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Author: Brian Keener
Publisher: Peter Lang
ISBN: 9780820470900
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
The comedy in John Updike's most important works - The Centaur; Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit at Rest; and Rabbit Remembered - defines a comic world and its morality. Although critics have failed to recognize the extent and the importance of Updike's comedy, his serious fiction does contain a good deal of farce, burlesque, and irony that, far from being peripheral or mere comic relief, depicts the absurd and contradictory nature of life. Within such a world, set in the everyday Pennsylvania of the second half of the twentieth century, human beings mature, or gain Kierkegaard's ethical sphere, by fulfilling their societal and generational responsibilities. George Caldwell of The Centaur is Updike's paragon, while Rabbit Angstrom embodies the comic hero who, through trial and error, finally matures. Overall, through an analysis of Updike's comedy, this book reveals a dimension of his fiction that is essential to understanding his work.
Author: Brian Keener
Publisher: Peter Lang
ISBN: 9780820470900
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
The comedy in John Updike's most important works - The Centaur; Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit at Rest; and Rabbit Remembered - defines a comic world and its morality. Although critics have failed to recognize the extent and the importance of Updike's comedy, his serious fiction does contain a good deal of farce, burlesque, and irony that, far from being peripheral or mere comic relief, depicts the absurd and contradictory nature of life. Within such a world, set in the everyday Pennsylvania of the second half of the twentieth century, human beings mature, or gain Kierkegaard's ethical sphere, by fulfilling their societal and generational responsibilities. George Caldwell of The Centaur is Updike's paragon, while Rabbit Angstrom embodies the comic hero who, through trial and error, finally matures. Overall, through an analysis of Updike's comedy, this book reveals a dimension of his fiction that is essential to understanding his work.
Author: Laurence W. Mazzeno
Publisher: Camden House
ISBN: 1571135111
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
When John Updike died in 2009, tributes from the literary establishment were immediate and fulsome. However, no one reading reviews of Updike's work in the late 1960s would have predicted that kind of praise for a man who was known then as a brilliant stylist who had nothing to say. What changed? Why? And what is likely to be his legacy? These are the questions that Becoming John Updike pursues by examining the journalistic and academic response to his writings. Several things about Updike's career make a reception study appropriate. First, he was prolific: he began publishing fiction and essays in 1956, published his first book in 1958, and from then on, brought out at least one new book each year. Second, his books were reviewed widely - usually in major American newspapers and magazines, and often in foreign ones as well. Third, Updike quickly became a darling of academics; the first book about his work was published in 1967, less than a decade after his own first book. More than three dozen books and hundreds of articles of academic criticism have been devoted to Updike. The present volume will appeal to the continuing interest in Updike's writing among academics and general readers alike. Laurence W. Mazzeno is President Emeritus of Alvernia University. Among other books, he has written volumes on Austen, Dickens, Tennyson, and Matthew Arnold for Camden House's Literary Criticism in Perspective series.
Author: Laurence W. Mazzeno
Publisher: Boydell & Brewer
ISBN: 1571139729
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
From his first book publication in 1958, the American writer John Updike attracted an international readership. His books have been translated into twenty-three languages, and he has always had a strong following in the United Kingdom and in Europe. Although Updike died in 2009, interest in his work remains strong among European scholars. No recent volume, however, collects diverse European views on Updike's oeuvre. The current book fills that void, presenting essays that perceive Updike's renditions of America through the eyes of scholar/readers from both Western and Eastern Europe--back cover.
Author: Matthew Shipe
Publisher: Rowman & Littlefield
ISBN: 1498575617
Category : Political Science
Languages : en
Pages : 282
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Book Description
Presenting the first interdisciplinary consideration of his political thought, Updike and Politics: New Considerations establishes a new scholarly foundation for assessing one of the most recognized and significant American writers of the post-1945 period. This book brings together a diverse group of American and international scholars, including contributors from Japan, India, Israel, and Europe. Like Updike himself, the collection canvases a wide range of topics, including Updike’s too often overlooked poetry and his single play. Its essays deal with not only political themes such as the traditional aspects of power, rights, equality, justice, or violence but also the more divisive elements in Updike’s work like race, gender, imperialism, hegemony, and technology. Ultimately, the book reveals how Updike’s immense body of work illuminates the central political questions and problems that troubled American culture during the second half of the twentieth century as well as the opening decade of the new millennium.
Author: Josep M. Armengol
Publisher: Springer Nature
ISBN: 3030715965
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
This book focuses on representations of aging masculinities in contemporary U.S. fiction, including shifting perceptions of physical and sexual prowess, depression, and loss, but also greater wisdom and confidence, legacy, as well as new affective patterns. The collection also incorporates factors such as race, sexuality and religion. The volume includes studies, amongst others, on Philip Roth, Paul Auster, Toni Morrison, Ernest Gaines, and Edmund White. Ultimately, this study proves that men’s aging experiences as described in contemporary U.S. literature and culture are as complex and varied as those of their female counterparts.
