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Author: Henri Pierre Roché
Publisher: Penguin Classics
ISBN: 9780141194639
Category : Love stories
Languages : en
Pages : 240
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Book Description
In free-spirited Paris, Jules and Jim live a carefree, bohemian existence. They write in cafés, travel when the mood takes them, and share the women they love without jealousy. Like Lucie, flawless, an abbess, and Odile, impulsive, mischievous, almost feral. But it is Kate - with a smile the two friends have determined to follow always, but capricious enough to jump in the Seine from spite - who steals their hearts most thoroughly. Henri-Pierre Roché was in his mid-seventies when he wrote this, his autobiographical debut novel. The inspiration for the legendary film, it captures perfectly with excitement and great humour the tenderness of three people in love with each other and with life. With an Afterword by François Truffaut With a new Introduction by Agnes Catherine Poirier 'A perfect hymn to love and perhaps to life.' François Truffaut
Author: Henri Pierre Roché
Publisher: Penguin Classics
ISBN: 9780141194639
Category : Love stories
Languages : en
Pages : 240
Get Book Here
Book Description
In free-spirited Paris, Jules and Jim live a carefree, bohemian existence. They write in cafés, travel when the mood takes them, and share the women they love without jealousy. Like Lucie, flawless, an abbess, and Odile, impulsive, mischievous, almost feral. But it is Kate - with a smile the two friends have determined to follow always, but capricious enough to jump in the Seine from spite - who steals their hearts most thoroughly. Henri-Pierre Roché was in his mid-seventies when he wrote this, his autobiographical debut novel. The inspiration for the legendary film, it captures perfectly with excitement and great humour the tenderness of three people in love with each other and with life. With an Afterword by François Truffaut With a new Introduction by Agnes Catherine Poirier 'A perfect hymn to love and perhaps to life.' François Truffaut
Author: François Truffaut
Publisher: Zahar
ISBN: 8537813559
Category : Performing Arts
Languages : en
Pages : 381
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Book Description
Um livro, um filme, duas obras-primas. Se François Truffaut não houvesse encontrado por acaso, num sebo de Paris, o genial romance de Henri-Pierre Roché, não teria feito Jules e Jim, filme que sintetiza magistralmente todos os postulados da Nouvelle Vague.Nessa obra, que reúne o romance e o roteiro decupado e ilustrado do filme, o leitor brasileiro irá desfrutar da leitura de uma narrativa em estilo moderno, incisivo e delicado. Além de descobrir o universo original da história, e ter o privilégio de recompor os meandros dessa feliz adaptação e perceber por que Truffaut sentiu-se obrigado a manter diversos trechos intactos do romance em sua obra.Jules e Jim: o roteiro, o romance inclui ainda: Decupagem completa do filme, ilustrada com fotogramas selecionados pelo próprio Truffaut; Opiniões da crítica francesa especializada da época; Filmografia do cineasta; Miniglossário."Desde as primeiras linhas, fiquei apaixonado pela prosa de Henri-Pierre Roché. ... Jules e Jim é um romance de amor e estilo telegráfico, escrito por um poeta que busca esquecer sua cultura e que alinha as palavras e os pensamentos como o faria um camponês lacônico e correto".François Truffaut
Author: François Truffaut
Publisher: ABRAMS
ISBN:
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
A collection of autobiographical writings by French filmmaker François Truffaut.
Author: Diana Holmes
Publisher: Manchester University Press
ISBN: 1526141418
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
First in a series designed to situate and explain the films of French directors. A concise, accessible and original reading of Truffaut's films. A timely evaluation of the films of a popular director whose work features on most A-level French syllabuses and on the majority of University French Studies programmes both in the UK and the USA .
Author: Antoine De Baecque
Publisher: Knopf
ISBN: 0593535693
Category : Biography & Autobiography
Languages : en
Pages : 681
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Book Description
One of the most celebrated filmmakers of all time, Francois Truffaut was an intensely private individual who cultivated the public image of a man completely consumed by his craft. But his personal story—from which he drew extensively to create the characters and plots of his films—is itself an extraordinary human drama. Now, with captivating immediacy, Antoine de Baecque and Serge Toubiana give us the definitive story of this beloved artist. They begin with the unwanted, mischievous child who learned to love movies and books as an escape from sadness and confusion: as a boy, Francois came to identify with screen characters and to worship actresses. Following his early adult years as a journalist, during which he gained fame as France's most iconoclastic film critic, the obsessive prodigy began to make films of his own, and before he was thirty, notched the two masterpieces The 400 Blows and Jules and Jim. As Truffaut's dazzling body of work evolves, in the shadow of the politics of his day, including the student uprisings of 1968, we watch him learning the lessons of his masters Fellini and Hitchcock. And we witness the progress of his often tempestuous personal relationships, including his violent falling-out with Jean-Luc Godard (who owed Truffaut the idea for Breathless) and his rapturous love affairs with the many glamorous actresses he directed, among them Jacqueline Bisset and Jeanne Moreau. With Fanny Ardant, Truffaut had a child only thirteen months before dying of a brain tumor at the age of fifty-two. Here is a life of astonishing emotional range, from the anguish of severe depression to the exaltation of Oscar victory. Based on unprecedented access to Truffaut's papers, including notes toward an unwritten autobiography, de Baecque and Toubiana's richly detailed work is an incomparably authoritative revelation of a singular genius.
