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Author: Janice Neri
Publisher: University Alabama Press
ISBN: 081732013X
Category : Art
Languages : en
Pages : 257
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Book Description
An archive of never-before-published illustrations of insects and plants painted by a pioneering naturalist During his lifetime (1751–ca. 1840), English-born naturalist and artist John Abbot rendered more than 4,000 natural history illustrations and profoundly influenced North American entomology, as he documented many species in the New World long before they were scientifically described. For sixty-five years, Abbot worked in Georgia to advance knowledge of the flora and fauna of the American South by sending superbly mounted specimens and exquisitely detailed illustrations of insects, birds, butterflies, and moths, on commission, to collectors and scientists all over the world. Between 1816 and 1818, Abbot completed 104 drawings of insects on their native plants for English naturalist and patron William Swainson (1789–1855). Both Abbot and Swainson were artists, naturalists, and collectors during a time when natural history and the sciences flourished. Separated by nearly forty years in age, Abbot and Swainson were members of the same international communities and correspondence networks upon which the study of nature was based during this period. The relationship between these two men—who never met in person—is explored in John Abbot and William Swainson: Art, Science, and Commerce in Nineteenth-Century Natural History Illustration. This volume also showcases, for the first time, the complete set of original, full-color illustrations discovered in 1977 in the Alexander Turnbull Library in Wellington, New Zealand. Originally intended as a companion to an earlier survey of insects from Georgia, the newly rediscovered Turnbull manuscript presents beetles, grasshoppers, butterflies, moths, and a wasp. Most of the insects are pictured with the flowering plants upon which Abbot thought them to feed. Abbot’s journal annotations about the habits and biology of each species are also included, as are nomenclature updates for the insect taxa. Today, the Turnbull drawings illuminate the complex array of personal and professional concerns that informed the field of natural history in the eighteenth and nineteenth centuries. These illustrations are also treasured artifacts from times past, their far-flung travels revealing a world being reshaped by the forces of global commerce and information exchange even then. The shared project of John Abbot and William Swainson is now brought to completion, signaling the beginning of a new phase of its significance for modern readers and scholars.
Author: Janice Neri
Publisher: University Alabama Press
ISBN: 081732013X
Category : Art
Languages : en
Pages : 257
Get Book Here
Book Description
An archive of never-before-published illustrations of insects and plants painted by a pioneering naturalist During his lifetime (1751–ca. 1840), English-born naturalist and artist John Abbot rendered more than 4,000 natural history illustrations and profoundly influenced North American entomology, as he documented many species in the New World long before they were scientifically described. For sixty-five years, Abbot worked in Georgia to advance knowledge of the flora and fauna of the American South by sending superbly mounted specimens and exquisitely detailed illustrations of insects, birds, butterflies, and moths, on commission, to collectors and scientists all over the world. Between 1816 and 1818, Abbot completed 104 drawings of insects on their native plants for English naturalist and patron William Swainson (1789–1855). Both Abbot and Swainson were artists, naturalists, and collectors during a time when natural history and the sciences flourished. Separated by nearly forty years in age, Abbot and Swainson were members of the same international communities and correspondence networks upon which the study of nature was based during this period. The relationship between these two men—who never met in person—is explored in John Abbot and William Swainson: Art, Science, and Commerce in Nineteenth-Century Natural History Illustration. This volume also showcases, for the first time, the complete set of original, full-color illustrations discovered in 1977 in the Alexander Turnbull Library in Wellington, New Zealand. Originally intended as a companion to an earlier survey of insects from Georgia, the newly rediscovered Turnbull manuscript presents beetles, grasshoppers, butterflies, moths, and a wasp. Most of the insects are pictured with the flowering plants upon which Abbot thought them to feed. Abbot’s journal annotations about the habits and biology of each species are also included, as are nomenclature updates for the insect taxa. Today, the Turnbull drawings illuminate the complex array of personal and professional concerns that informed the field of natural history in the eighteenth and nineteenth centuries. These illustrations are also treasured artifacts from times past, their far-flung travels revealing a world being reshaped by the forces of global commerce and information exchange even then. The shared project of John Abbot and William Swainson is now brought to completion, signaling the beginning of a new phase of its significance for modern readers and scholars.
