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Author: Michelle Jacques
Publisher: Black Dog Pub Limited
ISBN: 9781908966810
Category : Art
Languages : en
Pages : 207
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Book Description
Scottish-born artist Jock Macdonald initially moved to Canada to take up a lecturing position at the Vancouver School of Decorative and Applied Arts, and went on to become a key, formative figure in the Painters Eleven, a group of painters who vigorously promoted abstract painting across Canada. Released to coincide with an ambitious new retrospective exhibition organised by the Art Gallery of Greater Victoria, the Robert McLaughlin Gallery and the Vancouver Art Gallery, Jock Macdonald: Evolving Form includes contributions by academics and writers including Anna Hudson, Assistant Professor in Canadian Art and Curatorial Studies at York University, Michelle Jacques, Chief Curator at Art Gallery of Greater Victoria, Linda Jansma, Senior Curator at The Robert Mclaughlin Gallery, Oshawa and Ian Thom, Senior Curator at Vancouver Art Gallery. Previous publications dedicated to Macdonald's work have not analyzed the artist's use of colour which, as an abstractionist and later a borderline Surrealist, was arguably the most significant part of his practice. In this lavishly illustrated book colour reproductions of Macdonald's works can be seen alongside the writings of leading experts in the field of Canadian art history.
Author: Michelle Jacques
Publisher: Black Dog Pub Limited
ISBN: 9781908966810
Category : Art
Languages : en
Pages : 207
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Book Description
Scottish-born artist Jock Macdonald initially moved to Canada to take up a lecturing position at the Vancouver School of Decorative and Applied Arts, and went on to become a key, formative figure in the Painters Eleven, a group of painters who vigorously promoted abstract painting across Canada. Released to coincide with an ambitious new retrospective exhibition organised by the Art Gallery of Greater Victoria, the Robert McLaughlin Gallery and the Vancouver Art Gallery, Jock Macdonald: Evolving Form includes contributions by academics and writers including Anna Hudson, Assistant Professor in Canadian Art and Curatorial Studies at York University, Michelle Jacques, Chief Curator at Art Gallery of Greater Victoria, Linda Jansma, Senior Curator at The Robert Mclaughlin Gallery, Oshawa and Ian Thom, Senior Curator at Vancouver Art Gallery. Previous publications dedicated to Macdonald's work have not analyzed the artist's use of colour which, as an abstractionist and later a borderline Surrealist, was arguably the most significant part of his practice. In this lavishly illustrated book colour reproductions of Macdonald's works can be seen alongside the writings of leading experts in the field of Canadian art history.
Author: Joan Murray
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 80
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Book Description
Author: Iris Nowell
Publisher: Douglas & McIntyre
ISBN: 1553655907
Category : Abstract expressionism
Languages : en
Pages : 386
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Book Description
In 1953 eleven Canadian Abstract Expressionist artists banded together to break through the barricades of traditional art at a time when landscapes were about the only paintings collectors were buying. Hungry for recognition, raging against the art establishment that was shutting them out, they decided to form a collective, expecting they would gain more attention as a group than as solo artists. In 1954, The Painters Eleven--Jack Bush, Oscar Cahén, Hortense Gordon, Tom Hodgson, Alexandra Luke, Jock Macdonald, Ray Mead, Kazuo Nakamura, William Ronald, Harold Town and Walter Yarwood--held their first exhibition in Toronto. Initially the public response echoed the worldwide sentiments toward Abstract Expressionism --mockery and bewilderment. Nevertheless, the exhibition attracted wide public interest and criticism faded into acclaim from critics and collectors alike. A successful 1956 exhibition at the Riverside Gallery in New York even elicited praise from the influential critic Clement Greenberg. Packed with gorgeous full color reproductions, this highly detailed account reveals the influences of the indivudual artists on the group's dynamic art and uncovers why the Painters Eleven had such a struggle for recognition, and why they acheived it so masterfully.
