Jörg Breu the Elder

Jörg Breu the Elder PDF Author: Andrew Morrall
Publisher: Routledge
ISBN: 1351757202
Category : Art
Languages : en
Pages : 309

Get Book Here

Book Description
This title was first published in 2002: Jörg Breu belonged to the generation of German Renaissance artists that included Dürer, Cranach, Grünewald, Altdorfer, and, in his own city of Augsburg, Hans Burgkmair the Elder. His art registered the early reception of Italian art in Germany and spanned the dramatic years of the Reformation in Augsburg, when the city was riven with social and religious tensions. Uniquely, for a German artist, Breu left a diary chronicling his reaction to the massive social and cultural forces that engulfed him, including his own conversion to the Protestant cause. His story is representative of the condition of many artists during the Reformation years living through this watershed between two cultural eras, which witnessed the transfer of creative energies from religious painting to secular and applied forms of art. In this wide ranging and original study, Andrew Morrall examines the effect of these events on the nature and practice of Jörg Breu's art and its reception, not just in his own period, but right up to the present day.

Jörg Breu the Elder

Jörg Breu the Elder PDF Author: Andrew Morrall
Publisher: Routledge
ISBN: 1351757202
Category : Art
Languages : en
Pages : 309

Get Book Here

Book Description
This title was first published in 2002: Jörg Breu belonged to the generation of German Renaissance artists that included Dürer, Cranach, Grünewald, Altdorfer, and, in his own city of Augsburg, Hans Burgkmair the Elder. His art registered the early reception of Italian art in Germany and spanned the dramatic years of the Reformation in Augsburg, when the city was riven with social and religious tensions. Uniquely, for a German artist, Breu left a diary chronicling his reaction to the massive social and cultural forces that engulfed him, including his own conversion to the Protestant cause. His story is representative of the condition of many artists during the Reformation years living through this watershed between two cultural eras, which witnessed the transfer of creative energies from religious painting to secular and applied forms of art. In this wide ranging and original study, Andrew Morrall examines the effect of these events on the nature and practice of Jörg Breu's art and its reception, not just in his own period, but right up to the present day.

Art and Politics in Early Modern Germany: Jörg Breu the Elder and the Fashioning of Political Identity, ca. 1475-1536

Art and Politics in Early Modern Germany: Jörg Breu the Elder and the Fashioning of Political Identity, ca. 1475-1536 PDF Author: Cuneo
Publisher: BRILL
ISBN: 9004477470
Category : History
Languages : en
Pages : 288

Get Book Here

Book Description
An exploration of the interaction between art and politics in early modern Germany, this work focuses on art, political in content, produced by the Augsburg artist Jörg Breu the Elder during the second and third decodes of the sixteenth century. The book argues for the function of the art as fashioning political identities. The artist Jörg Breu is first introduced. His work for the city of Augsburg and for Habsburg and Wittelsbach rulers are examined. These works are placed within their historical context and analyzed according to how they articulate themes of warfare, ceremony, and history in order to construct political identity. The analysis of Breu's city chronicle and of the response of his art to political contest is particularly useful for historians of art and of politics.

Jörg Breu the Elder

Jörg Breu the Elder PDF Author: Andrew Morrall
Publisher: Routledge
ISBN: 1351757199
Category : Art
Languages : en
Pages : 465

Get Book Here

Book Description
This title was first published in 2002: Jörg Breu belonged to the generation of German Renaissance artists that included Dürer, Cranach, Grünewald, Altdorfer, and, in his own city of Augsburg, Hans Burgkmair the Elder. His art registered the early reception of Italian art in Germany and spanned the dramatic years of the Reformation in Augsburg, when the city was riven with social and religious tensions. Uniquely, for a German artist, Breu left a diary chronicling his reaction to the massive social and cultural forces that engulfed him, including his own conversion to the Protestant cause. His story is representative of the condition of many artists during the Reformation years living through this watershed between two cultural eras, which witnessed the transfer of creative energies from religious painting to secular and applied forms of art. In this wide ranging and original study, Andrew Morrall examines the effect of these events on the nature and practice of Jörg Breu's art and its reception, not just in his own period, but right up to the present day.

Jörg Breu the Elder and the Younger

Jörg Breu the Elder and the Younger PDF Author: Jörg Breu
Publisher:
ISBN: 9789077551677
Category : Engravings, German
Languages : en
Pages : 336

Get Book Here

Book Description


The New Hollstein: Jorg Breu the Elder and the Younger (pt.1-2)

The New Hollstein: Jorg Breu the Elder and the Younger (pt.1-2) PDF Author:
Publisher:
ISBN:
Category : Engraving, German
Languages : en
Pages : 336

Get Book Here

Book Description


Art and Politics in Early Modern Germany

Art and Politics in Early Modern Germany PDF Author: Pia F. Cuneo
Publisher: BRILL
ISBN: 9789004111844
Category : History
Languages : en
Pages : 298

Get Book Here

Book Description
An exploration of the complex political dynamics of early modern Germany and on the manner in which art produced by Jorg Breu the Elder of Augsburg responded to those dynamics.

Master Drawings from the Smith College Museum of Art

Master Drawings from the Smith College Museum of Art PDF Author: Smith College. Museum of Art
Publisher: Hudson Hills
ISBN: 9781555951832
Category : Architecture
Languages : en
Pages : 344

Get Book Here

Book Description
This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.

The XVIth Century

The XVIth Century PDF Author: Gilhofer & Ranschburg (Vienna, Austria)
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 352

Get Book Here

Book Description


The Pictorialization of Dürer's Drawings in Northern Europe in the Sixteenth and Seventeenth Centuries

The Pictorialization of Dürer's Drawings in Northern Europe in the Sixteenth and Seventeenth Centuries PDF Author: Kayo Hirakawa
Publisher: Peter Lang
ISBN: 9783039117253
Category : Art
Languages : en
Pages : 182

Get Book Here

Book Description
This book examines the unique phenomenon of the pictorialization of Dürer's drawings. Representative Northern European painters in the sixteenth and seventeenth centuries - such as Hans Schäufelein, Jacob Hoefnagel and Jan Brueghel the Elder - reproduced Dürer's drawings, from single motifs to whole compositions in brilliant colors. This publication discusses the character of Dürer's workshop, preferences for drawings in Renaissance Germany, questions about authorship and ownership around works of art and the reception and adaptation of the Northern Renaissance art in the Prague Mannerism. It also demonstrates how in the course of the sixteenth century the evaluation of Dürer's drawings in Northern Europe changed.

Drawing, 1400-1600

Drawing, 1400-1600 PDF Author: Stuart Currie
Publisher: Routledge
ISBN: 0429858701
Category : Social Science
Languages : en
Pages : 235

Get Book Here

Book Description
First published in 1998, this volume twelve scholars explore ways in which drawings were employed and appreciated in various European Cities form late medieval times, through the Renaissance and Reformation periods and into the early seventeenth century. The essayists examine the relationship between preparatory sketches and finished artworks in more durable and expensive materials, and consider the roles played by various drawing types, such as studies from different kinds of model and student copies from a master’s exemplar. They also investigate how drawings and their mechanically- reproduced equivalents- engravings, etchings and other forms of print – came to be collected for both practical and connoisseurial purposes, and how iconographical and stylistic inventiveness were linked to imaginative artistic interpretations of traditional subjects and to technical innovations in drawing and printmaking. Through diverse approaches to the study of artists’ attitudes and ambitions, the essays in Drawing 1400-1600 offer ways of appreciating the complex and fascinating history of the practice and theory of drawing over two centuries during which the expressive potential of the medium was realized in some of the greatest artistic statements of all time.