Author: Javy W. Galindo
Publisher:
ISBN: 9781734563108
Category : Religion
Languages : en
Pages : 208
Book Description
The Taste of Transcendence is the perfect introduction to mankind's collective spiritual wisdom. You will find carefully selected foundational songs, stories, and scripture to give you the world's greatest insights into the human condition, the nature of ultimate reality, and the path to the transcendent sacred. Readings from the world's most influential religious texts have been chosen to provide you with a taste of this transcendence. Included are excerpts from the following spiritual paths: Vedic Traditions Hinduism (Vedas, Upanishads, Bhagavad-Gita), Buddhism (Dhammapada, Jātaka Tales) Chinese Traditions Confucianism (Analects of Confucius), Taoism (Tao Te Ching) Abrahamic Traditions Judaism (Genesis, Exodus, Psalms, Proverbs), Christianity (Four Canonical Gospels, Hebrews), Islam (Holy Qur'an, Rumi Poetry, Sufi Tales) Indigenous Traditions People of the Pacific (Australian Aborigines, Maori, Native Filipinos), People of the Americas (Lakota Oglala People, Cherokee People, Aztecs, and Eskimos) From the Introduction: The word "religion" is rooted in the Latin term that refers to things that bind. In many ways, what we often think of as being religious are those ...that we use to keep us together. They are things that bind us to one another and keep us from personally falling apart in the face of the inherent adversities of life....this is a book about religion in the most basic sense of the term. In this book are words that have been used to bind people together through their ability to express an experience of a transcendent life.
Taste of Transcendence: Sacred Scripture, Stories, & Teachings from the World's Religious Traditions
Author: Javy W. Galindo
Publisher:
ISBN: 9781734563108
Category : Religion
Languages : en
Pages : 208
Book Description
The Taste of Transcendence is the perfect introduction to mankind's collective spiritual wisdom. You will find carefully selected foundational songs, stories, and scripture to give you the world's greatest insights into the human condition, the nature of ultimate reality, and the path to the transcendent sacred. Readings from the world's most influential religious texts have been chosen to provide you with a taste of this transcendence. Included are excerpts from the following spiritual paths: Vedic Traditions Hinduism (Vedas, Upanishads, Bhagavad-Gita), Buddhism (Dhammapada, Jātaka Tales) Chinese Traditions Confucianism (Analects of Confucius), Taoism (Tao Te Ching) Abrahamic Traditions Judaism (Genesis, Exodus, Psalms, Proverbs), Christianity (Four Canonical Gospels, Hebrews), Islam (Holy Qur'an, Rumi Poetry, Sufi Tales) Indigenous Traditions People of the Pacific (Australian Aborigines, Maori, Native Filipinos), People of the Americas (Lakota Oglala People, Cherokee People, Aztecs, and Eskimos) From the Introduction: The word "religion" is rooted in the Latin term that refers to things that bind. In many ways, what we often think of as being religious are those ...that we use to keep us together. They are things that bind us to one another and keep us from personally falling apart in the face of the inherent adversities of life....this is a book about religion in the most basic sense of the term. In this book are words that have been used to bind people together through their ability to express an experience of a transcendent life.
Publisher:
ISBN: 9781734563108
Category : Religion
Languages : en
Pages : 208
Book Description
The Taste of Transcendence is the perfect introduction to mankind's collective spiritual wisdom. You will find carefully selected foundational songs, stories, and scripture to give you the world's greatest insights into the human condition, the nature of ultimate reality, and the path to the transcendent sacred. Readings from the world's most influential religious texts have been chosen to provide you with a taste of this transcendence. Included are excerpts from the following spiritual paths: Vedic Traditions Hinduism (Vedas, Upanishads, Bhagavad-Gita), Buddhism (Dhammapada, Jātaka Tales) Chinese Traditions Confucianism (Analects of Confucius), Taoism (Tao Te Ching) Abrahamic Traditions Judaism (Genesis, Exodus, Psalms, Proverbs), Christianity (Four Canonical Gospels, Hebrews), Islam (Holy Qur'an, Rumi Poetry, Sufi Tales) Indigenous Traditions People of the Pacific (Australian Aborigines, Maori, Native Filipinos), People of the Americas (Lakota Oglala People, Cherokee People, Aztecs, and Eskimos) From the Introduction: The word "religion" is rooted in the Latin term that refers to things that bind. In many ways, what we often think of as being religious are those ...that we use to keep us together. They are things that bind us to one another and keep us from personally falling apart in the face of the inherent adversities of life....this is a book about religion in the most basic sense of the term. In this book are words that have been used to bind people together through their ability to express an experience of a transcendent life.
