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Author: Dirk Van Hulle
Publisher: Routledge
ISBN: 1317111559
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
The text of Finnegans Wake is not as monolithic as it might seem. It grew out of a set of short vignettes, sections and fragments. Several of these sections, which James Joyce confidently claimed would "fuse of themselves", are still recognizable in the text of Finnegans Wake. And while they are undeniably integrated very skillfully, they also function separately. In this publication history, Dirk Van Hulle examines the interaction between the private composition process and the public life of Joyce's 'Work in Progress', from the creation of the separate sections through their publication in periodicals and as separately published sections. Van Hulle highlights the beautifully crafted editions published by fine arts presses and Joyce's encouragement of his daughter's creative talents, even as his own creative process was slowing down in the 1930s. All of these pre-book publications were "alive" in both bibliographic and textual terms, as Joyce continually changed the texts in order to prepare the book publication of Finnegans Wake. Van Hulle's book offers a fresh perspective on these texts, showing that they are not just preparatory versions of Finnegans Wake but a 'Work in Progress' in their own right.
Author: Dirk Van Hulle
Publisher: Routledge
ISBN: 1317111559
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
The text of Finnegans Wake is not as monolithic as it might seem. It grew out of a set of short vignettes, sections and fragments. Several of these sections, which James Joyce confidently claimed would "fuse of themselves", are still recognizable in the text of Finnegans Wake. And while they are undeniably integrated very skillfully, they also function separately. In this publication history, Dirk Van Hulle examines the interaction between the private composition process and the public life of Joyce's 'Work in Progress', from the creation of the separate sections through their publication in periodicals and as separately published sections. Van Hulle highlights the beautifully crafted editions published by fine arts presses and Joyce's encouragement of his daughter's creative talents, even as his own creative process was slowing down in the 1930s. All of these pre-book publications were "alive" in both bibliographic and textual terms, as Joyce continually changed the texts in order to prepare the book publication of Finnegans Wake. Van Hulle's book offers a fresh perspective on these texts, showing that they are not just preparatory versions of Finnegans Wake but a 'Work in Progress' in their own right.
Author: Richard F. Peterson
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 170
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Book Description
Work in Progress contains a separate essay on each of Joyce’s major works (Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake), with recognized Joyce scholars examining in each a central critical problem. Morris Beja examines Dubliners from the perspective of the “epiphany,” a concept formulated by the young Joyce. Richard Peterson finds a rhythmic flow in A Portrait that helps us see its narrative structuring more clearly. Shari and Bernard Benstock explore Ulysses to discern how movement and spatiality function in its narrative. Patrick McCarthy considers how Finnegans Wake and its audience are necessarily symbiotic partners. In the second grouping of essays Edmund Epstein and Fritz Senn each investigate how Joyce handles—or manipulates—language. Looking at three decades of criticism, Margaret Church demonstrates where the study of the Viconian cycle and stream-of-consciousness has led toward an understanding of the role of time in Joyce’s fiction. Sheldon Brivic adduces a Joycean psychology from the works that offers an additional dimension to the study of the texts. Suzette Henke traces the growing maturity of Joyce’s attitude toward women. Completing the collection, Father Robert Boyle examines the religious ethos present in Joyce’s work.
Author: Elliott B. Gose, Jr.
Publisher: University of Toronto Press
ISBN: 1487597703
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
James Joyce gave a life to Ulysses which is still felt today, after the shock of its realism and the dislocation of its techniques have been absorbed into the traditions they helped to establish. This study demonstrates the sources of that life, how Joyce's characters go through the conflicts he himself experienced and how Joyce was concerned not only with the grotesque potential of life but also with its comic dimension, attempting to transmit that 'feeling of joy' which he adopted early as his artistic commitment. Joyce's belief in the malleability and resilience of man's physical and spiritual nature attracted him to the transformation process as a technique for fiction and as an expression of his belief that we need to be linked with both our higher and lower natures, that the soul is transformed by its immersion in the life of the body. Integrating the views of Giorgano Bruno and Sigmund Freud into his thought and art, Joyce balanced the grotesque and the comic, the realistic and the idealistic, the psychological and the spiritual. Professor Gose traces in detail the development of the two important transformation processes in which Joyce involved Stephen Dedalus and Leopold Bloom. He also demonstrates Joyce's conception of the artist as necessarily involved in such a process himself. Joyce understood the psychopathology of everyday life; he also came to value and make a central concern of his art mankind's residence in the matrix of the bodily functions. Grotesque physical transformations are an important part of Ulysses. In the Nighttown episode Joyce combined the grotesque with the comic to purge Bloom's emotions, and the reader's. Essential as purging was to Joyce, however, he used it only as a preparation for the joyful affirmation of the last two episodes. Joyce reconciles his reader to the comedy of life by providing a cosmic view of our connection with the stars and our own corpuscles, with an eternal process in which our spirits naturally progress through all the forms of the universe. Elliott Gose offers a brilliant interpretation of this high and humane vision, and the transformation processes through which it is expressed.
