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Author:
Publisher:
ISBN:
Category : Etching, American
Languages : en
Pages : 48
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Book Description
Author: Elizabeth M. Whitmore
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Book Description
Author: John Taylor Arms
Publisher:
ISBN:
Category : Etching, American
Languages : en
Pages : 76
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Book Description
Author: John Taylor Arms
Publisher:
ISBN: 9781258715359
Category :
Languages : en
Pages : 30
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Book Description
With An Article By The Artist. In Twelve Volumes. V1, Ernest D. Roth; V2, Alfred Hurty; V3, Childe Hassam; V4, Philip Kappel; V5, John Taylor Arms; V6, Arthur Heintzelman; V7, George Elbert Burr; V8, Kerr Eby; V9, Troy Kinney; V10, Louis C. Rosenberg; V11, Martin Lewis; V12, Frank W. Benson.
Author: David Bernard Dearinger
Publisher: Hudson Hills
ISBN: 9781555950293
Category : Art
Languages : en
Pages : 712
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Book Description
This is the first installment of a fully illustrated catalogue of the Academy's priceless collection of paintings and sculptures.
Author: Smith College. Museum of Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
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Book Description
Author: Lynd Ward
Publisher: Library of America
ISBN: 1598533991
Category : Comics & Graphic Novels
Languages : en
Pages : 690
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Book Description
In this, the second of two volumes collecting all his woodcut novels, The Library of America brings together Lynd Ward’s three later books, two of them brief, the visual equivalent of chamber music, the other his longest, a symphony in three movements. Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward’s undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who—movingly, and without ever becoming a political caricature—embodies the social forces determining their fate. The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by four essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 992
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Book Description
Author: Lynd Ward
Publisher: Library of America
ISBN: 1598533967
Category : Comics & Graphic Novels
Languages : en
Pages : 455
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Book Description
Edited by Art Spiegelman, author of the Pulitzer Prize-winning graphic novel Maus A wordless novel in woodcuts from Lynd Ward, a pioneering artist/novelist who was “an unmistakable soul-companion to . . . Frank Capra and John Steinbeck, but also Fritz Lang and Franz Kafka” (Jonathan Lethem) From the Great Depression to WII, America’s first great graphic novelist bore witness to the roiling, dizzying national scene as both a master printmaker and a socially committed storyteller. In this, the first of two volumes collecting all his woodcut novels, The Library of America brings together Lynd Ward’s earliest books, published when the artist was still in his twenties. Gods’ Man (1929), the audaciously ambitious work that made Ward’s reputation, is a modern morality play, an allegory of the deadly bargain a striving young artist often makes with life. Madman’s Drum (1930), a multigenerational saga worthy of Faulkner, traces the legacy of violence haunting a family whose stock in trade is human souls. Wild Pilgrimage (1932), perhaps the most accomplished of these early books, is a study in the brutalization of an American factory worker whose heart can still respond to beauty but whose mind is twisted in rage against the system and its shackles. The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by five essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 762
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Book Description
Author: Carol Lowrey
Publisher: Hudson Hills
ISBN: 9780615154992
Category : Art
Languages : en
Pages : 220
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Book Description
For more than a century, a Gilded Age mansion on the south side of New York City's Gramercy Park has been home to the National Arts Club (NAC), its magnificent interior a refuge from hectic city life. In this special catalog, Lowrey, curator of the club's permanent collection, documents selected works by Artist Life Members, artists who were given lifetime memberships in the club in exchange for one of their works (the program ended in 1950 with the advent of the abstract expressionists). The father of well-known American sculptor Alexander Calder, Alexander Stirling Calder, was an Artist Life Member, and his sculpture of the painter George Bellows is among the many artworks included here. Also featured are an A-to-Z listing of Artist Life Members and a brief history of the NAC. The catalog section includes full-color reproductions and descriptions of the artworks as well as brief biographies of the artist. Many members' works show European influences, particularly impressionism and the Barbizon school, while others are distinctly American, as in the Ash Can school. A fine and fitting tribute to the NAC legacy that will be of interest to club, academic, and large public libraries. 75 colour & 175 b/w illustrations