A Comparative History of Literatures in the Iberian Peninsula
Author: Fernando Cabo Aseguinolaza
Publisher: John Benjamins Publishing
ISBN: 9027288399
Category : Literary Criticism
Languages : en
Pages : 766
Book Description
A Comparative History of Literatures in the Iberian Peninsula is the second comparative history of a new subseries with a regional focus, published by the Coordinating Committee of the International Comparative Literature Association. As its predecessor for East-Central Europe, this two-volume history distances itself from traditional histories built around periods and movements, and explores, from a comparative viewpoint, a space considered to be a powerful symbol of inter-literary relations. Both the geographical pertinence and its symbolic condition are obviously discussed, when not even contested. Written by an international team of researchers who are specialists in the field, this history is the first attempt at applying a comparative approach to the plurilingual and multicultural literatures in the Iberian Peninsula. The aim of comprehensiveness is abandoned in favor of a diverse and extensive array of key issues for a comparative agenda. A Comparative History of Literatures in the Iberian Peninsula undermines the primacy claimed for national and linguistic boundaries, and provides a geo-cultural account of literary inter-systems which cannot otherwise be explained.
Publisher: John Benjamins Publishing
ISBN: 9027288399
Category : Literary Criticism
Languages : en
Pages : 766
Book Description
A Comparative History of Literatures in the Iberian Peninsula is the second comparative history of a new subseries with a regional focus, published by the Coordinating Committee of the International Comparative Literature Association. As its predecessor for East-Central Europe, this two-volume history distances itself from traditional histories built around periods and movements, and explores, from a comparative viewpoint, a space considered to be a powerful symbol of inter-literary relations. Both the geographical pertinence and its symbolic condition are obviously discussed, when not even contested. Written by an international team of researchers who are specialists in the field, this history is the first attempt at applying a comparative approach to the plurilingual and multicultural literatures in the Iberian Peninsula. The aim of comprehensiveness is abandoned in favor of a diverse and extensive array of key issues for a comparative agenda. A Comparative History of Literatures in the Iberian Peninsula undermines the primacy claimed for national and linguistic boundaries, and provides a geo-cultural account of literary inter-systems which cannot otherwise be explained.
Invention of Space
Author: Enric Bou
Publisher:
ISBN: 9783954870592
Category : LANGUAGE ARTS & DISCIPLINES
Languages : en
Pages : 0
Book Description
This book explores the many ways that space has been represented in literature in the twentieth century, dealing with concepts related to space as applied to two different situations: writing the city and traveling through the world. The first chapters propose an innovative different version of Comparatism, one more akin to issues of center and periphery, otherness and non hierarchical assumptions, and a general discussion of ways to read the city. The following chapters analyze how writers create an urban jungle of words with a very precise purpose: the critical interpretation of space according to the values of the writer in the present, proffering a quasi-archeological reading of a jumble of temporal traces scrawled on the walls of old buildings. This kind of exploration deals with general problems and also with specific authors and books (Corpus Barga, Cela, Roig, Gil de Biedma, Vilallonga, Rodoreda, Mendoza). The third section is devoted to a discussion of problems put forth by travelogues, focusing on specific occasions for travel such as the curiosity sparked by the new regime in soviet Russia, how travel is affected by the exile experience, and the uses of travelogues as a way to rediscover daily life.
Publisher:
ISBN: 9783954870592
Category : LANGUAGE ARTS & DISCIPLINES
Languages : en
Pages : 0
Book Description
This book explores the many ways that space has been represented in literature in the twentieth century, dealing with concepts related to space as applied to two different situations: writing the city and traveling through the world. The first chapters propose an innovative different version of Comparatism, one more akin to issues of center and periphery, otherness and non hierarchical assumptions, and a general discussion of ways to read the city. The following chapters analyze how writers create an urban jungle of words with a very precise purpose: the critical interpretation of space according to the values of the writer in the present, proffering a quasi-archeological reading of a jumble of temporal traces scrawled on the walls of old buildings. This kind of exploration deals with general problems and also with specific authors and books (Corpus Barga, Cela, Roig, Gil de Biedma, Vilallonga, Rodoreda, Mendoza). The third section is devoted to a discussion of problems put forth by travelogues, focusing on specific occasions for travel such as the curiosity sparked by the new regime in soviet Russia, how travel is affected by the exile experience, and the uses of travelogues as a way to rediscover daily life.
