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Author: Hugh Kenner
Publisher: Univ of California Press
ISBN: 9780520039353
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
Author: Hugh Kenner
Publisher: Univ of California Press
ISBN: 9780520039353
Category : Literary Criticism
Languages : en
Pages : 140
Get Book Here
Book Description
Author: Joyce Johnson
Publisher: Penguin
ISBN: 110160106X
Category : Biography & Autobiography
Languages : en
Pages : 651
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Book Description
A groundbreaking portrait of Kerouac as a young artist—from the award-winning author of Minor Characters In The Voice is All, Joyce Johnson, author of her classic memoir, Door Wide Open, about her relationship with Jack Kerouac, brilliantly peels away layers of the Kerouac legend to show how, caught between two cultures and two languages, he forged a voice to contain his dualities. Looking more deeply than previous biographers into how Kerouac’s French Canadian background enriched his prose and gave him a unique outsider’s vision of America, she tracks his development from boyhood through the phenomenal breakthroughs of 1951 that resulted in the composition of On the Road, followed by Visions of Cody. By illuminating Kerouac’s early choice to sacrifice everything to his work, The Voice Is All deals with him on his own terms and puts the tragic contradictions of his nature and his complex relationships into perspective.
Author: W. Stephen Smith
Publisher: Oxford University Press
ISBN: 0195300505
Category : Language Arts & Disciplines
Languages : en
Pages : 223
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Book Description
Focusing not only on the most important technical, but also on the often overlooked psychological and spiritual elements of learning to sing, The Naked Voice allows readers to develop their own full and individual identities as singers
Author: Anne Fogarty
Publisher:
ISBN: 9781906359799
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Gathers together interpretations of Joyce's work by scholars in a wide span of disciplines: music, history, literature, philosophy, sport, geography, modern languages, economics, theatre studies, and law. The depth and range of James Joyce's relationship with key historical, intellectual, and cultural issues in the early twentieth century are explored. The twenty essays in this collection draw out the openness and pluralism of Joyce's writing and underscore the need for readings of his work from a large variety of diverging perspectives.
Author: Richard Bausch
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156031493
Category : Fiction
Languages : en
Pages : 432
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Book Description
This year's volume, featuring 17 new stories selected by award-winning novelist John Casey, continues the tradition of identifying the best young writers on the cusp of their careers.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Hugh Kenner
Publisher: Columbia University Press
ISBN: 9780231066334
Category : Biography & Autobiography
Languages : en
Pages : 404
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Book Description
One of the most important books ever written on Uylsses, Dublin's Joyce established Hugh Kenner as a significant modernist critic. This pathbreaking analysis presents Uylsses as a "bit of anti-matter that Joyce sent out to eat the world." The author assumes that Joyce wasn't a man with a box of mysteries, but a writer with a subject: his native European metropolis of Dublin. Dublin's Joyce provides the reader with a perspective of Joyce as a superemely important literary figure without considering him to be the revealer of a secret doctrine.
Author: John S. Rickard
Publisher: Duke University Press
ISBN: 9780822321705
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
DIVDiscusses Ulysses arguing that through the operation of memory, it mimics the working of the human mind and achieves its status as one of the most intellectual achievements of the 20th century./div
Author: Joyce L. Kornbluh
Publisher: PM Press
ISBN: 1604868449
Category : Political Science
Languages : en
Pages : 1426
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Book Description
Welcoming women, Blacks, and immigrants long before most other unions, the Wobblies from the start were labor’s outstanding pioneers and innovators, unionizing hundreds of thousands of workers previously regarded as “unorganizable.” Wobblies organized the first sit-down strike (at General Electric, Schenectady, 1906), the first major auto strike (6,000 Studebaker workers, Detroit, 1911), the first strike to shut down all three coalfields in Colorado (1927), and the first “no-fare” transit-workers’ job-action (Cleveland, 1944). With their imaginative, colorful, and world-famous strikes and free-speech fights, the IWW wrote many of the brightest pages in the annals of working class emancipation. Wobblies also made immense and invaluable contributions to workers’ culture. All but a few of America’s most popular labor songs are Wobbly songs. IWW cartoons have long been recognized as labor’s finest and funniest. The impact of the IWW has reverberated far beyond the ranks of organized labor. An important influence on the 1960s New Left, the Wobbly theory and practice of direct action, solidarity, and “class-war” humor have inspired several generations of civil rights and antiwar activists, and are a major source of ideas and inspiration for today’s radicals. Indeed, virtually every movement seeking to “make this planet a good place to live” (to quote an old Wobbly slogan), has drawn on the IWW’s incomparable experience. Originally published in 1964 and long out of print, Rebel Voices remains by far the biggest and best source on IWW history, fiction, songs, art, and lore. This new edition includes 40 pages of additional material from the 1998 Charles H. Kerr edition from Fred Thompson and Franklin Rosemont, and a new preface by Wobbly organizer Daniel Gross.
Author: Luke Gibbons
Publisher: University of Chicago Press
ISBN: 022652695X
Category : History
Languages : en
Pages : 307
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Book Description
For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure. In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis. Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.
