Author: Frans Grijzenhout
Publisher: Nai010 Publishers
ISBN: 9789491714702
Category : Art
Languages : en
Pages : 83
Book Description
Not much is known about Johannes Vermeer's famous Little Street. The exact location of this Delft townscape has been occupying art historians, archaeologists and others for years. Did Vermeer picture his own house, or perhaps the view from it? Do the buildings he painted still exist? Or did he, at least in part, invent this wonderful, poignant composition? Art historian Frans Grijzenhout happened upon a source never before tapped for this purpose and was able to identify the site of this unique spot with its two adjacent passageways. This astonishing discovery sheds an entirely new light on Vermeer's life and work, and on the harsh world of the people who lived in that little street - the painter's kinsfolk - in the shadow of the Golden Age.
Vermeer's Little Street
Author: Frans Grijzenhout
Publisher: Nai010 Publishers
ISBN: 9789491714702
Category : Art
Languages : en
Pages : 83
Book Description
Not much is known about Johannes Vermeer's famous Little Street. The exact location of this Delft townscape has been occupying art historians, archaeologists and others for years. Did Vermeer picture his own house, or perhaps the view from it? Do the buildings he painted still exist? Or did he, at least in part, invent this wonderful, poignant composition? Art historian Frans Grijzenhout happened upon a source never before tapped for this purpose and was able to identify the site of this unique spot with its two adjacent passageways. This astonishing discovery sheds an entirely new light on Vermeer's life and work, and on the harsh world of the people who lived in that little street - the painter's kinsfolk - in the shadow of the Golden Age.
Publisher: Nai010 Publishers
ISBN: 9789491714702
Category : Art
Languages : en
Pages : 83
Book Description
Not much is known about Johannes Vermeer's famous Little Street. The exact location of this Delft townscape has been occupying art historians, archaeologists and others for years. Did Vermeer picture his own house, or perhaps the view from it? Do the buildings he painted still exist? Or did he, at least in part, invent this wonderful, poignant composition? Art historian Frans Grijzenhout happened upon a source never before tapped for this purpose and was able to identify the site of this unique spot with its two adjacent passageways. This astonishing discovery sheds an entirely new light on Vermeer's life and work, and on the harsh world of the people who lived in that little street - the painter's kinsfolk - in the shadow of the Golden Age.
Johannes Vermeer
Author: Mariët Westermann
Publisher: Waanders Publishers
ISBN:
Category : Art
Languages : en
Pages : 76
Book Description
Mariet Westermann analyses Vermeer's work and his place in the history of art on the basis of Amsterdam's Rijksmuseum's four paintings, which span the range of his production from early to late, from cityscape to genre, from domestic chores to refined liv
Publisher: Waanders Publishers
ISBN:
Category : Art
Languages : en
Pages : 76
Book Description
Mariet Westermann analyses Vermeer's work and his place in the history of art on the basis of Amsterdam's Rijksmuseum's four paintings, which span the range of his production from early to late, from cityscape to genre, from domestic chores to refined liv
Vermeer's Women
Author: Marjorie E. Wieseman
Publisher: Yale University Press
ISBN: 9780300178999
Category : Art
Languages : en
Pages : 227
Book Description
A visually stunning and seductive book that celebrates the mysterious and enigmatic world created by Vermeer in some of the best-loved and most characteristic works from late in his career.
Publisher: Yale University Press
ISBN: 9780300178999
Category : Art
Languages : en
Pages : 227
Book Description
A visually stunning and seductive book that celebrates the mysterious and enigmatic world created by Vermeer in some of the best-loved and most characteristic works from late in his career.