New Literary Hybrids in the Age of Multimedia Expression
Author: Marcel Cornis-Pope
Publisher: John Benjamins Publishing Company
ISBN: 9027269335
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
Begun in 2010 as part of the “Histories of Literatures in European Languages” series sponsored by the International Comparative Literature Association, the current project on New Literary Hybrids in the Age of Multimedia Expression recognizes the global shift toward the visual and the virtual in all areas of textuality: the printed, verbal text is increasingly joined with the visual, often electronic, text. This shift has opened up new domains of human achievement in art and culture. The international roster of 24 contributors to this volume pursue a broad range of issues under four sets of questions that allow a larger conversation to emerge, both inside the volume’s sections and between them. The four sections cover, 1) Multimedia Productions in Theoretical and Historical Perspective; 2) Regional and Intercultural Projects; 3) Forms and Genres; and, 4) Readers and Rewriters in Multimedia Environments. The essays included in this volume are examples of the kinds of projects and inquiries that have become possible at the interface between literature and other media, new and old. They emphasize the extent to which hypertextual, multimedia, and virtual reality technologies have enhanced the sociality of reading and writing, enabling more people to interact than ever before. At the same time, however, they warn that, as long as these technologies are used to reinforce old habits of reading/ writing, they will deliver modest results. One of the major tasks pursued by the contributors to this volume is to integrate literature in the global informational environment where it can function as an imaginative partner, teaching its interpretive competencies to other components of the cultural landscape.
Publisher: John Benjamins Publishing Company
ISBN: 9027269335
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
Begun in 2010 as part of the “Histories of Literatures in European Languages” series sponsored by the International Comparative Literature Association, the current project on New Literary Hybrids in the Age of Multimedia Expression recognizes the global shift toward the visual and the virtual in all areas of textuality: the printed, verbal text is increasingly joined with the visual, often electronic, text. This shift has opened up new domains of human achievement in art and culture. The international roster of 24 contributors to this volume pursue a broad range of issues under four sets of questions that allow a larger conversation to emerge, both inside the volume’s sections and between them. The four sections cover, 1) Multimedia Productions in Theoretical and Historical Perspective; 2) Regional and Intercultural Projects; 3) Forms and Genres; and, 4) Readers and Rewriters in Multimedia Environments. The essays included in this volume are examples of the kinds of projects and inquiries that have become possible at the interface between literature and other media, new and old. They emphasize the extent to which hypertextual, multimedia, and virtual reality technologies have enhanced the sociality of reading and writing, enabling more people to interact than ever before. At the same time, however, they warn that, as long as these technologies are used to reinforce old habits of reading/ writing, they will deliver modest results. One of the major tasks pursued by the contributors to this volume is to integrate literature in the global informational environment where it can function as an imaginative partner, teaching its interpretive competencies to other components of the cultural landscape.
Rembrandt's Roughness
Author: Nicola Suthor
Publisher: Princeton University Press
ISBN: 0691172447
Category : Art
Languages : en
Pages : 240
Book Description
Roughness is the sensual quality most often associated with Rembrandt's idiosyncratic style. It best defines the specific structure of his painterly textures, which subtly capture and engage the imagination of the beholder. Rembrandt's Roughness examines how the artist's unconventional technique pushed the possibilities of painting into startling and unexpected realms. Drawing on the phenomenological insights of Edmund Husserl as well as firsthand accounts by Rembrandt's contemporaries, Nicola Suthor provides invaluable new perspectives on many of the painter's best-known masterpieces, including The Anatomy Lesson of Dr. Deyman, The Return of the Prodigal Son, and Aristotle with a Bust of Homer. She focuses on pictorial phenomena such as the thickness of the paint material, the visibility of the colored priming, and the dramatizing element of chiaroscuro, showing how they constitute Rembrandt's most effective tools for extending the representational limits of painting. Suthor explores how Rembrandt developed a visually precise handling of his artistic medium that forced his viewers to confront the paint itself as a source of meaning, its challenging complexity expressed in the subtlest stroke of his brush. A beautifully illustrated meditation on a painter like no other, Rembrandt's Roughness reflects deeply on the intellectual challenge that Rembrandt's unrivaled artistry posed to the art theory of his time and its eminent role in the history of art today.
