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Author: Ann W. Astell
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
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Book Description
A host of modern authors have portrayed Joan of Arc as a heroine. Identifying with the medieval saint and martyr as a figure of the artist, they tell her story as a way of commenting on their own situation in a world where the power of art has decreased. Blending the theoretical insights of Walter Benjamin, Roland Barthes and Rene Girard, Ann W. Astell persuasively argues that many modern authors have seen their own artistic vocation in the visions and voices that inspired Joan.
Author: Ann W. Astell
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
Get Book Here
Book Description
A host of modern authors have portrayed Joan of Arc as a heroine. Identifying with the medieval saint and martyr as a figure of the artist, they tell her story as a way of commenting on their own situation in a world where the power of art has decreased. Blending the theoretical insights of Walter Benjamin, Roland Barthes and Rene Girard, Ann W. Astell persuasively argues that many modern authors have seen their own artistic vocation in the visions and voices that inspired Joan.
Author: Ann W. Astell
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
Get Book Here
Book Description
A host of modern authors have portrayed Joan of Arc as a heroine. Identifying with the medieval saint and martyr as a figure of the artist, they tell her story as a way of commenting on their own situation in a world where the power of art has decreased. Blending the theoretical insights of Walter Benjamin, Roland Barthes and Rene Girard, Ann W. Astell persuasively argues that many modern authors have seen their own artistic vocation in the visions and voices that inspired Joan.
Author: Bonnie Wheeler
Publisher: Springer
ISBN: 1137069546
Category : History
Languages : en
Pages : 295
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Book Description
Joan of Arc is an unusual saint. Canonized in 1920 as a virgin, she died in 1431 as a condemned heretic. Uneducated, militant, and youthful, she obeyed 'Voices' that counselled her to pursue an unprecedented vocation. The various trial records provide a wealth of evidence about how Joan and others understood her spiritual life. This collection explores multiple facets of Joan's prayerful life. Two-thirds of the essays focus on Joan in her own time; the later chapters study Joan's formative influence upon modern women. Taken together, these essays offer new perspectives on the heroism of Joan's original way of sanctity.
Author: Gail Orgelfinger
Publisher: Penn State Press
ISBN: 0271084278
Category : History
Languages : en
Pages : 245
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Book Description
In this book, Gail Orgelfinger examines the ways in which English historians and illustrators depicted Joan of Arc over a period of four hundred years, from her capture in 1429 to the early nineteenth century. The variety of epithets attached to Joan of Arc—from “witch” and “Medean virago” to “missioned Maid” and “shepherd’s child”—attests to England’s complicated relationship with the saint. While portrayals of Joan in English popular culture evolved over the centuries, they do not follow a straightforward trajectory from vituperation to adulation. Focusing primarily on descriptions of Joan’s captivity, trial, and execution, this study shows how the exigencies of politics and the demands of genre shaped English retellings of her military successes, gender transgressions, and execution at the hands of her English enemies. Orgelfinger’s research illuminates how and why English writers and artists used the memory of Joan of Arc to grapple with issues such as England’s relationship with France, emerging protofeminism in the early modern era, and the sense of national guilt over her execution. A systematic analysis of Joan’s English historiography in its political and social contexts, this volume sheds light on four centuries of English thought on Joan of Arc. It will be welcomed by specialist and general readers alike, especially those interested in women’s studies.
Author:
Publisher: Harvard University Press
ISBN: 0674038681
Category : History
Languages : en
Pages : 268
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Book Description
No account is more critical to our understanding of Joan of Arc than the contemporary record of her trial in 1431. Convened at Rouen and directed by bishop Pierre Cauchon, the trial culminated in Joan's public execution for heresy. The trial record, which sometimes preserves Joan's very words, unveils her life, character, visions, and motives in fascinating detail. Here is one of our richest sources for the life of a medieval woman. This new translation, the first in fifty years, is based on the full record of the trial proceedings in Latin. Recent scholarship dates this text to the year of the trial itself, thereby lending it a greater claim to authority than had traditionally been assumed. Contemporary documents copied into the trial furnish a guide to political developments in Joan's career—from her capture to the attempts to control public opinion following her execution. Daniel Hobbins sets the trial in its legal and historical context. In exploring Joan's place in fifteenth-century society, he suggests that her claims to divine revelation conformed to a recognizable profile of holy women in her culture, yet Joan broke this mold by embracing a military lifestyle. By combining the roles of visionary and of military leader, Joan astonished contemporaries and still fascinates us today. Obscured by the passing of centuries and distorted by the lens of modern cinema, the story of the historical Joan of Arc comes vividly to life once again.