Vermeer's Camera
Author: Philip Steadman
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Tomorrow and Tomorrow and Tomorrow
Author: Aldous Huxley
Publisher:
ISBN:
Category : Literature and science
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Literature and science
Languages : en
Pages : 328
Book Description
The Milkmaid by Johannes Vermeer
Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588393445
Category : Painting, Dutch
Languages : en
Pages : 38
Book Description
In this catalogue for the exhibition, Walter Liedtke, Curator of Paintings at the Metropolitan, drawing on the Museum's five Vermeers, scenes by other Dutch masters in the Museum's collection, including Pieter de Hooch, Gabriel Metsu, Nicolaes Maes, and Emanuel de Witte, and several works on paper, places the picture in the context of the artist's brief career and relates it to contemporary developments in Dutch art. In addition to an extended discussion of the painting's provenance, he provides a detailed study of the composition, the several revisions made during the course of execution, and the subtle relationships between light and shadow, color, contour, and shape. And he proposes a most intriguing argument for an erotic subtext, pointing out that, like maids and kitchen maids in earlier Netherlandish art, the figure in The Milkmaid was meant to attract the male viewer, to rouse in him temptation and restraint, desire and reservation, while the kitchen maid herself, endowed with traits typically reserved for higher-class women and surrounded by references to romance both literal and oblique, is presented as having amorous thoughts of her own.
Publisher: Metropolitan Museum of Art
ISBN: 1588393445
Category : Painting, Dutch
Languages : en
Pages : 38
Book Description
In this catalogue for the exhibition, Walter Liedtke, Curator of Paintings at the Metropolitan, drawing on the Museum's five Vermeers, scenes by other Dutch masters in the Museum's collection, including Pieter de Hooch, Gabriel Metsu, Nicolaes Maes, and Emanuel de Witte, and several works on paper, places the picture in the context of the artist's brief career and relates it to contemporary developments in Dutch art. In addition to an extended discussion of the painting's provenance, he provides a detailed study of the composition, the several revisions made during the course of execution, and the subtle relationships between light and shadow, color, contour, and shape. And he proposes a most intriguing argument for an erotic subtext, pointing out that, like maids and kitchen maids in earlier Netherlandish art, the figure in The Milkmaid was meant to attract the male viewer, to rouse in him temptation and restraint, desire and reservation, while the kitchen maid herself, endowed with traits typically reserved for higher-class women and surrounded by references to romance both literal and oblique, is presented as having amorous thoughts of her own.
Proust's Imaginary Museum
Author: Gabrielle Townsend
Publisher: Peter Lang
ISBN: 9783039111244
Category : Art
Languages : en
Pages : 240
Book Description
This study of Marcel Proust's creative imagination examines an aspect of the novel that has hitherto been largely overlooked: the author's dependence on secondary visual sources. Gabrielle Townsend argues that reproductions play a key role in the work's complex, multi-layered structure.
Publisher: Peter Lang
ISBN: 9783039111244
Category : Art
Languages : en
Pages : 240
Book Description
This study of Marcel Proust's creative imagination examines an aspect of the novel that has hitherto been largely overlooked: the author's dependence on secondary visual sources. Gabrielle Townsend argues that reproductions play a key role in the work's complex, multi-layered structure.
Vermeer
Author: Renzo Villa
Publisher: Silvana Editoriale
ISBN: 9788836624140
Category :
Languages : en
Pages : 0
Book Description
"This volume--the new standard Vermeer monograph--reproduces all 34 paintings, augmenting each with close-ups that lay bare the loving care Vermeer lavished upon each painstaking work." from publisher's website
Publisher: Silvana Editoriale
ISBN: 9788836624140
Category :
Languages : en
Pages : 0
Book Description
"This volume--the new standard Vermeer monograph--reproduces all 34 paintings, augmenting each with close-ups that lay bare the loving care Vermeer lavished upon each painstaking work." from publisher's website
Eye of the Beholder: Johannes Vermeer, Antoni van Leeuwenhoek, and the Reinvention of Seeing
Author: Laura J. Snyder
Publisher: W. W. Norton & Company
ISBN: 0393246523
Category : Science
Languages : en
Pages : 563
Book Description
The remarkable story of how an artist and a scientist in seventeenth-century Holland transformed the way we see the world. On a summer day in 1674, in the small Dutch city of Delft, Antoni van Leeuwenhoek—a cloth salesman, local bureaucrat, and self-taught natural philosopher—gazed through a tiny lens set into a brass holder and discovered a never-before imagined world of microscopic life. At the same time, in a nearby attic, the painter Johannes Vermeer was using another optical device, a camera obscura, to experiment with light and create the most luminous pictures ever beheld. “See for yourself!” was the clarion call of the 1600s. Scientists peered at nature through microscopes and telescopes, making the discoveries in astronomy, physics, chemistry, and anatomy that ignited the Scientific Revolution. Artists investigated nature with lenses, mirrors, and camera obscuras, creating extraordinarily detailed paintings of flowers and insects, and scenes filled with realistic effects of light, shadow, and color. By extending the reach of sight the new optical instruments prompted the realization that there is more than meets the eye. But they also raised questions about how we see and what it means to see. In answering these questions, scientists and artists in Delft changed how we perceive the world. In Eye of the Beholder, Laura J. Snyder transports us to the streets, inns, and guildhalls of seventeenth-century Holland, where artists and scientists gathered, and to their studios and laboratories, where they mixed paints and prepared canvases, ground and polished lenses, examined and dissected insects and other animals, and invented the modern notion of seeing. With charm and narrative flair Snyder brings Vermeer and Van Leeuwenhoek—and the men and women around them—vividly to life. The story of these two geniuses and the transformation they engendered shows us why we see the world—and our place within it—as we do today. Eye of the Beholder was named "A Best Art Book of the Year" by Christie's and "A Best Read of the Year" by New Scientist in 2015.