Publisher: Princeton University Press
ISBN: 0691172447
Category : Art
Languages : en
Pages : 240
Book Description
Roughness is the sensual quality most often associated with Rembrandt's idiosyncratic style. It best defines the specific structure of his painterly textures, which subtly capture and engage the imagination of the beholder. Rembrandt's Roughness examines how the artist's unconventional technique pushed the possibilities of painting into startling and unexpected realms. Drawing on the phenomenological insights of Edmund Husserl as well as firsthand accounts by Rembrandt's contemporaries, Nicola Suthor provides invaluable new perspectives on many of the painter's best-known masterpieces, including The Anatomy Lesson of Dr. Deyman, The Return of the Prodigal Son, and Aristotle with a Bust of Homer. She focuses on pictorial phenomena such as the thickness of the paint material, the visibility of the colored priming, and the dramatizing element of chiaroscuro, showing how they constitute Rembrandt's most effective tools for extending the representational limits of painting. Suthor explores how Rembrandt developed a visually precise handling of his artistic medium that forced his viewers to confront the paint itself as a source of meaning, its challenging complexity expressed in the subtlest stroke of his brush. A beautifully illustrated meditation on a painter like no other, Rembrandt's Roughness reflects deeply on the intellectual challenge that Rembrandt's unrivaled artistry posed to the art theory of his time and its eminent role in the history of art today.
The Lasting World
Author: Rudolf Arnheim
Publisher:
ISBN: 9780692874486
Category :
Languages : en
Pages : 68
Book Description
A dramatic traveling exhibit of 15 works, The Lasting World: SIMON DINNERSTEIN and The Fulbright Triptych, is the theme of this new publication. The title, The Lasting World, comes from an essay on Simon Dinnerstein by the noted art theorist and psychologist, Rudolf Arnheim. Granted a Fulbright Fellowship in 1970-1971, Dinnerstein traveled to Germany where he began working on The Fulbright Triptych, his best known work. The triptych, which measures 14 feet in width, has been the subject of much critical response, including Roberta Smith and John Russell, both senior art critics of The New York Times: "This little-known masterpiece of 1970s realism was begun by the young Simon Dinnerstein during a Fulbright Fellowship in Germany and completed in his hometown, Brooklyn, three years later. Incorporating carefully rendered art postcards, children's drawings and personal memorabilia; a formidable worktable laid out with printmaking tools and outdoor views; and the artist and his family, it synthesizes portrait, still life, interior and landscape and rummages through visual culture while sampling a dazzling range of textures and representational styles. It should be seen by anyone interested in the history of recent art and its oversights."Roberta Smith, The New York Times, August 11, 2011: "Neither scale nor perseverance has anything to do with success in art, and Mr. Dinnerstein's triptych could be just one more painstaking failure. But it succeeds as an echo chamber, as a scrupulous representation of a suburb in the sticks, as a portrait of young people who are trying to make an honorable go of life and as inventory of the kind of things that in 1975 give such people a sense of their own identity. It deserves to go to a museum."John Russell, The New York Times, February 5, 1975. The publication includes an interview with noted art historian Lynn F. Jacobs on the triptych form and essays by Alex Barker, Director of the Art Museum at the University of Missouri and Tom Healy, who served three terms as Chairman of the Fulbright Foreign Scholarship Board, which oversees the worldwide Fulbright Program.