Author: Nora M. Heimann
Publisher: Routledge
ISBN: 135115494X
Category : Art
Languages : en
Pages : 256
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Book Description
In her meticulous and wide-ranging study, Nora M. Heimann follows the metamorphosis of Joan of Arc's posthumous representation during the years in which her image ascended from relative obscurity as a minor provincial figure in the middle ages through her treatment as a figure of political satire in the eighteenth century to her ultimate emergence as an image of piety and sanctity in the mid-nineteenth century. Offering the first scholarly art historical and cultural analysis of the origins of the modern Joan of Arc cult, she takes on the challenge of charting, as no previous critic has, why and how the Maid of Orl‘s has been all things to such a diverse public through the ages, particularly during the rapid shifts in political regimes that came in the wake of the French Revolution. Joan of Arc's image has shown a protean capacity to embody a vast and often contradictory range of qualities, from martial ascendancy to vulnerable piety, from maidenly purity to transgressive androgyny, from the power of the people to the divine right of kings. Heimann makes a persuasive case for this enduringly resonant woman as the only figure in French culture to be warmly embraced simultaneously by republicans, monarchists, feminists, and neo-fascists alike. In its recounting of the iconographic fortunes of this remarkable woman during her transformation from an image of satire to one of sanctity, Joan of Arc in French Art and Culture (1700-1855) offers an illustrated, interdisciplinary depiction of the relationship between art and politics that will appeal not only to art historians but also to those working in literature, women's studies, cultural studies, intellectual history, and religious history.
Author: Scott Manning
Publisher: Rowman & Littlefield
ISBN: 1538139170
Category : Religion
Languages : en
Pages : 301
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Book Description
Joan of Arc is the most recognizable woman from medieval Europe, yet the details of her life remain obscure to the general public while heavily debated by specialists. Rising from obscurity to insert herself into the court of French King Charles VII before marching with his armies to combat the enemies of the crown during the Hundred Years War, she was eventually captured, tried in an inquisition, and then executed as a relapsed heretic at the age of 19. Joan of Arc: A Reference Guide of Her Life and Works focuses on her life, and legacy. It features a chronology, an introduction offers a brief account of her life, a dictionary section lists entries on people, groups, places, events, topics, terms, and medieval documents central to Joan’s life including her letters, contemporary perspectives, her condemnation trial, and the nullification proceedings eventually blessed by the pope to overturn the verdict of the condemnation trial. This book aims to provide an understanding not just of Joan, but of the culture that produced and ultimately destroyed her.