Author:
Publisher:
ISBN: 9780817392512
Category : NATURE
Languages : en
Pages : 239
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Book Description
Author: Tara Nummedal
Publisher: University of Chicago Press
ISBN: 0226608573
Category : History
Languages : en
Pages : 279
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Book Description
What distinguished the true alchemist from the fraud? This question animated the lives and labors of the common men—and occasionally women—who made a living as alchemists in the sixteenth- and seventeenth-century Holy Roman Empire. As purveyors of practical techniques, inventions, and cures, these entrepreneurs were prized by princely patrons, who relied upon alchemists to bolster their political fortunes. At the same time, satirists, artists, and other commentators used the figure of the alchemist as a symbol for Europe’s social and economic ills. Drawing on criminal trial records, contracts, laboratory inventories, satires, and vernacular alchemical treatises, Alchemy and Authority in the Holy Roman Empire situates the everyday alchemists, largely invisible to modern scholars until now, at the center of the development of early modern science and commerce. Reconstructing the workaday world of entrepreneurial alchemists, Tara Nummedal shows how allegations of fraud shaped their practices and prospects. These debates not only reveal enormously diverse understandings of what the “real” alchemy was and who could practice it; they also connect a set of little-known practitioners to the largest questions about commerce, trust, and intellectual authority in early modern Europe.
Author: Vivian Rogers-Price
Publisher:
ISBN:
Category : Animals in art
Languages : en
Pages : 162
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Book Description
Author: Toby Musgrave
Publisher: Yale University Press
ISBN: 0300223838
Category : Biography & Autobiography
Languages : en
Pages : 411
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Book Description
A fascinating life of Sir Joseph Banks which restores him to his proper place in history as a leading scientific figure of the English Enlightenment As official botanist on James Cook's first circumnavigation, the longest-serving president of the Royal Society, advisor to King George III, the "father of Australia," and the man who established Kew as the world's leading botanical garden, Sir Joseph Banks was integral to the English Enlightenment. Yet he has not received the recognition that his multifarious achievements deserve. In this engaging account, Toby Musgrave reveals the true extent of Banks's contributions to science and Britain. From an early age Banks pursued his passion for natural history through study and extensive travel, most famously on the HMS Endeavour. He went on to become a pivotal figure in the advancement of British scientific, economic, and colonial interests. With his enquiring, enterprising mind and extensive network of correspondents, Banks's reputation and influence were global. Drawing widely on Banks's writings, Musgrave sheds light on Banks's profound impact on British science and empire in an age of rapid advancement.
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Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 434
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Book Description
Author: Rachael Scarborough King
Publisher: University of Virginia Press
ISBN: 0813943493
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
The eighteenth century has generally been understood as the Age of Print, when the new medium revolutionized the literary world and rendered manuscript culture obsolete. After Print, however, reveals that the story isn’t so simple. Manuscript remained a vital, effective, and even preferred forum for professional and amateur authors working across fields such as literature, science, politics, religion, and business through the Romantic period. The contributors to this book offer a survey of the manuscript culture of the time, discussing handwritten culinary recipes, the poetry of John Keats, Benjamin Franklin’s letters about his electrical experiments, and more. Collectively, the essays demonstrate that what has often been seen as the amateur, feminine, and aristocratic world of handwritten exchange thrived despite the spread of the printed word. In so doing, they undermine the standard print-manuscript binary and advocate for a critical stance that better understands the important relationship between the media. Bringing together work from literary scholars, librarians, and digital humanists, the diverse essays in After Print offer a new model for archival research, pulling from an exciting variety of fields to demonstrate that manuscript culture did not die out but, rather, may have been revitalized by the advent of printing. Contributors: Leith Davis, Simon Fraser University * Margaret J. M. Ezell, Texas A&M University * Emily C. Friedman, Auburn University * Kathryn R. King, University of Montevallo * Michelle Levy, Simon Fraser University * Marissa Nicosia, Penn State Abington * Philip S. Palmer, Morgan Library and Museum * Colin T. Ramsey, Appalachian State University * Brian Rejack, Illinois State University * Beth Fowkes Tobin, University of Georgia * Andrew O. Winckles, Adrian College
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Publisher: BRILL
ISBN: 9004684557
Category : Science
Languages : en
Pages : 341
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Book Description
This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel’s glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer’s bookplates on Regensburg insects; Schiffermüller’s watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths. Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.
