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Author: Gaylyn Studlar
Publisher: Indiana University Press
ISBN: 9780253214140
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
The Western is arguably the most popular and longlived form in cinematic history, and the acknowledged master of that genre was John Ford. His Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance, have had an enormous influence on contemporary U.S. filmmakers, and on everything from Star Wars to Taxi Driver.In nine majors essays from some of the most prominent scholars of Hollywood film, John Ford Made Westerns: Filming The Legend in The Sound Era situates the sound era westerns of John Ford within contemporary critical contexts and regards them from fresh perspectives. These range from examining Ford's relation to other art forms (most notably literature, painting and music) to exploring the development of the director's public reputation as a director of Westerns. Articles also address the intricacies of Ford's shifting approach to storytelling and the subtle techniques whereby Ford's films guide spectator interpretation and emotional engagement.While giving attention to film style and structure, the volume also explores the ways in which these much loved films engage with notions of masculinity and gender roles, capitalism and community, as well as racial and sexual identity. Authors also examine how Ford's sound-era Westerns create a complex relationship to the genre's traditional project of "defining an American nation" and how they uphold up but also question popular culture depictions of history and nationhood, to offer a commentary that engages with both the past, the present and the future.In addition to new scholarship, the volume also offers a dossier section of out of the way magazine articles that illuminate the issues raised by essays, including the director's tribute to John Wayne as well as a moving posthumous appraisal of the director published by the Director's Guild of America.
Author: Gaylyn Studlar
Publisher: Indiana University Press
ISBN: 9780253214140
Category : Performing Arts
Languages : en
Pages : 328
Get Book Here
Book Description
The Western is arguably the most popular and longlived form in cinematic history, and the acknowledged master of that genre was John Ford. His Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance, have had an enormous influence on contemporary U.S. filmmakers, and on everything from Star Wars to Taxi Driver.In nine majors essays from some of the most prominent scholars of Hollywood film, John Ford Made Westerns: Filming The Legend in The Sound Era situates the sound era westerns of John Ford within contemporary critical contexts and regards them from fresh perspectives. These range from examining Ford's relation to other art forms (most notably literature, painting and music) to exploring the development of the director's public reputation as a director of Westerns. Articles also address the intricacies of Ford's shifting approach to storytelling and the subtle techniques whereby Ford's films guide spectator interpretation and emotional engagement.While giving attention to film style and structure, the volume also explores the ways in which these much loved films engage with notions of masculinity and gender roles, capitalism and community, as well as racial and sexual identity. Authors also examine how Ford's sound-era Westerns create a complex relationship to the genre's traditional project of "defining an American nation" and how they uphold up but also question popular culture depictions of history and nationhood, to offer a commentary that engages with both the past, the present and the future.In addition to new scholarship, the volume also offers a dossier section of out of the way magazine articles that illuminate the issues raised by essays, including the director's tribute to John Wayne as well as a moving posthumous appraisal of the director published by the Director's Guild of America.
Author: Sue Matheson
Publisher: Rowman & Littlefield
ISBN: 1442261064
Category : Performing Arts
Languages : en
Pages : 379
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Book Description
Responsible for some of the greatest films of the 20th century—The Grapes of Wrath, How Green Was My Valley, and The Quiet Man among others—John Ford was best known for motion pictures that defined the American West and the face of wartime military. A Hollywood celebrity, Ford lived his life against the background that Twentieth Century-Fox fashioned for him. As he did, the facts of his life merged with—and became inseparable from—his multifaceted legend, fostered by Hollywood’s studio culture and his own imagination. In The Westerns and War Films of John Ford Sue Mathesonoffers an engaging look at one of America’s greatest directors and the two genres of films that solidified his reputation. Drawing on previously unreleased material, this volume explores the man, the filmmaker, the veteran, and the legend—and the ways in which all of those roles shaped Ford’s view of America, national character, and his creative output. Among the films discussed here in depth are Ford’s early productions, such as The Iron Horse and Drums along the Mohawk, his military films, such as Submarine Patrol, The Battle of Midway, and They Were Expendable, and his Westerns, including Fort Apache, She Wore a Yellow Ribbon, The Searchers, and Cheyenne Autumn. Ford imbued many of his creations with a point of view that represented his ideals, and the films discussed here illustrate their director’s distinct vision of American life on the frontier and in service of the country. That vision—Ford’s idealization of the American Character—would, in turn, shape the worldview of several generations. The Westerns and War Films of John Ford will appeal to critics and scholars, but also to any fan of this iconic filmmaker’s work.