Publisher:
ISBN: 9780692874486
Category :
Languages : en
Pages : 68
Book Description
A dramatic traveling exhibit of 15 works, The Lasting World: SIMON DINNERSTEIN and The Fulbright Triptych, is the theme of this new publication. The title, The Lasting World, comes from an essay on Simon Dinnerstein by the noted art theorist and psychologist, Rudolf Arnheim. Granted a Fulbright Fellowship in 1970-1971, Dinnerstein traveled to Germany where he began working on The Fulbright Triptych, his best known work. The triptych, which measures 14 feet in width, has been the subject of much critical response, including Roberta Smith and John Russell, both senior art critics of The New York Times: "This little-known masterpiece of 1970s realism was begun by the young Simon Dinnerstein during a Fulbright Fellowship in Germany and completed in his hometown, Brooklyn, three years later. Incorporating carefully rendered art postcards, children's drawings and personal memorabilia; a formidable worktable laid out with printmaking tools and outdoor views; and the artist and his family, it synthesizes portrait, still life, interior and landscape and rummages through visual culture while sampling a dazzling range of textures and representational styles. It should be seen by anyone interested in the history of recent art and its oversights."Roberta Smith, The New York Times, August 11, 2011: "Neither scale nor perseverance has anything to do with success in art, and Mr. Dinnerstein's triptych could be just one more painstaking failure. But it succeeds as an echo chamber, as a scrupulous representation of a suburb in the sticks, as a portrait of young people who are trying to make an honorable go of life and as inventory of the kind of things that in 1975 give such people a sense of their own identity. It deserves to go to a museum."John Russell, The New York Times, February 5, 1975. The publication includes an interview with noted art historian Lynn F. Jacobs on the triptych form and essays by Alex Barker, Director of the Art Museum at the University of Missouri and Tom Healy, who served three terms as Chairman of the Fulbright Foreign Scholarship Board, which oversees the worldwide Fulbright Program.
Perspectives on the Art of Wenceslaus Hollar (1607-77)
Author: Andrea Bubenik
Publisher: Studies in Baroque Art
ISBN: 9781909400429
Category : Art
Languages : en
Pages : 242
Book Description
Wenceslaus Hollar (1607 Prague - 1677 London) was one of the most important artists of the 17th century. His international career, affluent patrons, and insatiable curiosity enabled him to create a diverse range of prints and drawings, remarkable for their varied subject matter and exceptional technical qualities. Hollar's oeuvre includes cities and fortifications, portraits, religious subjects, politics, mythology, architecture, heraldry and numismatics, antiquarian relics, costume, maps, sports, classical literature, landscape views, 'Old Master' drawings and paintings, and natural history. His work invokes his close observation of, and engagement with, the natural world, as much as the society of his times. Unfortunately, Hollar has received less attention than many of his contemporaries. He has all too often been undervalued as being primarily a 'reproductive printmaker' - one who reproduces in print the designs of others, or simply copies paintings into print. This volume seeks to revise how Hollar has formerly been characterized, through an exploration of hitherto unexamined drawings, as well as the more innovative qualities of his printmaking. It includes new research on Hollar's biography and his patrons, fresh perspectives on Hollar's portraits and urban scenes, and insights into Hollar's forays into the natural world. Partly the outcome of a 2010 symposium held at the Thomas Fisher Rare Books Library at the University of Toronto (repository of third largest collection of Hollar prints), this book comprises contributions from nine international print scholars, from Australia, Canada, Czech Republic, Germany, England, and The Netherlands. Their work on Hollar reaffirms his importance not only to the history of printmaking, but also to the art, science and culture of his times.
Publisher: Studies in Baroque Art
ISBN: 9781909400429
Category : Art
Languages : en
Pages : 242
Book Description
Wenceslaus Hollar (1607 Prague - 1677 London) was one of the most important artists of the 17th century. His international career, affluent patrons, and insatiable curiosity enabled him to create a diverse range of prints and drawings, remarkable for their varied subject matter and exceptional technical qualities. Hollar's oeuvre includes cities and fortifications, portraits, religious subjects, politics, mythology, architecture, heraldry and numismatics, antiquarian relics, costume, maps, sports, classical literature, landscape views, 'Old Master' drawings and paintings, and natural history. His work invokes his close observation of, and engagement with, the natural world, as much as the society of his times. Unfortunately, Hollar has received less attention than many of his contemporaries. He has all too often been undervalued as being primarily a 'reproductive printmaker' - one who reproduces in print the designs of others, or simply copies paintings into print. This volume seeks to revise how Hollar has formerly been characterized, through an exploration of hitherto unexamined drawings, as well as the more innovative qualities of his printmaking. It includes new research on Hollar's biography and his patrons, fresh perspectives on Hollar's portraits and urban scenes, and insights into Hollar's forays into the natural world. Partly the outcome of a 2010 symposium held at the Thomas Fisher Rare Books Library at the University of Toronto (repository of third largest collection of Hollar prints), this book comprises contributions from nine international print scholars, from Australia, Canada, Czech Republic, Germany, England, and The Netherlands. Their work on Hollar reaffirms his importance not only to the history of printmaking, but also to the art, science and culture of his times.
