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Author:
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ISBN:
Category : Authors
Languages : fr
Pages : 1412
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Author:
Publisher:
ISBN:
Category : Authors
Languages : fr
Pages : 1412
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![Journal [1887-1910]. PDF](https://books.google.com/books/content/images/frontcover/KqxZxAEACAAJ?fife=w80-h100)
Author: Jules Renard
Publisher:
ISBN:
Category :
Languages : fr
Pages : 879
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Author: Jules Renard
Publisher: Picador
ISBN: 0374721645
Category : Literary Collections
Languages : en
Pages : 310
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A wry, observant masterpiece—one of the singular treasures of the French fin de siècle Written between the age of twenty-three and his death at age forty-six, Jules Renard’s Journal 1887–1910 is a triumph of introspection and wit. One of the most celebrated figures of Belle Époque Paris, Renard was also a prolific diarist whose private musings were first published in five volumes some fifteen years after his death. Acclaimed by everyone from Somerset Maugham to Samuel Beckett to Susan Sontag, the Journal has had a decisive influence on contemporary letters and was named one of the 100 Books of the Century by Le Monde. It is also a singularly funny work, full of aphorisms, jokes, and sly observations on some of literature’s most indelible characters. These selections, brought together by Julian Barnes and translated by Theo Cuffe, offer unparalleled and unfailingly entertaining glimpses of a bygone world. Moving from modish Parisian salons to the French countryside, where Renard served as a provincial mayor in the final years of his life, the Journal is a portrait of a society in flux and a playground for one of the era’s great prose styles. Here, Renard confirms his place among France’s most dazzlingly inventive writers.
Author: Jules Renard
Publisher:
ISBN:
Category : Authors, French
Languages : fr
Pages : 0
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Author: Jules Renard
Publisher: Tin House Books
ISBN: 1941040829
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
Spanning 1887 to a month before his death in 1910, The Journal of Jules Renard is a unique autobiographical masterpiece that, though celebrated abroad and cited as a principle influence by writers as varying as Somerset Maugham and Donald Barthelme, remains more of a cult object in the United States. Throughout his journal, Renard develops not only his artistic convictions but also his humanity as he reflects on the nineteenth-century French literary and art scene, and on the emergence of his position as an important novelist and playwright in that world. Through a mix of aphorisms and observations, short scenes, gossip, jokes, and meditations on life and art, Renard portrays the details of his personal life?his love interests, his position as a socialist mayor of Chitry, the suicide of his father?that often appear in his work. In recent years, the fragmented memoir has grown in popularity, and there’s been a resurgence of diary as an artistic form. Once again, Jean Paul Sartre’s assessment that “directly, or indirectly, Renard is at the origin of contemporary literature” rings true. In a new introduction, Sarah Manguso—whose groundbreaking nonfiction incorporates elements of diary and aphorism—both contextualizes and celebrates Renard’s seminal journal.
Author: Jules Renard
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Jules Renard
Publisher:
ISBN:
Category :
Languages : fr
Pages : 1424
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Author: JULES. RENARD
Publisher: riverrun
ISBN: 9781787475595
Category :
Languages : en
Pages : 320
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Book Description
'As a mayor, I am responsible for the upkeep of rural roads; as poet, I prefer to see them neglected.' Jules Renard was a French literary figure of the late nineteenth century. Not a Parisian but a committed countryman, he was elected mayor in 1904 of the tiny village of Citry-le-Mines in a remote part of northern Burgundy. He had the soul of a rustic bourgeois but the ambition of a metropolitan, and his wife's money allowed him to move in elevated circles, though he seemed an awkward customer, a badger, and looked like one. He wrote fiction, journalism and drama, very successfully, but the Journal is Renard's masterpiece, the least categorizable work of the French fin de siècle. The Journal constitutes a profusion of entries, without stitching or pattern: mordant reflections on style, literature and theatre; portraits of family, friends and the Parisian literary scene; quasi-ethnographical observations on village life and notations of the natural world which are unlike anything except themselves. Samuel Beckett spoke of Renard in the same breath as Proust and Celine, wrote of the Journal that 'for me it is as inexhaustible as Boswell ' and believed his style was learnt from despair. Gide said the Journal was 'not a river but a distillery'. Sartre wrote that 'He invented the literature of silence'. But above all it is a moving and splintery piece of self-scrutiny. Julian Barnes has admired the Journal for many years and has made this new selection from the twelve hundred page Pléiade edition. Theo Cuffe's translation will help bring this fierce judge of human foibles to a new generation of readers.
Author: Jules Renard
Publisher:
ISBN: 9780785931874
Category :
Languages : en
Pages :
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Author: Jules Renard
Publisher: National Geographic Books
ISBN: 1941040810
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Throughout his journal, Renard develops not only his artistic convictions but also his humanity as he reflects on the nineteenth-century French literary and art scene, and on the emergence of his position as an important novelist and playwright in that world. Through a mix of aphorisms and observations, short scenes, gossip, jokes, and meditations on life and art, Renard portrays the details of his personal life—his love interests, his position as a socialist mayor of Chitry, the suicide of his father—that often appear in his work. In recent years, the fragmented memoir has grown in popularity, and there’s been a resurgence of diary as an artistic form. Once again, Jean Paul Sartre’s assessment that “directly, or indirectly, Renard is at the origin of contemporary literature” rings true. In a new introduction, Sarah Manguso—whose groundbreaking nonfiction incorporates elements of diary and aphorism—both contextualizes and celebrates Renard’s seminal journal.
