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Author: Paul Negri
Publisher: Courier Corporation
ISBN: 0486121453
Category : Poetry
Languages : en
Pages : 226
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Book Description
Includes such masterpieces as Donne's "Death, Be Not Proud"; Marvell's "To His Coy Mistress"; plus works by George Herbert, Henry Vaughan, Richard Crashaw, Francis Quarles, and others. Includes two selections from the Common Core State Standards Initiative.
Author: Paul Negri
Publisher: Courier Corporation
ISBN: 0486121453
Category : Poetry
Languages : en
Pages : 226
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Book Description
Includes such masterpieces as Donne's "Death, Be Not Proud"; Marvell's "To His Coy Mistress"; plus works by George Herbert, Henry Vaughan, Richard Crashaw, Francis Quarles, and others. Includes two selections from the Common Core State Standards Initiative.
Author: Robert Ellrodt
Publisher: Oxford University Press, USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 394
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Book Description
Robert Ellrodt's study of seven poets--springing from his wide-ranging three-volume work, Les Poètes métaphysiques anglais--challenges the postmodernist assumption that no definite or constant self can be traced in the works of a writer. Distinct modes of self-awareness, different emphases in the perception of time and space, and various ways of grasping the sensible and the spiritual, the human and the divine, jointly or separately characterize the minds of Donne and George Herbert, Crashaw and Vaughan, Lord Herbert, Marvell, and Traherne. Fundamental mental structures affect their attitudes to love, death, and God, and dictate their privileged modes of composition and expression. Without neglecting the relations between these individual traits and the general evolution of thought from classical antiquity to the Renaissance, or the immediate cultural environment in which each poet wrote, this critical study maintains the primacy of individual choice, of the "unchanging self." The book is not based on a theory, but on a close scrutiny of the characteristic interplay of personal modes of thought and sensibility.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 143813438X
Category : Criticism
Languages : en
Pages : 273
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Book Description
Presents a collection of critical essays about the works of John Donne and other metaphysical poets.
Author: Frances Cruickshank
Publisher: Routledge
ISBN: 1317002431
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
Innovative and highly readable, this study traces George Herbert's and John Donne's development of a distinct poetics through close readings of their poems, references to their letters, sermons, and prose treatises, and to other contemporary poets and theorists. In demonstrating a relationship between poetics and religious consciousness in Donne's and Herbert's verse, Frances Cruickshank explores their attitudes to the cultural, theological, and aesthetic enterprise of writing and reading verse. Cruickshank shows that Donne and Herbert regarded poetry as a mode not determined by its social and political contexts, but as operating in and on them with its own distinct set of aesthetic and intellectual values, and that ultimately, verse mattered as a privileged mode of religious discourse. This book is an important contribution to the ongoing scholarly dialogue about the nature of literary and cultural study of early modern England, and about the relationship between the writer and the world. Cruickshank confirms Donne's reputation as a fascinating and brilliant poetic figure while simultaneously rousing interest in Herbert by noting his unique merging of rusticity and urbanity and tranquility and uncertainty, allowing the reader to enter into these poets' imaginative worlds and to understand the literary genre they embraced and then transformed.
Author:
Publisher: Oxford University Press
ISBN: 0198930232
Category : Literary Criticism
Languages : en
Pages : 577
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Book Description
The Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into the seventeenth century, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, and Katherine Philips and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume's attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organization is both thematic and (in the authors section) chronological. After a comprehensive Introduction, organizational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets.
Author: Laura L. Knoppers
Publisher: Oxford University Press
ISBN: 0198852800
Category : Literary Criticism
Languages : en
Pages : 577
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Book Description
Beginning with the last years of the reign of Elizabeth I and ending late in the seventeenth century, this volume traces the growth of the literary marketplace, the development of poetic genres, and the participation of different writers in a century of poetic continuity, change, and transformation.
Author: Frances Austin
Publisher:
ISBN: 9780333495674
Category : English language
Languages : en
Pages : 195
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Book Description
Frances Austin examines the language of the five best-known metaphysical poets, Donne, Herbert, Crashaw, Vaughan and Traherne. The author shows how the characteristics of their vocabulary, figurative language, syntactical structures and versification reflect their individual attitudes towards their shared Christian faith, which is the subject matter of most of their poetry. The diversity of language, albeit having a common basis, is demonstrated in the course of this work.
Author: Elizabeth S. Dodd
Publisher: Boydell & Brewer
ISBN: 1843844249
Category : Biography & Autobiography
Languages : en
Pages : 245
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Book Description
New essays on Thomas Traherne challenge traditional critical readings of the poet.
Author: George Herbert
Publisher: W W Norton & Company Incorporated
ISBN: 9780393092547
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
This volume presents the major works of five poets--George Herbert, Richard Crashaw, Andrew Marvell, Henry Vaughan, and Thomas Traherne. While most of the selections are religious poetry, the important secular verse of Marvell and Crashaw is also included. Eighty poems by Herbert have been selected form The Temple, and two early poems from Issak Walton's Lives are also included.
Author: Paula R. Backscheider
Publisher: JHU Press
ISBN: 9780801881695
Category : Biography & Autobiography
Languages : en
Pages : 556
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Book Description
Co-Winner, James Russell Lowell Prize, Modern Language Association This major study offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women's poetry is necessary for an accurate and nuanced literary history. Within chapters on important canonical and popular verse forms, she gives particular attention to such topics as women's use of religious poetry to express candid ideas about patriarchy and rape; the continuing evolution and important role of the supposedly antiquarian genre of the friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet.
