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Author: Hans Schoots
Publisher: Amsterdam University Press
ISBN: 9789053564332
Category : Performing Arts
Languages : en
Pages : 448
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Book Description
Highly prized biography of one of the Netherlands' most famous and controversial filmmakers.
Author: Hans Schoots
Publisher: Amsterdam University Press
ISBN: 9789053564332
Category : Performing Arts
Languages : en
Pages : 448
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Book Description
Highly prized biography of one of the Netherlands' most famous and controversial filmmakers.
Author: Kees Bakker
Publisher: Leiden University Press
ISBN:
Category : Documentary films
Languages : en
Pages : 328
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Book Description
The life of Joris Ivens (1898-1989) coincides roughly with the history of the film. His own place of prominence in that history was earned by his pioneering work in the documentary film, which combined a striking aesthetic with intense personal and political involvement. This book places his life and work in the context of twentieth-century history and the development of the documentary film. Articles by film scholars, historians, former co-workers, and by Joris Ivens himself present a complex portrait of this outstanding filmmaker, illuminating the social, political, and aesthetic facets of his life and work, as well as of the documentary film in general.
Author: Rosalind Delmar
Publisher: London : Educational Advisory Service, British Film Institute
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 140
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Book Description
No Marketing Blurb
Author: Marceline Loridan-Ivens
Publisher: Open Road + Grove/Atlantic
ISBN: 0802190650
Category : History
Languages : en
Pages : 66
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Book Description
A French woman’s heartrending account of her survival in a WWII Nazi concentration camp—and a tribute to her father who died there. A runaway bestseller in France, But You Did Not Come Back has already been the subject of a French media storm and hailed as an important new addition to the library of books dealing with the Holocaust. It is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested in occupied France, along with her father. Later, in the camps, he managed to smuggle a note to her, a sign of life that made all the difference to Marceline—but he died in the Holocaust, while Marceline survived. In But You Did Not Come Back, Marceline writes back to her father, the man whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found her calling, working as both an activist and a documentary filmmaker. But now, as France, and Europe in general, face growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt. “But You Did Not Come Back is indisputably a story of survival . . . yet it is also a story of how trauma impacts through the generations.” —The Guardian
Author: Frank Manchel
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838631867
Category : Art
Languages : en
Pages : 988
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Book Description
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
Author: Alexandru Vlad
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
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Book Description
The work entitled The Poetic Documentary: From Joris Ivens to Nonny de la Peña documented the course of the poetic documentary from the first public film screening, made on 28 December 1895, going through the fight against the predominance of the consumer zone fueled by the desire for maturation, the actual maturation of the genre, and the future trends to which this kind of documentary film is moving with the emergence of new technologies, like virtual reality or the concept of cloud filmmaking. The research aims at the diegetic world of the poetic documentary film, both historically and critically, to shed light on current theoretical knowledge and some insights for fertile research, for the future, to test the applicability of aesthetic elements (as a universal aspect) in the construction of the poetic mode.
Author: Malte Hagener
Publisher: Amsterdam University Press
ISBN: 9053569618
Category : Performing Arts
Languages : en
Pages : 374
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Book Description
This book, the first full critical overview of the film avant-garde, ushers in a new approach—and in the process creates its own subject. While many books have studied particular aspects of the European film avant-garde of the 1920s and 1930s, Moving Forward, Looking Back provides a much-needed summary of the theory and practice of the movement, while also emphasizing aspects of the period that have been overlooked. Arguing that a European perspective is the only way to understand the transnational movement, the book also pioneers a new approach to the alternative cinema network that sustained the avant-garde, paying particular attention to the emergence of film culture as visible in screening clubs, film festivals, and archives. It will be essential to anyone interested in the influential movement and the film culture it created.
Author: Rossen Djagalov
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228002028
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
Would there have been a Third World without the Second? Perhaps, but it would have looked very different. From Internationalism to Postcolonialism recounts the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema, and offers a compelling genealogy of contemporary postcolonial studies.
Author: Helen Durant
Publisher: The Museum of Modern Art
ISBN: 9780870700811
Category : Performing Arts
Languages : en
Pages : 152
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Book Description
This book details the production of Robert Flaherty's most beautiful and most ambitious film, Louisiana Story. At its core are the production diaries of Helen van Dongen, associate producer and editor for the project and a pioneer among women filmmakers. Her informative notes, which have never before been published, illuminate the problems and challenges of shooting and cutting the film on location in the bayou country of Louisiana. The essays describe the creative partnership that van Dongen developed with Flaherty. They also provide insight into New York's documentary film scene during the 1930s and '40s. The illustrations include film stills, working documents, and archival photographs; there are also biographies and filmographies.
Author: Joshua Malitsky
Publisher: John Wiley & Sons
ISBN: 1119116309
Category : Performing Arts
Languages : en
Pages : 544
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Book Description
This volume offers a new and expanded history of the documentary form across a range of times and contexts, featuring original essays by leading historians in the field In a contemporary media culture suffused with competing truth claims, documentary media have become one of the most significant means through which we think in depth about the past. The most rigorous collection of essays on nonfiction film and media history and historiography currently available, A Companion to Documentary Film History offers an in-depth, global examination of central historical issues and approaches in documentary, and of documentary's engagement with historical and contemporary topics, debates, and themes. The Companion's twenty original essays by prominent nonfiction film and media historians challenge prevalent conceptions of what documentary is and was, and explore its growth, development, and function over time. The authors provide fresh insights on the mode's reception, geographies, authorship, multimedia contexts, and movements, and address documentary's many aesthetic, industrial, historiographical, and social dimensions. This authoritative volume: Offers both historical specificity and conceptual flexibility in approaching nonfiction and documentary media Explores documentary's multiple, complex geographic and geopolitical frameworks Covers a diversity of national and historical contexts, including Revolution-era Soviet Union, post-World War Two Canada and Europe, and contemporary China Establishes new connections and interpretive contexts for key individual films and film movements, using new primary sources Interrogates established assumptions about documentary authorship, audiences, and documentary's historical connection to other media practices. A Companion to Documentary Film History is an ideal text for undergraduate and graduate courses covering documentary or nonfiction film and media, an excellent supplement for courses on national or regional media histories, and an important new resource for all film and media studies scholars, particularly those in nonfiction media.
