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Author: John Divola
Publisher: Nazraeli Press
ISBN: 9781590051054
Category : Photography
Languages : en
Pages : 47
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Book Description
Author: John Divola
Publisher: Nazraeli Press
ISBN: 9781590051054
Category : Photography
Languages : en
Pages : 47
Get Book Here
Book Description
Author: Britt Salvesen
Publisher: DelMonico Books
ISBN: 9783791352916
Category : Photography, Artistic
Languages : en
Pages : 0
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Book Description
Encompassing four decades of work in the field of photography, this publication examines the art of John Divola, one of the most admired photographers working today. Those interested in contemporary photography will welcome this volume exploring 10 major series by John Divola. Starting with Vandalism, his iconic look at Southern California in the 1970s, and including his most recent work, the Theodore Street project, this collection of beautifully reproduced images shows how expertly Divola moves between medium and technique. Using Polaroids of sculpted objects, appropriated stereographs, and landscapes featuring his own image, Divola's diverse body of work explores painting and conceptual art through his photography. Essays by the accompanying exhibitions' curators explore themes such as existentialism, California and photography in the 1970s, and natural and built environments. Divola's most recent project is discussed in an interview between the artist and Simon Baker.
Author: John Divola
Publisher:
ISBN: 9781931788953
Category : Abandoned houses
Languages : en
Pages : 0
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Book Description
"Over the course of the 1970s, John Divola created three compelling bodies of work that together form this publication: Vandalism, LAX NAZ, and Zuma. The Vandalism series comprises black-and-white photographs of the interiors of abandoned houses. After entering illegally, Divola spray painted excessive markings in the form of dots, lines, and grids, creating a series of conceptual gestures that referenced "action painting" as readily as graffiti." "The LAX NAZ (Los Angeles International Airport Noise Abatement Zone) series was created in a condemned neighborhood bought out by the airport to serve as a noise buffer for new runways. Unlike the Vandalism series, where the artist's own intervention is at the crux of the project, here he focused on unsanctioned entries by vandals who had absconded long ago. An extensive catalog of break-ins, the photographs record evidence of violent entries: shattered windows, doors kicked open." "The final project in this book, the Zuma series, is the artist's documentation of the destruction of an abandoned beachfront property. While employing similar strategies of painting and intervention, the Zuma images add variation and complexity to Divola's established themes as they incorporate color and elements of nature. These cyclical images skillfully juxtapose romantic skies and sunsets with a seaside structure that, frame by frame, deteriorates into ruin." "An essay by David Campany examines the relationship between Divola's photographic practice, forensics, and the art world context in which it was created, a period of redefinition for art and photography. An interview by Jan Tumlir with the artist offers further insight into this rich and enigmatic body of work."--BOOK JACKET.
Author:
Publisher: Mack
ISBN: 9781912339006
Category : Graffiti
Languages : en
Pages : 120
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Book Description
Between 1974 and 1975, the American photographer John Divola, then in his mid twenties and without a studio of his own, travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the truthfulness of photography was being called into question, Vandalism helped to establish Divola's highly distinctive photographic language.
Author: Virginia Heckert
Publisher: Getty Publications
ISBN: 1606060813
Category : Architecture
Languages : en
Pages : 372
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Book Description
"A monograph of the work of Los Angeles-based artist Judy Fiskin. Includes duotone reproductions of 288 photographs made by Fiskin from 1973 to 1995, as well as an introduction, an interview with the artist, a chronology, and a bibliography"--Provided by publisher.
Author: Mark Alice Durant
Publisher:
ISBN: 9780578632735
Category :
Languages : en
Pages :
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Book Description
Running, Falling, Flying, Floating, Crawling is a loose compendium of photographs and texts that picture, examine, explore, and / or suggest the human body in states of abandon, helplessness, terror, subjugation, serenity, and transcendence. Artists include Andre Kertesz, Yves Klein, Laurie Simmons, Maya Deren, Gideon Mendel, Bas Jan Ader, Chris Burden, Tabitha Soren, Nan Goldin, Rania Matar, John Divola, Harry Callahan, Sarah Charlesworth, and Francesca Woodman. Writers include David Campany, Lynne Tillman, Jennifer Blessing, Diane Seuss, Susan Bright, Gilda Williams, Marvin Heiferman, Maud Casey, and Carol Mavor.
