John Sloan in Santa Fe, by James Kraft and Helen Farr Sloan PDF Download
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Author: James Kraft
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: James Kraft
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: James Kraft
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 16
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Author: James Kraft
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 76
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Book Description
Author: John Sloan
Publisher: University of Delaware Press
ISBN: 0874134390
Category : Art
Languages : en
Pages : 316
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Book Description
Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
Author: James Kraft
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 76
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Book Description
John Sloan (1871-1951) began making prints at the age of seventeen (before he became a painter) and continued as a printmaker to the end of his life. However, his important work in prints was completed between 1931 and 1933. This book provides a short biography of the painter, a few of his own unpublished comments, and a catalog of prints with photographs of the more significant works.
Author: Richard Melzer
Publisher: Sunstone Press
ISBN: 0865345317
Category : Cemeteries
Languages : en
Pages : 477
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Book Description
Melzer offers an impressive new book about famous New Mexico gravesites, usually the only monuments left to honor the human treasures who helped shape state, national, and often international history.
Author: John Sloan
Publisher:
ISBN:
Category : Family & Relationships
Languages : en
Pages : 56
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Author: Sascha T. Scott
Publisher: University of Oklahoma Press
ISBN: 080615151X
Category : Art
Languages : en
Pages : 281
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Book Description
Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.
Author: Keith L. Bryant
Publisher: Texas A&M University Press
ISBN: 1623492084
Category : History
Languages : en
Pages : 581
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Book Description
If the Southwest is known for its distinctive regional culture, it is not only the indigenous influences that make it so. As Anglo Americans moved into the territories of the greater Southwest, they brought with them a desire to reestablish the highest culture of their former homes: opera, painting, sculpture, architecture, and literature. But their inherited culture was altered, challenged, and reshaped by Native American and Hispanic peoples, and a new, vibrant cultural life resulted. From Houston to Los Angeles, from Tulsa to Tucson, Keith L. Bryant traces the development of "high culture" in the Southwest. Humans create culture, but in the Southwest, Bryant argues, the land itself has also influenced that creation. "Incredible light, natural grandeur, . . . and a geography at once beautiful and yet brutal molded societies that sprang from unique cultural sources." The peoples of the American Southwest share a regional consciousness—an experience of place—that has helped to create a unified, but not homogenized, Southwestern culture. Bryant also examines a paradox of Southwestern cultural life. Southwesterners take pride in their cultural distinctiveness, yet they struggled to win recognition for their achievements in "high culture." A dynamic tension between those seeking to re-create a Western European culture and those desiring one based on regional themes and resources continues to stimulate creativity. Decade by decade and city by city, Bryant charts the growth of cultural institutions and patronage as he describes the contributions of artists and performers and of the elites who support them. Bryant focuses on the significant role women played as leaders in the formation of cultural institutions and as writers, artists, and musicians. The text is enhanced by more than fifty photographs depicting the interplay between the people and the land and the culture that has resulted.
Author: John Sloan
Publisher:
ISBN:
Category : Santa Fe (N.M.)
Languages : en
Pages : 5
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Book Description