Emil Nolde
Author: Emil Nolde
Publisher: Gallery of Scotland
ISBN: 9781911054153
Category : Art, German
Languages : en
Pages : 0
Book Description
Emil Nolde (1867-1956) was one of the greatest colourists of the twentieth century. An artist passionate about his north German home near the Danish border, with its immense skies, flat, windswept landscapes and storm-tossed seas, he was equally fascinated by the demi-monde of Berlin's cafes and cabarets, the busy to and fro of tugboats in the port of Hamburg and the myriad of peoples and places he saw on his trip to the South Seas in 1914. Nolde felt strongly about what he painted, identifying with his subjects in every brushstroke he made, heightening his colours and simplifying his shapes, so that we, the viewers, can also experience his emotional response to the world about him. This book features five essays and over 100 illustrations drawn from the incomparable collection of the Emil Nolde Foundation in Seebull (the artist's former home in north Germany). It covers Nolde's complete career, from his early atmospheric paintings of his homeland right through to the intensely coloured, so-called 'unpainted paintings', works done on small pieces of paper during the Third Reich when Nolde was branded 'degenerate' and forbidden to work as an artist. Exhibition: National Gallery of Ireland, Dublin, Ireland (14.02. - 10.06.2018) / Scottish National Gallery of Modern Art, Edinburgh, Scotland (14.07.-21.10.2018).
Publisher: Gallery of Scotland
ISBN: 9781911054153
Category : Art, German
Languages : en
Pages : 0
Book Description
Emil Nolde (1867-1956) was one of the greatest colourists of the twentieth century. An artist passionate about his north German home near the Danish border, with its immense skies, flat, windswept landscapes and storm-tossed seas, he was equally fascinated by the demi-monde of Berlin's cafes and cabarets, the busy to and fro of tugboats in the port of Hamburg and the myriad of peoples and places he saw on his trip to the South Seas in 1914. Nolde felt strongly about what he painted, identifying with his subjects in every brushstroke he made, heightening his colours and simplifying his shapes, so that we, the viewers, can also experience his emotional response to the world about him. This book features five essays and over 100 illustrations drawn from the incomparable collection of the Emil Nolde Foundation in Seebull (the artist's former home in north Germany). It covers Nolde's complete career, from his early atmospheric paintings of his homeland right through to the intensely coloured, so-called 'unpainted paintings', works done on small pieces of paper during the Third Reich when Nolde was branded 'degenerate' and forbidden to work as an artist. Exhibition: National Gallery of Ireland, Dublin, Ireland (14.02. - 10.06.2018) / Scottish National Gallery of Modern Art, Edinburgh, Scotland (14.07.-21.10.2018).
Circles and Circuits
Author: Alexandra Chang
Publisher: Duke University Press
ISBN: 9780998745107
Category : Art
Languages : en
Pages : 0
Book Description
This catalog--which examines Chinese Caribbean art in Cuba, Trinidad, Jamaica, and Panama--accompanies the exhibition, Circles and Circuits: Chinese Caribbean Art, presented in two parts: History and Art of the Chinese Caribbean Diaspora at the California African American Museum and Contemporary Chinese Caribbean Art at the Chinese American Museum.
Publisher: Duke University Press
ISBN: 9780998745107
Category : Art
Languages : en
Pages : 0
Book Description
This catalog--which examines Chinese Caribbean art in Cuba, Trinidad, Jamaica, and Panama--accompanies the exhibition, Circles and Circuits: Chinese Caribbean Art, presented in two parts: History and Art of the Chinese Caribbean Diaspora at the California African American Museum and Contemporary Chinese Caribbean Art at the Chinese American Museum.
Joan Fontcuberta
Author: Joan Fontcuberta
Publisher:
ISBN: 9788495471147
Category : Photography, Artistic
Languages : en
Pages : 58
Book Description
Publisher:
ISBN: 9788495471147
Category : Photography, Artistic
Languages : en
Pages : 58
Book Description