in the rich transitory space between the near past and the “nextmodern.” Witty, brave, rigorous, and heartfelt, Schor’s essays are impassioned reflections on art, politics, and criticism.
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Author: Thomas Y. Levin
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 662
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Book Description
The unknown history of surveillance in relation to changing systems of representation and visual arts practice.
Author: Tom Lingnau
Publisher:
ISBN:
Category :
Languages : de
Pages :
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Author:
Publisher:
ISBN: 9782378961183
Category :
Languages : en
Pages : 40
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