Author: Emilie Bickerton
Publisher: Verso Books
ISBN: 1844678318
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
Cahiers du Cinéma was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the ‘seventh art,’ equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: the likes of Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors of the age, their films part of the internationally celebrated nouvelle vague. In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these ‘collected pages of a notebook’ have provided for the world of cinema.
Author: Francois Truffaut
Publisher: Simon and Schuster
ISBN: 1501143220
Category : Art
Languages : en
Pages : 368
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Book Description
Iconic, groundbreaking interviews of Alfred Hitchcock by film critic François Truffaut—providing insight into the cinematic method, the history of film, and one of the greatest directors of all time. In Hitchcock, film critic François Truffaut presents fifty hours of interviews with Alfred Hitchcock about the whole of his vast directorial career, from his silent movies in Great Britain to his color films in Hollywood. The result is a portrait of one of the greatest directors the world has ever known, an all-round specialist who masterminded everything, from the screenplay and the photography to the editing and the soundtrack. Hitchcock discusses the inspiration behind his films and the art of creating fear and suspense, as well as giving strikingly honest assessments of his achievements and failures, his doubts and hopes. This peek into the brain of one of cinema’s greats is a must-read for all film aficionados.
Author: Geneviève Sellier
Publisher: Duke University Press
ISBN: 0822388979
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema. Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.
Author: François Truffaut
Publisher: Diversion Books
ISBN: 1626813965
Category : Art
Languages : en
Pages : 452
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Book Description
From a cinematic grand master, “one of the most readable books of movie criticism, and one of the most instructive” (American Film Institute). An icon. A rebel. A legend. The films of François Truffaut defined an exhilarating new form of cinema for moviegoers the world over. But before Truffaut became a great director, he was a critic who stood at the vanguard, pioneering an innovative way to view movies and to write about the cinematic arts. Now, for the first time in eBook, the legendary director shares his own words, as one of the most influential filmmakers of all time examines the art of movie-making through engaging and deeply personal reviews about the movies he loves. Truffaut writes extensively about his heroes, from Hitchcock to Welles, Chaplin to Renoir, Buñuel to Bergman, Clouzot to Cocteau, Capra to Hawks, Guitry to Fellini, sharing analysis and insight as to what made them film legends, and how their work led Truffaut and his fellow directors into classics like The 400 Blows, Jules and Jim, and the French New Wave movement. Articulate and candid, The Films in My Life is for everyone who has sat in a dark movie theater and dreamed. “Truffaut brings the same intelligence and grace to the printed page that he projects onto the screen. The Films in My Life provides a rare knowledgeable look at movies and moviemaking.” —Newsday
Author: Franz Hessel
Publisher: MIT Press
ISBN: 0262539667
Category : Literary Collections
Languages : en
Pages : 305
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Book Description
The first English translation of a lost classic that reinvents the flaneur in Berlin. Franz Hessel (1880–1941), a German-born writer, grew up in Berlin, studied in Munich, and then lived in Paris, where he moved in artistic and literary circles. His relationship with the fashion journalist Helen Grund was the inspiration for Henri-Pierre Roche's novel Jules et Jim (made into a celebrated 1962 film by Francois Truffaut). In collaboration with Walter Benjamin, Hessel reinvented the Parisian figure of the flaneur. This 1929 book—here in its first English translation—offers Hessel's version of a flaneur in Berlin. In Walking in Berlin, Hessel captures the rhythm of Weimar-era Berlin, recording the seismic shifts in German culture. Nearly all of the essays take the form of a walk or outing, focusing on either a theme or part of the city, and many end at a theater, cinema, or club. Hessel deftly weaves the past with the present, walking through the city's history as well as its neighborhoods. Even today, his walks in the city, from the Alexanderplatz to Kreuzberg, can guide would-be flaneurs. Walking in Berlin is a lost classic, known mainly because of Hessel's connection to Benjamin but now introduced to readers of English. Walking in Berlin was a central model for Benjamin's Arcades Project and remains a classic of “walking literature” that ranges from Surrealist perambulation to Situationist “psychogeography.” This MIT Press edition includes the complete text in translation as well as Benjamin's essay on Walking in Berlin, originally written as a review of the book's original edition. “An absolutely epic book, a walking remembrance.” —Walter Benjamin
