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Author: Sarah MacKenzie Zimmerman
Publisher: SUNY Press
ISBN: 9780791441091
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences - not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace.
Author: Sarah MacKenzie Zimmerman
Publisher: SUNY Press
ISBN: 9780791441091
Category : Literary Criticism
Languages : en
Pages : 260
Get Book Here
Book Description
Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences - not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace.
Author: Adam White
Publisher: Palgrave Macmillan
ISBN: 9783319852591
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This book offers a major reassessment of John Clare’s poetry and his position in the Romantic canon. Alert to Clare’s knowledge of the work of his Romantic contemporaries and near contemporaries, it puts forward the first extended series of comparisons of Clare’s poetry with texts we now think of as defining the period – in particular poems by Robert Burns, William Wordsworth, Lord Byron, and John Keats. It makes fully evident Clare’s original contribution to the aesthetic culture of the age by analysing how he explores a wide range of concerns and preoccupations which are central to, and especially privileged in, Romantic-period poetics, including ‘fancy’, the sublime, childhood, ruins, joy, ‘poesy’, and a love lyric marked by a peculiar self-consciousness about sincere expression. At the heart of this book is the claim that the hitherto under-scrutinised subjective stances, transcendent modes, and abstract qualities of Clare’s lyric poetry situate him firmly within, and as fundamentally part of, Romanticism, at the same time as his writing constitutes a distinctive contribution to one of the most fascinating eras of English literature.
Author: Adam White
Publisher: Springer
ISBN: 3319538594
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
This book offers a major reassessment of John Clare’s poetry and his position in the Romantic canon. Alert to Clare’s knowledge of the work of his Romantic contemporaries and near contemporaries, it puts forward the first extended series of comparisons of Clare’s poetry with texts we now think of as defining the period – in particular poems by Robert Burns, William Wordsworth, Lord Byron, and John Keats. It makes fully evident Clare’s original contribution to the aesthetic culture of the age by analysing how he explores a wide range of concerns and preoccupations which are central to, and especially privileged in, Romantic-period poetics, including ‘fancy’, the sublime, childhood, ruins, joy, ‘poesy’, and a love lyric marked by a peculiar self-consciousness about sincere expression. At the heart of this book is the claim that the hitherto under-scrutinised subjective stances, transcendent modes, and abstract qualities of Clare’s lyric poetry situate him firmly within, and as fundamentally part of, Romanticism, at the same time as his writing constitutes a distinctive contribution to one of the most fascinating eras of English literature.
Author: Geoffrey Summerfield
Publisher: Cambridge University Press
ISBN: 9780521445474
Category : Language Arts & Disciplines
Languages : en
Pages : 348
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Book Description
Critics including Seamus Heaney provide a welcome reappraisal in the wake of Clare's bicentenary.
Author: Sophie Laniel-Musitelli
Publisher: Open Book Publishers
ISBN: 1800640749
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
‘Eternity is in love with the productions of time’. This original edited volume takes William Blake’s aphorism as a basis to explore how British Romantic literature creates its own sense of time. It considers Romantic poetry as embedded in and reflecting on the march of time, regarding it not merely as a reaction to the course of events between the late-eighteenth and mid-nineteenth centuries, but also as a form of creative engagement with history in the making. The authors offer a comprehensive overview of the question of time from a literary perspective, applying a diverse range of critical approaches to Romantic authors from William Blake and Percy Shelley to John Clare and Samuel Rodgers. Close readings uncover fresh insights into these authors and their works, including Frankenstein, the most familiar of Romantic texts. Revising current thinking about periodisation, the authors explore how the Romantic poetics of time bears witness to the ruptures and dislocations at work within chronological time. They consider an array of topics, such as ecological time, futurity, operatic time, or the a-temporality of Venice. As well as surveying the Romantic canon’s evolution over time, these essays approach it as a phenomenon unfolding across national borders. Romantic authors are compared with American or European counterparts including Beethoven, Irving, Nietzsche and Beckett. Romanticism and Time will be of great value to literary scholars and students working in Romantic Studies. It will be of further interest to philosophers and historians working on the connections between philosophy, history and literature during the nineteenth century.
Author: Sally Bushell
Publisher: Cambridge University Press
ISBN: 1108603173
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Romantic Cartographies is the first collection to explore the reach and significance of cartographic practice in Romantic-period culture. Revealing the diverse ways in which the period sought to map and spatialise itself, the volume also considers the engagement of our own digital cultures with Romanticism's 'map-mindedness'. Original, exploratory essays engage with a wide range of cartographic projects, objects and experiences in Britain, and globally. Subjects range from Wordsworth, Clare and Walter Scott, to Romantic board games and geographical primers, to reveal the pervasiveness of the cartographic imagination in private and public spheres. Bringing together literary analysis, creative practice, geography, cartography, history, politics and contemporary technologies – just as the cartographic enterprise did in the Romantic period itself – Romantic Cartographies enriches our understanding of what it means to 'map' literature and culture.
Author: Simon Kövesi
Publisher: Cambridge University Press
ISBN: 1316351955
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
John Clare (1793–1864) has long been recognized as one of England's foremost poets of nature, landscape and rural life. Scholars and general readers alike regard his tremendous creative output as a testament to a probing and powerful intellect. Clare was that rare amalgam ‒ a poet who wrote from a working-class, impoverished background, who was steeped in folk and ballad culture, and who yet, against all social expectations and prejudices, read and wrote himself into a grand literary tradition. All the while he maintained a determined sense of his own commitments to the poor, to natural history and to the local. Through the diverse approaches of ten scholars, this collection shows how Clare's many angles of critical vision illuminate current understandings of environmental ethics, aesthetics, Romantic and Victorian literary history, and the nature of work.
Author: Jonathan Bate
Publisher: Picador
ISBN: 1743291833
Category : Biography & Autobiography
Languages : en
Pages : 789
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Book Description
Lunatic, lover, poet: this is the definitive biography of John Clare. John Clare was a great Romantic poet, with a name to rival that of Blake, Byron, Coleridge, Keats, Wordsworth or Shelley, and a life that was possibly the most extraordinary, and certainly the most moving, of them all. From rural Northamptonshire to literary London, from first love to delusions, depression and incarceration, Clare was haunted by ghosts from the past. In this, the first major biography of Clare, Jonathan Bate explores both the man and his madness, his work and his writing - poems, letters, even part of an autobiography - all of which show a mind plagued by demons and doubts, constantly questioning issues of identity, memory and, above all, loss.
Author: Onno Oerlemans
Publisher: University of Toronto Press
ISBN: 9780802086976
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Oerlemans extends current eco-critical views by synthesizing a range of viewpoints from the Romantic period.
Author: Jonathan Wordsworth
Publisher: Penguin UK
ISBN: 0141905654
Category : Poetry
Languages : en
Pages : 1048
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Book Description
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
