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Author: Elizabeth Kornhauser
Publisher: Metropolitan Museum of Art
ISBN: 1588397386
Category : Art
Languages : en
Pages : 52
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Book Description
Investigating the career of the French-born American artist Jules Tavernier (1844–1889), this issue of the Bulletin recounts the artist’s travels through the American West and examines his portrayals of some of the Indigenous communities he encountered. The story focuses on Tavernier’s masterwork, Dance in a Subterranean Roundhouse at Clear Lake, California (1878), which depicts a ceremonial dance—known as mfom Xe, or “people dance”—performed by the Pomo community of Elem at Clear Lake, in Northern California. Robert Joseph Geary, an Elem Pomo cultural leader, eloquently describes his first reactions upon seeing Tavernier’s depiction of his ancestors and the significance of the mfom Xe ceremony. Elizabeth Kornhauser and Shannon Vittoria provide additional historical context for the painting and show how it recognizes the rich vitality of Elem Pomo culture while also exposing the threat posed to the community by White settlers. This Bulletin juxtaposes paintings, prints, watercolors, and photographs by Tavernier and other artists with examples of historic and contemporary Pomo basketry and regalia to celebrate the resiliency of the Pomo peoples and highlight their continued cultural presence.
Author: Elizabeth Kornhauser
Publisher: Metropolitan Museum of Art
ISBN: 1588397386
Category : Art
Languages : en
Pages : 52
Get Book Here
Book Description
Investigating the career of the French-born American artist Jules Tavernier (1844–1889), this issue of the Bulletin recounts the artist’s travels through the American West and examines his portrayals of some of the Indigenous communities he encountered. The story focuses on Tavernier’s masterwork, Dance in a Subterranean Roundhouse at Clear Lake, California (1878), which depicts a ceremonial dance—known as mfom Xe, or “people dance”—performed by the Pomo community of Elem at Clear Lake, in Northern California. Robert Joseph Geary, an Elem Pomo cultural leader, eloquently describes his first reactions upon seeing Tavernier’s depiction of his ancestors and the significance of the mfom Xe ceremony. Elizabeth Kornhauser and Shannon Vittoria provide additional historical context for the painting and show how it recognizes the rich vitality of Elem Pomo culture while also exposing the threat posed to the community by White settlers. This Bulletin juxtaposes paintings, prints, watercolors, and photographs by Tavernier and other artists with examples of historic and contemporary Pomo basketry and regalia to celebrate the resiliency of the Pomo peoples and highlight their continued cultural presence.
Author: Scott A. Shields
Publisher: Pomegranate Communications
ISBN: 9780764966859
Category : West (U.S.)
Languages : en
Pages : 0
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Book Description
French artist Jules Tavernier (1844-1889) was one of the American West's foremost talents, with a natural ability that many believed was second to none. After arriving in the United States, he and fellow Frenchman Paul Frenzeny were commissioned by Harper's Weekly to travel by rail from New York to San Francisco, producing illustrations of the rapidly changing American frontier along the way. The images were dramatic - American Indian customs, the emerging cattle trade, the decimation of native wildlife - and had rarely been seen by a popular audience. These scenes established Tavernier's reputation as a bold and daring painter and influenced the work of subsequent artists. Tavernier's reputation continued to grow in California, where he flourished in the budding social scene. He became a member of San Francisco's newly established Bohemian Club, hosting elaborate parties and taking part in celebratory outdoor revels, and his studio in Monterey became a hub of the peninsula's developing art colony. The strange grandeur of the Monterey coastline appealed to Tavernier's imagination, and it was during this period that he produced some of the most audacious work of his career, featuring a host of mysterious themes and images. Always on a quest for new and "untouched" subject matter (and weighed down by significant debts), Tavernier moved on to Hawaii, where he was fascinated by the island's dramatic scenery. "There is material here for a lifetime," he wrote to a friend, and, indeed, it was in this preindustrial paradise, with its lush greenery and churning beds of lava, that the artist's turbulent and creative life seemed to find its perfect visual embodiment. Jules Tavernier: Artist and Adventurer, the catalogue for the exhibition of the same title, is the first publication to focus on Jules Tavernier and his full range of work. With more than 120 artworks and photographs, it explores the life and work of this extraordinary artist.
Author: Scott A. Shields
Publisher: Univ of California Press
ISBN: 0520247396
Category : Art
Languages : en
Pages : 360
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Book Description
"From 1875 to the first years of the twentieth century, artists were drawn to the towns of Monterey, Pacific Grove, and then Carmel. Artist at Continent's End is the first in-depth examination of the importance of the Monterey Peninsula, which during this period came to epitomize California art. Beautifully illustrated with a wealth of images, including many never before published, this book tells the fascinating story of eight principal protagonists--Jules Tavernier, William Keith, Charles Rollo Peters, Arthur Mathews, Evelyn McCormick, Francis McComas, Gottardo Piazzoni, and photographer Arnold Genthe--and a host of secondary players who together established an enduring artistic legacy."--prospectus.