Author: MaryAnn Krajnik Crawford
Publisher: Penn State Press
ISBN: 0271027363
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
SHAW 25 offers eighteen articles, thirteen initially presented at the International Shaw Society conference, 17-21 March 2004, Sarasota, Florida. Additional conference and Shaw Festival Symposia information is provided in the Introduction. Stanley Weintraub's conference keynote, "Shaw for the Here and Now," considers modernizing Shaw's plays, validating Shaw's creative force for today and into the future. Dan H. Laurence's delightful "Shaw's Children" shows a warm, caring, playful Shaw--a giver of self. Howard Ira Einsohn's article on gifting brings together Shaw, Ricoeur, and Derrida to explore the ethics of giving "superabundantly" but not foolishly. Jay Tunney reflects on the ways in which his father, boxer Gene Tunney, fits the personal and professional shoes of Shaw's Cashel Byron, with life imitating art. In "Machiavelli, the Shark, and the Tinpot Tragedienne," Bernard F. Dukore delivers a rereading of Major Barbara that highlights characters and traits, revealing an ensnarling web of beliefs, values, actions, and consequences. Sidney P. Albert's essay explores connections between Major Barbara and Plato's Republic. Using a current theoretical lens, Vicki R. Kennell sees Pygmalion as a narrative literary bridge that predicates postmodern critiques. L.W. Conolly's research on Phillipa Summers reveals a model for Vivie Warren and provides insights into women's lives and education at the turn of the century. In "Who's Modern Now? Shaw, Joyce, and Ibsen's When We Dead Awaken," Kathleen Ochshorn looks at the interrelationships of the three dramatists. Miriam Chirico rewrites critical opinion of You Never Can Tell, arguing that the play is a serious social critique, particularly of marriage. Citing two well-documented instances of Shaw-bashing, John A. Bertolini explores Shaw's responses and reveals Shaw's fair-mindedness. Hannes Schweiger's detailed research substantiates Shaw's influential connection to Viennese culture and politics. Valerie Barnes Lipscomb analyzes Shaw's use of age differences to subvert romantic expectations, thereby drawing greater attention to serious sociocultural issues. Part II continues the legacy of Shaw scholarship with Charles A. Carpenter's must-read bibliographic piece, which reads like a mystery and gives a wealth of research information on Shaw. Focusing on the importance and difficulties of cycle plays, Julie Sparks looks at Man and Superman, Heartbreak House, Back to Methuselah, and current offerings such as Kushner's Angels in America. Kay Li, tracing the influence of Shaw on Chinese drama, argues that modern Chinese drama emerged from the failure of Mrs. Warren's Profession. Frank Duba's article analyzes the evolving role of the Preface in Shaw's works, focusing especially on Man and Superman. Coming full circle, the volume returns to Stanley Weintraub's presentation of Shaw and the fascinating story of Lady Colin Campbell--a story that asks us to consider what it means to be endowed with beauty, fame, and ambition, and what it means to finally lose them. Finally, Michael W. Pharand's addendum to SHAW 24 gives supplementary bibliography on Shavian matters related to love, sex, marriage, and women. SHAW 25 also includes reviews as well as John R. Pfieffer's "Continuing Checklist of Shaviana."
Author: Moshe Gold
Publisher: Purdue University Press
ISBN: 1612495427
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
Scholars have used Levinas as a lens through which to view many authors and texts, fields of endeavor, and works of art. Yet no book-length work or dedicated volume has brought this thoughtful lens to bear in a sustained discussion of the works of Shakespeare. It should not surprise anyone that Levinas identified his own thinking as Shakespearean. "The play's the thing" for both, or put differently, the observation of intersubjectivity is. What may surprise and indeed delight all learned readers is to consider what we might yet gain from considering each in light of the other. Comprising leading scholars in philosophy and literature, Of Levinas and Shakespeare: "To See Another Thus" is the first book-length work to treat both great thinkers. Lear, Hamlet, and Macbeth dominate the discussion; however, essays also address Cymbeline, The Merchant of Venice, and even poetry, such as Venus and Adonis. Volume editors planned and contributors deliver a thorough treatment from multiple perspectives, yet none intends this volume to be the last word on the subject; rather, they would have it be a provocation to further discussion, an enticement for richer enjoyment, and an invitation for deeper contemplation of Levinas and Shakespeare.
Author: Scott D. Troyan
Publisher: Psychology Press
ISBN: 9780415971638
Category : English language
Languages : en
Pages : 280
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Book Description
A formidable challenge to the study of Roma (Gypsy) music is the muddle of fact and fiction in determining identity. This book investigates "Gypsy music" as a marked and marketable exotic substance, and as a site of active cultural negotiation and appropriation between the real Roma and the idealized Gypsies of the Western imagination. David Malvinni studies specific composers-including Liszt, Brahms, Rachmaninov, Janacek, and Bartók-whose work takes up contested and varied configurations of Gypsy music. The music of these composers is considered alongside contemporary debates over popular music and film, as Malvinni argues that Gypsiness remains impervious to empirical revelations about the "real" Roma.