Author: John Updike
Publisher: Random House Trade Paperbacks
ISBN: 0812982967
Category : Biography & Autobiography
Languages : en
Pages : 273
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Book Description
John Updike’s memoirs consist of six Emersonian essays that together trace the inner shape of the life, up to the age of fifty-five, of a relatively fortunate American male. The author has attempted, his foreword states, “to treat this life, this massive datum which happens to be mine, as a specimen life, representative in its odd uniqueness of all the oddly unique lives in this world.” In the service of this metaphysical effort, he has been hair-raisingly honest, matchlessly precise, and self-effacingly humorous. He takes the reader beyond self-consciousness, and beyond self-importance, into sheer wonder at the miracle of existence.
Author: Jack A. De Bellis
Publisher: McFarland
ISBN: 1476630186
Category : Biography & Autobiography
Languages : en
Pages : 230
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Book Description
Fifty-three individuals present a prismatic view of the two-time Pulitzer Prize winner and his work through anecdote and insight. Interviews and essays from family, friends and associates reveal sides of the novelist perhaps unfamiliar to the public--the high school prankster, the golfer, the creator of bedtime stories, the charming ironist, the faithful correspondent with scholars, the devoted friend and the dedicated practitioner of his craft. The contributors include his first wife, Mary Pennington, and three of their children; high school and college friends; authors John Barth, Joyce Carol Oates and Nicholson Baker; journalists Terri Gross and Ann Goldstein; and scholars Jay Parini, William Pritchard, James Plath, and Adam Begley, Updike's biographer.
Author: Jane Smiley
Publisher: Anchor
ISBN: 0307744817
Category : Fiction
Languages : en
Pages : 498
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Book Description
NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of A Thousand Acres comes the “wondrous…mesmerizing” second installment (The Washington Post), following Some Luck, of her widely acclaimed, bestselling American trilogy, which brings the journey of a remarkable family with roots in the Iowa heartland into mid-century America. It’s 1953, and the Langdons are at a crossroads. Walter, their stalwart patriarch, has died unexpectedly, and his wife must try to keep their farm going. But of their five children, only one will remain to work the land. The others scatter to Washington, DC, California, and everywhere in between. As the country moves into the Cold War, through the social revolutions of the ‘60s and ‘70s, and into the unprecedented wealth—for some—of the early ‘80s, the Langdon children have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam—leaving behind a secret legacy. Capturing a transformative period through characters we come to know and love, this second volume in Jane Smiley's epic trilogy brings to life the challenges—and rewards—of family and home, even in the most turbulent of times.
Author: Nick Rennison
Publisher: A&C Black
ISBN: 1408113953
Category : Language Arts & Disciplines
Languages : en
Pages : 497
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Book Description
Deciding what to read next when you've just finished an unputdownable novel can be a daunting task. The Bloomsbury Good Reading Guide features hundreds of authors and thousands of titles, with navigation features to lead you on a rich journey through some the best literature to grace our shelves.
Author: Jerome Loving
Publisher: University of Iowa Press
ISBN: 0877459223
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
In this spirited challenge to dominant American literary criticism, Jerome Loving extends the traditional period of American literary rebirth to the end of the nineteenth century and argues for the intrinsic value of literature in the face of new historicist and deconstructionist readings. Bucking the trend for prophetic and revisionist interpretations, Loving discusses the major work of the last century's canonized writers as restorative adventures with the self and society. From Washington Irving to Theodore Dreiser, Loving finds the American literary tradition filled with narrators who keep waking up to the central scene of the author's real or imagined life. They travel through a customhouse of the imagination in which the Old World experience of the present is taxed by the New World of the utopian past, where life is always cyclical instead of linear and ameliorative. Loving argues that the central literary experience in nineteenth-century America is the puritanical desire for the time before the loss of innocence - that endless chance of coming into experience anew. Lost in the Customhouse begins with a discussion of Irving, Hawthorne, Melville, Poe, Thoreau, and Emerson and finds these seminal Renaissance writers waking up primarily to psychological facts which blossomed into the fiction of a self begotten out of the nothingness of experience. In part 2, Loving shifts his attention to the urbanization of the American imagination and discusses Whitman, Twain, Dickinson, James, Chopin, and Dreiser. Here the dream-driven impulse is more clearly influenced by social history: abolition, women's suffrage, industrialization, and the growth of professionalism. Loving focuses upon the role of the woman who finds herself on the same frontier as her male precursors - "with nothing but a carpetbag - that is to say, the [American] ego." Throughout the study, Loving challenges the notion that American literature is preponderately "cultural work." In the epilogue, he packs up his own carpetbag and passes through the European customhouse to find that American writers are more readily perceived as literary geniuses outside of their culture than within it.