Author: R. Ann Pollock
Publisher: Ottawa, National Gallery of Canada
ISBN:
Category : Art
Languages : en
Pages : 96
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Book Description
Author: John D. MacDonald
Publisher: Random House
ISBN: 0307826767
Category : Fiction
Languages : en
Pages : 306
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Book Description
From a beloved master of crime fiction, The Turquoise Lament is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat. Funny thing about favors. Sometimes they come back to haunt you. And Travis McGee owes his friend a big one for saving his life once upon a time. Now the friend’s daughter, Linda “Pidge” Lewellen, needs help five time zones away in Hawaii before she sails off into the deep blue with a cold-blooded killer: her husband. “The Travis McGee novels are among the finest works of fiction ever penned by an American author.”—Jonathan Kellerman When treasure hunter Ted Lewellen saved his life in a bar fight, McGee could never have thought he’d end up paying his rescuer back in such a way. But years later he finds himself headed to Hawaii at Ted’s request to find out whether Pidge’s husband really is trying to kill her, or if she’s just losing her mind. Of course, once McGee arrives he can’t help but give in to his baser instincts, and as his affair with Pidge gets underway, he can’t find a single thing wrong. McGee chalks up Pidge’s paranoia to simple anxiety, gives her a pep talk, and leaves for home blissfully happy. It’s not until he’s back in Lauderdale that he realizes he may have overlooked a clue or two. And Pidge might be in very serious danger. Features a new Introduction by Lee Child
Author: Errol Morris
Publisher: Penguin
ISBN: 0143123696
Category : True Crime
Languages : en
Pages : 575
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Book Description
Soon to be an FX Docuseries from Emmy® Award-Winning Producer Marc Smerling (The Jinx) featuring the author Errol Morris! Academy Award–winning filmmaker Errol Morris examines one of the most notorious and mysterious murder trials of the twentieth century In this profoundly original meditation on truth and the justice system, Errol Morris—a former private detective and director of The Thin Blue Line—delves deeply into the infamous Jeffrey MacDonald murder case. MacDonald, whose pregnant wife and two young daughters were brutally murdered in 1970, was convicted of the killings in 1979 and remains in prison today. The culmination of an investigation spanning over twenty years and a masterly reinvention of the true-crime thriller, A Wilderness of Error is a shocking book because it shows that everything we have been told about the case is deeply unreliable and that crucial elements of case against MacDonald are simply not true.
Author: Ann Davis
Publisher: University of Toronto Press
ISBN: 9780802068613
Category : Art
Languages : en
Pages : 252
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Book Description
None of these painters was motivated solely by mystical concerns; each of them also painted works which were of a secular or non-spiritual nature. None the less, they were all deeply interested in and concerned about matters mystical. Through a careful examination of the primary documentation Ann Davis looks at the sources of their beliefs in Christianity, transcendentalism, and theosophy and theories of the fourth dimension, and attempts to put some of their major works into new contexts so that familiar paintings can be seen in a new and revealing mystical way.
Author: Hans Hofmann
Publisher: MIT Press
ISBN: 9780262580083
Category : Architecture
Languages : en
Pages : 100
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Book Description
The writings of the "dean of the New York School of Abstract-Expressionist Painting." "The creative process lies not in imitating, but in paralleling nature; translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive and every work of art should be alive." Thus Hans Hofmann wrote nearly half a century ago. He left the Old World, Germany, for the New, at the age of 50. In 1948, when the retrospective exhibition was held at the Addison Gallery of American Art, Hofmann was 68; he had been in the United States for 18 years, a citizen for seven years. Yet he was scarcely recognized in Europe or America as an artist of significance and had never had a full-scale retrospective exhibition of his work. Beginning with a group exhibition in Germany in 1909, he had been given 12 one-man shows and had been included in four group exhibitions before the exhibit at Andover. Subsequently, he was to have 33 one-man shows and to be in over 60 group exhibitions, including the 1960 Venice Biennale, in which he was one of the four artists chosen to represent America. The catalogue of the 1948 retrospective at the Addison Gallery incorporated Hofmann's writings, all originally written in German, some pieces translated fluently, others awkwardly paraphrasing the original. He had written them over a period of 40 years for periodicals journals, or his own teaching purposes; occasionally they overlapped; there was no sequence of development. In the original volume of Search for the Real, published in 1948, it was felt desirable to edit his writing as little as possible, nevertheless to present the essays in the most lucid English true to his meaning, printed only with his approval. "The Search for the Real in the Visual Arts," "Sculpture," and "Painting and Culture" were all printed in full. The section "Excerpts from the Teaching of Hans Hofmann" was composed of selections from his essays "On the Aims of Art" and "Plastic Creation." The last brief section, "Terms," was gleaned from the other essays, lectures, diagrams, notes, and cryptic memoranda written to himself, headed by one of Hoffman's diagrams. It was a further distillation of his own definitions in the nature of a vocabulary. In the last 18 years of his life, recognition was his, nationally and internationally, in proportion to the originality and depth of his thinking, his versatility and comprehensiveness, his productivity and vigor. His was a prophetic visual expression of action in a three-dimensional world on a vibrating two-dimensional surface. He was a dynamic teacher; the wide range of his influence is to be seen in the list of artists comprising an exhibition "Hans Hofmann and His Students," circulated in America and abroad during the three years before his death in 1966. Among the 32 painters and sculptors in this exhibition were students as varied in their developed personal idioms as Helen Frankenthaler, Larry Rivers, Louise Nevelson, Richard Stankiewicz, and Alan Kaprow. Running simultaneously and also shown in South America and Europe as well as in the United States, a one-man show of 40 major works initiated by the Museum of Modern Art, New York, is a testimony to the words of the "dean of the New York School of Abstract-Expressionist Painting."
Author: Alexander Whitelaw
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 634
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Book Description
Author: Loren Ruth Lerner
Publisher: University of Toronto Press
ISBN: 9780802058560
Category : Architecture
Languages : en
Pages : 1646
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Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