Author: Joyce E. Chaplin
Publisher: UNC Press Books
ISBN: 0807838306
Category : History
Languages : en
Pages : 430
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Book Description
In An Anxious Pursuit, Joyce Chaplin examines the impact of the Enlightenment ideas of progress on the lives and minds of American planters in the colonial Lower South. She focuses particularly on the influence of Scottish notions of progress, tracing the extent to which planters in South Carolina, Georgia, and British East Florida perceived themselves as a modern, improving people. She reads developments in agricultural practice as indices of planters' desire for progress, and she demonstrates the central role played by slavery in their pursuit of modern life. By linking behavior and ideas, Chaplin has produced a work of cultural history that unites intellectual, social, and economic history. Using public records as well as planters' and farmers' private papers, Chaplin examines innovations in rice, indigo, and cotton cultivation as a window through which to see planters' pursuit of a modern future. She demonstrates that planters actively sought to improve their society and economy even as they suffered a pervasive anxiety about the corrupting impact of progress and commerce. The basis for their accomplishments and the root of their anxieties, according the Chaplin, were the same: race-based chattel slavery. Slaves provied the labor necessary to attain planters' vision of the modern, but the institution ultimately limited the Lower South's ability to compete in the contemporary world. Indeed, whites continued to wonder whether their innovations, some of them defied by slaves, truly improved the region. Chaplin argues that these apprehensions prefigured the antimodern stance of the antebellum period, but she contends that they were as much a reflection of the doubt inherent in theories of progress as an outright rejection of those ideas.
Author: James Joyce
Publisher:
ISBN: 9780571333714
Category :
Languages : en
Pages : 64
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Book Description
As James Joyce was working on Finnegans Wake, he asked his friend T.S. Eliot to shepherd an early extract, simply known as 'Work in Progress' into print. This celebrated episode, Anna Livia Plurabelle, was the first part of Joyce's extraordinary text to be published in England, printed in pamphlet form in 1930. It became the best-known section of Finnegans Wake, and one of Joyce's favourites; revised and published independently more times than any other piece. This new edition in the Faber Modern Classics series includes a new foreword by Edna O'Brien. 'His writing is not about something; it is that something itself.' Samuel Beckett
Author: Tim Conley
Publisher: Univ College Dublin Press
ISBN: 9781906359461
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
"Our Exagmination Round His Factification for Incamination of Work in Progress," a collection of twelve essays and two "letters of protest" from writers such as Beckett, Gilbert, Jolas, McAlmon, and Carlos Williams was orchestrated by Joyce ten years before the publication of Finnegan's Wake. This new collection of essays by fourteen outstanding Joycean scholars offers one essay in response to each of the original Exagmination contributions. From philosophically informed exegeses and new conceptions of international modernism to considerations of dance, film, and the flourishing field of genetic studies, these essays together exemplify an interdisciplinary criticism that is also a lively and ongoing conversation.
Author: Michael Groden
Publisher: Princeton University Press
ISBN: 1400855268
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
The publication of James Joyce's Ulysses crowned years of writing and constant rewriting at almost every stage, so that as many as ten versions exist for some pages. To understand how Joyce worked, Michael Groden traces the book's history in detail, synthesizing evidence from notebooks, drafts, manuscripts, typescripts, and proofs. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Luca Crispi
Publisher:
ISBN: 0198718853
Category : Literary Collections
Languages : en
Pages : 359
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Book Description
This book is both a study of how James Joyce created two of the most iconic characters in literature--Leopold Bloom and Marion Tweedy Bloom--as well as a history of the genesis of Ulysses. From a genetic critical perspective, it explores the conception and evolution of the Blooms as fictional characters in the work's wide range of surviving notes and manuscripts. At the same time, it also chronicles the production of Ulysses from 1917 to its first edition in 1922 and beyond. Based on decades of research, it is an original engagement with the textual archive of Ulysses, including the exciting, recently-discovered manuscripts now in the National Library of Ireland. Luca Crispi excavates the raw material and examines the creative processes Joyce deployed in the construction of the Blooms and so the writing of Ulysses. Framed by a contextual introduction and four bibliographical appendices, the seven main chapters are a critical investigation of the fictional events and memories that constitute the "lives" of the Blooms. Thereby, it is also a commentary on Joyce's conception of Ulysses more generally. Crispi analyzes how the stories in the published book achieved their final form and discloses previously unexamined versions of them for everyone who enjoys reading Ulysses. This book demonstrates the various ways in which specialist textual work on the genesis of Ulysses directly intersects with other critical and interpretive readings. Joyce's Creative Process is a behind-the-scenes guide to the creation of one of the most important books ever written.
Author:
Publisher: BRILL
ISBN: 9004334106
Category : Social Science
Languages : en
Pages : 227
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Book Description
This book presents for the first time a collective examination of the issue of audience in relation to Joyce’s work and the cultural moments of its reception. While many of the essays gathered in this volume are concerned with particular readers and readings of Joyce’s work, they all, individually and generally, gesture at something broader than a specific act of reception. Joyce’s Audiences is an important narrative of the cultural receptions of Joyce but it is also an exploration of the author’s own fascination with audiences, reflecting a wider concern with reading and interpretation in general. Twelve essays by an international cast of Joyce critics deal with: the censorship and promotion of Ulysses; the ‘plain reader’ in modernism; Richard Ellmann’s influence on Joyce’s reputation; the implied audiences of Stephen Hero and Portrait; Borges’s relation with Joyce; the study of Joyce in Taiwan; the promotion of Joyce in the U.S.; the complaint that there is insufficient time to read Joyce’s work; the revisions to “Work in Progress” that respond to specific reviews; strategies of critical interpretation; Joyce and feminism; and the ‘belated’ readings of post-structuralism.
Author: Luca Crispi
Publisher: Univ of Wisconsin Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 552
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Book Description
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