Publisher: W. W. Norton & Company
ISBN: 0393246523
Category : Science
Languages : en
Pages : 563
Book Description
The remarkable story of how an artist and a scientist in seventeenth-century Holland transformed the way we see the world. On a summer day in 1674, in the small Dutch city of Delft, Antoni van Leeuwenhoek—a cloth salesman, local bureaucrat, and self-taught natural philosopher—gazed through a tiny lens set into a brass holder and discovered a never-before imagined world of microscopic life. At the same time, in a nearby attic, the painter Johannes Vermeer was using another optical device, a camera obscura, to experiment with light and create the most luminous pictures ever beheld. “See for yourself!” was the clarion call of the 1600s. Scientists peered at nature through microscopes and telescopes, making the discoveries in astronomy, physics, chemistry, and anatomy that ignited the Scientific Revolution. Artists investigated nature with lenses, mirrors, and camera obscuras, creating extraordinarily detailed paintings of flowers and insects, and scenes filled with realistic effects of light, shadow, and color. By extending the reach of sight the new optical instruments prompted the realization that there is more than meets the eye. But they also raised questions about how we see and what it means to see. In answering these questions, scientists and artists in Delft changed how we perceive the world. In Eye of the Beholder, Laura J. Snyder transports us to the streets, inns, and guildhalls of seventeenth-century Holland, where artists and scientists gathered, and to their studios and laboratories, where they mixed paints and prepared canvases, ground and polished lenses, examined and dissected insects and other animals, and invented the modern notion of seeing. With charm and narrative flair Snyder brings Vermeer and Van Leeuwenhoek—and the men and women around them—vividly to life. The story of these two geniuses and the transformation they engendered shows us why we see the world—and our place within it—as we do today. Eye of the Beholder was named "A Best Art Book of the Year" by Christie's and "A Best Read of the Year" by New Scientist in 2015.
Vermeer Paintings
Author: Johannes Vermeer
Publisher:
ISBN: 9780486451060
Category :
Languages : en
Pages : 0
Book Description
One of the most gifted painters of the Dutch Golden Age, Johannes Vermeer captured memorable scenes from everyday life in 17th-century Delft. Printed on high-quality, laminated stock, these 24 highlights from his career include Girl with a Pearl Earring, View of Delft, The Love Letter, The Milkmaid, The Music Lesson . . . and many more. Meticulously reproduced and ready to mail, these 4 1/4 x 6 cards are also suitable for framed displays.
Publisher:
ISBN: 9780486451060
Category :
Languages : en
Pages : 0
Book Description
One of the most gifted painters of the Dutch Golden Age, Johannes Vermeer captured memorable scenes from everyday life in 17th-century Delft. Printed on high-quality, laminated stock, these 24 highlights from his career include Girl with a Pearl Earring, View of Delft, The Love Letter, The Milkmaid, The Music Lesson . . . and many more. Meticulously reproduced and ready to mail, these 4 1/4 x 6 cards are also suitable for framed displays.