Author: Gail Fishman
Publisher: University Press of Florida
ISBN: 0813063248
Category : History
Languages : en
Pages : 311
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Book Description
"This book is for those inhabited by the same desires that drove the early naturalists afield, who yearn to know wilder territory. We read it voraciously, as if in the understanding of how they loved we might also begin to do so, as if in the reliving of their lives we might recapture some vanishing part of the human psyche that must know wilderness."-- Janisse Ray, author of Ecology of a Cracker Childhood "Like the naturalists she profiles, Gail Fishman takes us on an odyssey through a time when the extraordinary diversity of the southeastern United States was first being explored and described. . . . Entertaining."-- Steve Gatewood, executive director, Society for Ecological Restoration, Tucson "Fishman modernizes the men and their explorations by retracing the terrain that they explored, wrote about, drew and painted. The result is an intriguing and appealing lesson in biographical and scientific history and a literary reading experience that will appeal to a wide audience."-- William W. Rogers, professor of history emeritus, Florida State University Following the original steps of pioneering naturalists, Gail Fishman profiles thirteen men who explored North America’s southeastern wilderness between 1715 and the 1940s, including John James Audubon, Mark Catesby, John and William Bartram, John Muir, and Alvan Wentworth Chapman. The book is also Fishman’s personal travelogue as she experiences the landscape through their eyes and describes the changes that have occurred along the region’s trails and streams. Traveling by horseback, boat, and foot, these naturalists--dedicated to their task and blessed with passion and insatiable curiosity--explored gentle mountains, regal forests, and shadowy swamps. Their interests ran deeper than merely cataloging plants and animals. They identified the continent’s foundations and the habits and histories of the flora and fauna of the landscape. Fishman tells us who they were and what compelled them to pursue their work. She evaluates what they accomplished and measures their importance, also pointing out their strengths and failings. And she paints an engaging picture of what America was like at the time. Fishman combines natural history and American history into a series of portraits that recapture the American Southeast as it was seen by those who first tramped through the wilderness and whose voices from the beginning urged the preservation of wild places. Gail Fishman, a freelance writer who lives in Tallahassee, has worked for the Florida Defenders of the Environment, The Nature Conservancy, and the National Audubon Society. She is a volunteer for the St. Marks National Wildlife Refuge and helped form the St. Marks Refuge Association.
Author: David W. Johnston
Publisher: University of Virginia Press
ISBN: 9780813922423
Category : Nature
Languages : en
Pages : 244
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Book Description
Host to a large and diverse bird population as well as a long human history, Virginia is arguably the birthplace of ornithology in North America. David W. Johnston's History of Ornithology in Virginia, the result of over a decade of research, is the first book to address this fascinating element of the state's natural history. Tertiary-era fossils show that birds inhabited Virginia as early as 65 million years ago. Their first human observers were the region's many Indian tribes and, later, colonists on Roanoke Island and in Jamestown. Explorers pushing westward contributed further to the development of a conception of birds that was distinctively American. By the 1900s planter-farmers, naturalists, and government employees had amassed bird records from the Barrier Islands and the Dismal Swamp to the Blue Ridge and Appalachian Mountains. The modern era saw the emergence of ornithological organizations and game laws, as well as increasingly advanced studies of bird distribution, migration pathways, and breeding biology. Johnston shows us how ornithology in Virginia evolved from observations of wondrous creatures to a sophisticated science recognizing some 435 avian species. David W. Johnston taught ornithology at the University of Virginia's Mountain Lake Biological Station for nearly two decades and has edited numerous ecological studies as well as the Journal of Field Ornithology and Ornithological Monographs.