Author: Robert B. Pippin
Publisher: Yale University Press
ISBN: 0300145780
Category : Political Science
Languages : en
Pages : 188
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Book Description
In this pathbreaking book one of America’s most distinguished philosophers brilliantly explores the status and authority of law and the nature of political allegiance through close readings of three classic Hollywood Westerns: Howard Hawks’ Red River and John Ford’s The Man Who Shot Liberty Valance and The Searchers.Robert Pippin treats these films as sophisticated mythic accounts of a key moment in American history: its “second founding,” or the western expansion. His central question concerns how these films explore classical problems in political psychology, especially how the virtues of a commercial republic gained some hold on individuals at a time when the heroic and martial virtues were so important. Westerns, Pippin shows, raise central questions about the difference between private violence and revenge and the state’s claim to a legitimate monopoly on violence, and they show how these claims come to be experienced and accepted or rejected.Pippin’s account of the best Hollywood Westerns brings this genre into the center of the tradition of political thought, and his readings raise questions about political psychology and the political passions that have been neglected in contemporary political thought in favor of a limited concern with the question of legitimacy.
Author: Scott Allen Nollen
Publisher: McFarland
ISBN: 0786458542
Category : Performing Arts
Languages : en
Pages : 407
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Book Description
These were unique, complex, personal and professional relationships between master director John Ford and his two favorite actors, John Wayne and Ward Bond. The book provides a biography of each and a detailed exploration of Ford's work as it was intertwined with the lives and work of both Wayne and Bond (whose biography here is the first ever published). The book reveals fascinating accounts of ingenuity, creativity, toil, perseverance, bravery, debauchery, futility, abuse, masochism, mayhem, violence, warfare, open- and closed-mindedness, control and chaos, brilliance and stupidity, rationality and insanity, friendship and a testing of its limits, love and hate--all committed by a "half-genius, half-Irish" cinematic visionary and his two surrogate sons: Three Bad Men.
Author: Scott Eyman
Publisher: Simon and Schuster
ISBN: 1476797722
Category : Biography & Autobiography
Languages : en
Pages : 640
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Book Description
Follows the legendary John Ford through a career that spanned more than five decades, drawing on dozens of personal interviews, material from Ford's estate, and film criticism.
Author: Nancy Schoenberger
Publisher: Anchor
ISBN: 0385534868
Category : Biography & Autobiography
Languages : en
Pages : 233
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Book Description
John Ford and John Wayne, two titans of classic film, made some of the most enduring movies of all time. The genre they defined—the Western—and the heroic archetype they built still matter today. For more than twenty years John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, known for his black eye patch and for his hard-drinking, brawling masculinity, was a son of Irish immigrants and was renowned as a director for both his craftsmanship and his brutality. John “Duke” Wayne was a mere stagehand and bit player in “B” Westerns, but he was strapping and handsome, and Ford saw his potential. In 1939 Ford made Wayne a star in Stagecoach, and from there the two men established a close, often turbulent relationship. Their most productive years saw the release of one iconic film after another: Rio Grande, The Quiet Man, The Searchers, She Wore a Yellow Ribbon, The Man Who Shot Liberty Valance. But by 1960 the bond of their friendship had frayed, and Wayne felt he could move beyond his mentor with his first solo project, The Alamo. Few of Wayne’s subsequent films would have the brilliance or the cachet of a John Ford Western, but viewed together the careers of these two men changed moviemaking in ways that endure to this day. Despite the decline of the Western in contemporary cinema, its cultural legacy, particularly the type of hero codified by Ford and Wayne—tough, self-reliant, and unafraid to fight but also honorable, trustworthy, and kind—resonates in everything from Star Wars to today’s superhero franchises. Drawing on previously untapped caches of letters and personal documents, Nancy Schoenberger dramatically narrates a complicated, poignant, and iconic friendship and the lasting legacy of that friendship on American culture.