Author: Claudine Chalmers
Publisher: University of Oklahoma Press
ISBN: 0806150610
Category : Antiques & Collectibles
Languages : en
Pages : 249
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Book Description
The opening of the West after the Civil War drew a flood of Americans and immigrants to the frontier. Among the liveliest records of the westering of the 1870s is the series of prints collected for the first time in this book. Chronicling the West for Harper’s showcases 100 illustrations made for the weekly magazine by French artists Paul Frenzeny and Jules Tavernier on a cross-country assignment in 1873 and 1874. The pair—“Frenzeny & Tavernier,” as they signed their work—documented the newly accessible territories, their diverse inhabitants, and the changing frontier. Historian Claudine Chalmers focuses on the life and work of Frenzeny and Tavernier, who were accomplished and adventurous enough to succeed as “special artists,” the label Harper’s Weekly gave the illustrators it sent into the field. The job required imagination, courage, and adaptability, not to mention expert draftsmanship. Frenzeny, a skilled artist who accepted his adopted country’s many cultures, was also a superb horseman. Tavernier had been trained to work fast in a variety of media. Both men had the advantage of viewing America with fresh eyes. They began their artistic record in the East with An Emigrant Boarding-House in New York. Their journey ended in San Francisco, where they sketched the city’s bustling Chinatown and pastoral Marin County suburbs. Along with each illustration, the artists sent Harper’s a description; those captions are reproduced here. Frenzeny and Tavernier documented the frontier as it evolved. They depicted the hazards of travel and settlement, from fires to destitution, and presented disconcerting subject matter—such as the Sioux Sun Dance—in relentless detail. Their skill has made some of their drawings, among them The Strike in the Coal Mine, classics of American culture. With pencil and woodblock, Chalmers shows, these intrepid Frenchmen shaped public perceptions of the West for decades to come.
Author: Aaron M. Hyman
Publisher: Getty Publications
ISBN: 1606066862
Category : Art
Languages : en
Pages : 322
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Book Description
This book examines the reception in Latin America of prints designed by the Flemish artist Peter Paul Rubens, showing how colonial artists used such designs to create all manner of artworks and, in the process, forged new frameworks for artistic creativity. Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist’s designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analyzing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator.
Author: Birgitta Hjalmarson
Publisher: Balcony Press
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
Birgitta Hjalmarson deftly brings these artists back to life, partly because their story is long overdue, partly because it is such a rollicking good one.
Author: Jennifer Quasha
Publisher: The Rosen Publishing Group, Inc
ISBN: 0823960676
Category : Juvenile Nonfiction
Languages : en
Pages : 40
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Book Description
This book describes how to draw some of Hawaii's sights and symbols, including the state's seal, the state's flag, the Dole Plantation, and others.
Author: Ed Cobham
Publisher: Summersdale
ISBN: 0857653350
Category : Games & Activities
Languages : en
Pages : 162
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Book Description
So you think you're one of Eastenders' biggest fans? Test your knowledge with this trivia quiz book:How many times has Sharon been married? What colour was the original exterior of the Queen Vic? If you think you’re practically a resident of the square, these brain teasing questions will drive you Dotty until you've got them all!
Author: John Likides
Publisher: Xlibris Corporation
ISBN: 1664171053
Category : Fiction
Languages : en
Pages : 579
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Book Description
Comprising a novel, 59 essays, and a screenplay, Athanasia: Humanity across the Multiverse is a blueprint for our species’ maturation. The novel features a Mars-astronaut couple (a Scandinavi-an-American surfer and a Tibetan-American woman) and a visionary Tibetan-American physicist (the surfer’s mentor and the woman’s uncle) who summon the galaxy’s apex civilization, which clones worthy deceased humans and tests them on an alien Earth-like planet where dinosaur-like creatures with primitive tech tempt cloned humans with genocide. The essays range from peren-nial questions (consciousness, knowledge, the mind-body problem, etc) to more recent ones (quantum mechanics, alternate universes, Black Lives Matter, American exceptionalism, global warming, the Mars frontier, etc).
Author: David W. Forbes
Publisher: University of Hawaii Press
ISBN: 9780824826369
Category : History
Languages : en
Pages : 818
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Book Description
The fourth and final volume of the Hawaiian National Bibliography, 1780-1900, records the most volatile period in Hawaii's history. American business interests and the desire for a constitutional monarchy were pitted against the desire of the monarchs, King Kaläkaua and Queen Liliuokalani, to strengthen the power of the throne. The convulsions of the 1887 and 1889 revolutions were succeeded by the overthrow of the monarchy on January 17, 1893. Documents revealing the struggle over annexation, beginning in 1893, and the counterrevolution of 1895 are an important component of this volume. Annexation in 1898 was followed by a two-year period during which functions of government and laws were altered to conform to those of the United States. After the organic act became effective in 1900, vestiges of monarchical Hawaii disappeared and the history of the Territory of Hawaii unfolded. As with the previous volumes, Volume 4 is a record of printed works touching on some aspect of the political, religious, cultural, or social history of the Hawaiian Islands. A valuable component of this series is the inclusion of newspaper and periodical accounts, and single-sheet publications such as broadsides, circulars, playbills, and handbills. Entries are extensively annotated, and also provided for each are exact title, date of publication, size of volume, collation of pages, number and type of plates and maps, references, and location of copies.