Author: Barry Divola
Publisher: HarperCollins
ISBN: 1460713087
Category : Fiction
Languages : en
Pages : 266
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Book Description
Two estranged brothers, one stolen car and a road trip from Texas to New York. What could possibly go wrong? For fans of Nick Hornby, David Nicholls and Jonathan Tropper. Jaded music journalist Rick McLennan knows his life is going south when he loses his job, his apartment and his long-term girlfriend all on the same day. But then he is thrown a lifeline – a commission to write the story of his ex-rock-star brother, Stevie, and drive him from Austin, Texas, to New York to play one final gig. One small problem: the brothers haven't spoken in thirty years. Rick knows it's a bad idea. But he's out of choices. So he gets behind the wheel of a beaten-up 1985 Nissan Stanza and drives towards his destiny. He's about to find everything he didn't know he was missing. It's September 2001. From award-winning journalist and author Barry Divola comes a glorious, music-infused, rollicking road-trip novel – think High Fidelity meets The Big Lebowski meets The Darjeeling Limited. A smart, funny and wholly endearing story about how, though we may at times lose ourselves along the way, the road always leads back to family and the things that bring us joy. 'Of course this road trip comes with a top-quality mix-tape – it's by Barry Divola – but it's the layers to this story, and its humour and its heart, that make this journey irresistible.' – Nick Earls 'This book is the super f***ing gnarly lead break of rock-lit novels.' – John Birmingham 'Driving Stevie Fracasso reads as great as the fifth Replacements album sounds. It's a New York–centric, music-obsessive tale of humour and poignancy, the literary equivalent of hanging with folks who think going to church is finding a record fair. A+' – Stuart Coupe An interpreter of the listening experience forced to listen to experience? This novel will be read in between flippin' records. Go for the ride. You'll be spent, you'll be grateful.' – Tim Rogers 'If I could go back in time and take a different fork in the road, I would have lived like Barry Divola. But poor choices can't be unmade, and if Driving Stevie Fracasso is the only ride available I'll take it. Damn you, Barry Divola, you've been having everyone else's fun.' – Malcolm Knox
Author:
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages :
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Book Description
"Set One of the series highlights work by some of the most creative and influential photographic artists active in Los Angeles during the 1970s"--Nazraeli Press website, viewed July 10, 2014 (http://www.nazraeli.com/new-page).
Author: Nico Krebs
Publisher: Patrick Frey Editions
ISBN: 9783905929836
Category : Landscape photography
Languages : en
Pages : 152
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Book Description
During a period of three years Taiyo Onorato and Nico Krebs traveled several months through the United States, working "on the road" on the photo series The Great Unreal. The photographic work deals with reality and the fabrication of reality. The geography of America serves as both setting and fertile ground for the examination. Mysticism and demystification are important aspects in this process, as is working with a rich inventory of visual icons that can be continually deconstructed and manipulated. The working method of both photographers is based on interventions prescribed mostly by happenstance and change. Through repetition and associative placement, the sometimes crude, sometimes subtle interventions begin to link to one another, establishing an exciting transformation of reality that only hesitatingly reveals itself to the viewer. Together with book designers Megi Zumstein and Claudio Barandun, what emerged is an unmitigated picture book that makes a visual journey possible without any instructions. It comprises narrative image sequences that approximate the curiosity and restlessness of being on the move and, at the same time, depict associative connections with the American landscape.
Author: Jane Brown
Publisher:
ISBN: 9781938922732
Category : Los Angeles (Calif.)
Languages : en
Pages : 275
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Book Description
Los Angeles is a city of dualities--sunshine and noir, coastline beaches and urban grit, natural beauty and suburban sprawl, the obvious and the hidden. Both Sides of Sunset: Photographing Los Angeles reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as well as many younger artists, among them Matthew Brandt, Katy Grannan, Alex Israel, Lise Sarfati and Ed Templeton, just to name a few. Taken together, these individual views by more than 130 artists form a collective vision of a place where myth and reality are often indistinguishable. Spinning off the highly acclaimed Looking at Los Angeles (Metropolis Books, 2005), Both Sides of Sunset presents an updated and equally unromantic vision of this beloved and scorned metropolis. In the years since the first book was published, the artistic landscape of Los Angeles has flourished and evolved. The extraordinary Getty Museum project Pacific Standard Time: Art in L.A. 1945-1980 focused global attention on the city's artistic heritage, and this interest has only continued to grow. Both Sides of Sunset showcases many of the artists featured in the original book--such as Lewis Baltz, Catherine Opie, Stephen Shore and James Welling--but also incorporates new images that portray a city that is at once unhinged and driven by irrepressible exuberance. Proceeds from the sale of the book will benefit Inner-City Arts--an oasis of learning, achievement and creativity in the heart of Los Angeles' Skid Row that brings arts education to elementary, middle and high school students.