Author: Bert Fridlund
Publisher: McFarland
ISBN: 1476608091
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
The 1960s and 1970s were the heyday of spaghetti westerns--low-budget films about the early American West mostly filmed in Italy. Though sometimes derided as excessively violent imitations of American-made westerns, they attracted a substantial following that has endured. With its classic elements of gunfights, gambling, heroes, sidekicks, love, and death, the genre is now perceived by critics as an intriguing object of study. This book analyzes the construction of the stories presented in spaghetti westerns. It examines the content of the Italian western using concepts and constructs borrowed from scholars studying "pre-industrial" narratives. Plot, the constellation of characters, their relationship to each other, and their motives are studied. Films examined in detail include the seminal A Fistful of Dollars as well as Django, For a Few Dollars More and The Good, the Bad and the Ugly. There is also a discussion of the early spaghetti westerns. The study then probes the elements of bounty hunters, the deprived hero, partnerships, betrayal, and comedy. An appendix details the top grossing Italian westerns between 1964 and 1975, including title, director, lead actor and intake. A second appendix provides a list of films quoted by Italian title and then by English title.
Author: Ronald L. Davis
Publisher: University of Oklahoma Press
ISBN: 0806174323
Category : Biography & Autobiography
Languages : en
Pages : 401
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Book Description
John Ford remains the most honored director in Hollywood history, having won six Academy Awards and four New York Film Critics Awards. Drawing upon extensive written and oral history, Ronald L. David explores Ford’s career from his silent classic, The Iron Horse, through the transition to sound, and then into the pioneer years of location filming, the golden years of Hollywood, and the movement toward television. During his career, Ford made such classics as Stagecoach, The Grapes of Wrath, How Green Was My Valley, and The Searchers-136 pictures in all, 54 of them Westerns. The complexity of his personality comes alive here through the eyes of his colleagues, friends, relatives, film critics, and the actors he worked with, including John Wayne, Henry Fonda, Maureen O’Hara, and Katharine Hepburn.
Author: Joseph McBride
Publisher: Univ. Press of Mississippi
ISBN: 1496800567
Category : Biography & Autobiography
Languages : en
Pages : 983
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Book Description
John Ford's classic films—such as Stagecoach, The Grapes of Wrath, How Green Was My Valley, The Quiet Man, and The Searchers—have earned him worldwide admiration as America's foremost filmmaker, a director whose rich visual imagination conjures up indelible, deeply moving images of our collective past. Joseph McBride's Searching for John Ford, described as definitive by both the New York Times and the Irish Times, surpasses all other biographies of the filmmaker in its depth, originality, and insight. Encompassing and illuminating Ford's myriad complexities and contradictions, McBride traces the trajectory of Ford's life from his beginnings as “Bull” Feeney, the nearsighted, football-playing son of Irish immigrants in Portland, Maine, to his recognition, after a long, controversial, and much-honored career, as America's national mythmaker. Blending lively and penetrating analyses of Ford's films with an impeccably documented narrative of the historical and psychological contexts in which those films were created, McBride has at long last given John Ford the biography his stature demands.
Author: Glenn Frankel
Publisher: Bloomsbury Publishing USA
ISBN: 1620409488
Category : History
Languages : en
Pages : 417
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Book Description
From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
