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Author: MOSER JOANN
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
The first comprehensive survey of the monotype in America, Singular Impressions discusses the work of more than one hundred artists who, attracted by the medium's intimacy and freedom, made prints ranging from the romantic, pastoral landscapes of Bostonian Charles Alvah Walker to the Savarin-can "self-portraits" of Jasper Johns. Whether created as a brief fling with the technique by John Singer Sargent or as a sustained exploration of its subtleties by Maurice Prendergast, monotypes have attracted countless artists who usually work in other media. Describing how artists invented new methods and variations on the basic process, Joann Moser analyzes the role of the monotype in the "Black and White" exhibitions of New York's Salmagundi Club, at the 1915 Panama-Pacific Exposition in San Francisco, and in 1920s artists' communities from Provincetown to Taos. It was not until the 1970s that the monotype emerged as an alternative to the technical, structured enterprise that printmaking had become. Recognizing no rules or boundaries, artist pushed the previous limits of the medium to create a richer, more complex, more versatile means of expression.
Author: MOSER JOANN
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
The first comprehensive survey of the monotype in America, Singular Impressions discusses the work of more than one hundred artists who, attracted by the medium's intimacy and freedom, made prints ranging from the romantic, pastoral landscapes of Bostonian Charles Alvah Walker to the Savarin-can "self-portraits" of Jasper Johns. Whether created as a brief fling with the technique by John Singer Sargent or as a sustained exploration of its subtleties by Maurice Prendergast, monotypes have attracted countless artists who usually work in other media. Describing how artists invented new methods and variations on the basic process, Joann Moser analyzes the role of the monotype in the "Black and White" exhibitions of New York's Salmagundi Club, at the 1915 Panama-Pacific Exposition in San Francisco, and in 1920s artists' communities from Provincetown to Taos. It was not until the 1970s that the monotype emerged as an alternative to the technical, structured enterprise that printmaking had become. Recognizing no rules or boundaries, artist pushed the previous limits of the medium to create a richer, more complex, more versatile means of expression.
Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606066277
Category : Art
Languages : en
Pages : 120
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Book Description
An engaging look at early twentieth-century American printmaking, which frequently focused on the crowded, chaotic, and gritty modern city. In the first half of the twentieth century, a group of American artists influenced by the painter and teacher Robert Henri aimed to reject the pretenses of academic fine art and polite society. Embracing the democratic inclusiveness of the Progressive movement, these artists turned to making prints, which were relatively inexpensive to produce and easy to distribute. For their subject matter, the artists mined the bustling activity and stark realities of the urban centers in which they lived and worked. Their prints feature sublime towering skyscrapers and stifling city streets, jazzy dance halls and bleak tenement interiors—intimate and anonymous everyday scenes that addressed modern life in America. True Grit examines a rich selection of prints by well-known figures like George Bellows, Edward Hopper, Joseph Pennell, and John Sloan as well as lesser-known artists such as Ida Abelman, Peggy Bacon, Miguel Covarrubias, and Mabel Dwight. Written by three scholars of printmaking and American art, the essays present nuanced discussions of gender, class, literature, and politics, contextualizing the prints in the rapidly changing milieu of the first decades of twentieth-century America.
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870701252
Category : Architecture
Languages : en
Pages : 296
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Book Description
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Author: James Kraft
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 76
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Book Description
John Sloan (1871-1951) began making prints at the age of seventeen (before he became a painter) and continued as a printmaker to the end of his life. However, his important work in prints was completed between 1931 and 1933. This book provides a short biography of the painter, a few of his own unpublished comments, and a catalog of prints with photographs of the more significant works.
Author: Henry E. Huntington Library and Art Gallery
Publisher: Huntington Library Press
ISBN:
Category : Art
Languages : en
Pages : 92
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Book Description
"This book was published in conjunction with the exhibition Pressed in Time: American Prints 1905-1950 at the Huntington Library, Art Collections, and Botanical Gardens, October 6, 2007 through January 7, 2008."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Sloan
Publisher: University of Delaware Press
ISBN: 0874134390
Category : Art
Languages : en
Pages : 316
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Book Description
Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
Author: Jake Halpern
Publisher: Metropolitan Books
ISBN: 9781250305596
Category : Comics & Graphic Novels
Languages : en
Pages : 176
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Book Description
Now in a full-length book, the New York Times Pulitzer Prize–winning graphic story of a refugee family who fled the civil war in Syria to make a new life in America After escaping a Syrian prison, Ibrahim Aldabaan and his family fled the country to seek protection in America. Among the few refugees to receive visas, they finally landed in JFK airport on November 8, 2016, Election Day. The family had reached a safe harbor, but woke up to the world of Donald Trump and a Muslim ban that would sever them from the grandmother, brothers, sisters, and cousins stranded in exile in Jordan. Welcome to the New World tells the Aldabaans’ story. Resettled in Connecticut with little English, few friends, and even less money, the family of seven strive to create something like home. As a blur of language classes, job-training programs, and the fearsome first days of high school (with hijab) give way to normalcy, the Aldabaans are lulled into a sense of security. A white van cruising slowly past the house prompts some unease, which erupts into full terror when the family receives a death threat and is forced to flee and start all over yet again. The America in which the Aldabaans must make their way is by turns kind and ignorant, generous and cruel, uplifting and heartbreaking. Delivered with warmth and intimacy, Welcome to the New World is a wholly original view of the immigrant experience, revealing not only the trials and successes of one family but showing the spirit of a town and a country, for good and bad.
Author: New Mexico History Museum
Publisher:
ISBN: 9780890135983
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
This book and CD package is based on interviews with key figures in the land usage rights movement.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870992236
Category : Monotype (Engraving)
Languages : en
Pages : 278
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Book Description
