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Author: Pavel Vasilyev
Publisher: GRIN Verlag
ISBN: 3640783611
Category : History
Languages : en
Pages : 13
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Book Description
Essay from the year 2010 in the subject History of Europe - Newer History, European Unification, grade: A-, University CEU San Pablo Madrid, language: English, abstract: At first glance, the historical Jews do not seem to have been a group that was determining the architectural, visual and spatial outlook of cities – in Europe or overseas alike. In fact, as Rudolf Klein put it, “the Jews were seldom in a position – save in ancient and modern Israel – to impose architecture on others”; partially because they “moved so many times in history that they lacked the preconditions for a continuous architectural evolution”. Moreover, architecture has always been considered a Jewish 'specialty' much less then, say, literature, medicine or business. However, I will show that a closer look at the connections between the Jews and the urban space is an important and promising enterprise that tells us a lot about the Jews, the city – and also about Gentiles. The focus of this paper is on the fin-de-siècle period (late 19th – early 20th centuries) and on the two capital cities of Vienna and St. Petersburg – and for some reasons. Both cities were capitals of the empires (Austria-Hungary and the Russian Empire, respectively), that were powerful enough to be a major military and financial competitors, but still technologically and economically backward. The transition to modernity in both capitals was late and problematic, and the Jewish communities have faced a long and persistent anti-Semitism. In both contexts, however, the Jews were especially successful and over-represented in the most modern professions – and also more visible in the rapidly changing modern urban space. Thus, this paper also compliments to the perspective that analyzes “Jewish space” in fin-de-siècle capitals – and brings a comparative element into the picture. Accordingly, in this paper I will look at the Jewish experiences in turn-of-the-century Vienna and St. Petersburg to compare the visions, images and representations of the “Jewish space” in the two imperial capitals that were struggling through modernity. I am particularly interested in residential, occupational and religious aspects of the “Jewish space” as these were the factors that determined the everyday life cycle of particular Jews. Additionally, I want to trace the potential influence that the Jewish patterns of space organization may have exercised upon Gentile ones around turn of the century.
Author: Pavel Vasilyev
Publisher: GRIN Verlag
ISBN: 3640783611
Category : History
Languages : en
Pages : 13
Get Book Here
Book Description
Essay from the year 2010 in the subject History of Europe - Newer History, European Unification, grade: A-, University CEU San Pablo Madrid, language: English, abstract: At first glance, the historical Jews do not seem to have been a group that was determining the architectural, visual and spatial outlook of cities – in Europe or overseas alike. In fact, as Rudolf Klein put it, “the Jews were seldom in a position – save in ancient and modern Israel – to impose architecture on others”; partially because they “moved so many times in history that they lacked the preconditions for a continuous architectural evolution”. Moreover, architecture has always been considered a Jewish 'specialty' much less then, say, literature, medicine or business. However, I will show that a closer look at the connections between the Jews and the urban space is an important and promising enterprise that tells us a lot about the Jews, the city – and also about Gentiles. The focus of this paper is on the fin-de-siècle period (late 19th – early 20th centuries) and on the two capital cities of Vienna and St. Petersburg – and for some reasons. Both cities were capitals of the empires (Austria-Hungary and the Russian Empire, respectively), that were powerful enough to be a major military and financial competitors, but still technologically and economically backward. The transition to modernity in both capitals was late and problematic, and the Jewish communities have faced a long and persistent anti-Semitism. In both contexts, however, the Jews were especially successful and over-represented in the most modern professions – and also more visible in the rapidly changing modern urban space. Thus, this paper also compliments to the perspective that analyzes “Jewish space” in fin-de-siècle capitals – and brings a comparative element into the picture. Accordingly, in this paper I will look at the Jewish experiences in turn-of-the-century Vienna and St. Petersburg to compare the visions, images and representations of the “Jewish space” in the two imperial capitals that were struggling through modernity. I am particularly interested in residential, occupational and religious aspects of the “Jewish space” as these were the factors that determined the everyday life cycle of particular Jews. Additionally, I want to trace the potential influence that the Jewish patterns of space organization may have exercised upon Gentile ones around turn of the century.
Author: Pavel Vasilyev
Publisher: GRIN Verlag
ISBN: 3640783352
Category : History
Languages : en
Pages : 29
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Book Description
Essay from the year 2010 in the subject History Europe - Other Countries - Newer History, European Unification, grade: A-, University CEU San Pablo Madrid, language: English, abstract: At first glance, the historical Jews do not seem to have been a group that was determining the architectural, visual and spatial outlook of cities - in Europe or overseas alike. In fact, as Rudolf Klein put it, "the Jews were seldom in a position - save in ancient and modern Israel - to impose architecture on others"; partially because they "moved so many times in history that they lacked the preconditions for a continuous architectural evolution". Moreover, architecture has always been considered a Jewish 'specialty' much less then, say, literature, medicine or business. However, I will show that a closer look at the connections between the Jews and the urban space is an important and promising enterprise that tells us a lot about the Jews, the city - and also about Gentiles. The focus of this paper is on the fin-de-siècle period (late 19th - early 20th centuries) and on the two capital cities of Vienna and St. Petersburg - and for some reasons. Both cities were capitals of the empires (Austria-Hungary and the Russian Empire, respectively), that were powerful enough to be a major military and financial competitors, but still technologically and economically backward. The transition to modernity in both capitals was late and problematic, and the Jewish communities have faced a long and persistent anti-Semitism. In both contexts, however, the Jews were especially successful and over-represented in the most modern professions - and also more visible in the rapidly changing modern urban space. Thus, this paper also compliments to the perspective that analyzes "Jewish space" in fin-de-siècle capitals - and brings a comparative element into the picture. Accordingly, in this paper I will look at the Jewish experiences in turn-of-the-century Vienna and St. Petersburg to compare the visions,
Author: William David Davies
Publisher: Cambridge University Press
ISBN: 9780521219297
Category : Religion
Languages : en
Pages : 766
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Book Description
Vol. 4 covers the late Roman period to the rise of Islam. Focuses especially on the growth and development of rabbinic Judaism and of the major classical rabbinic sources such as the Mishnah, Jerusalem Talmud, Babylonian Talmud and various Midrashic collections.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Yohanan Petrovsky-Shtern
Publisher: Yale University Press
ISBN: 0300168608
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
The grandson of a Jew, whose Jewish relatives converted to Christianity, whose allies played down his Jewish origins just as fervently as his enemies played them up, V.I. Lenin makes for a fascinating case study of the many complexities associated with 'Jewish question' in Russia.
Author: Stefan C. Reif
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110377489
Category : Religion
Languages : en
Pages : 354
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Book Description
Jewish customs and traditions about death, burial and mourning are numerous, diverse and intriguing. They are considered by many to have a respectable pedigree that goes back to the earliest rabbinic period. In order to examine the accurate historical origins of many of them, an international conference was held at Tel Aviv University in 2010 and experts dealt with many aspects of the topic. This volume includes most of the papers given then, as well as a few added later. What emerges are a wealth of fresh material and perspectives, as well as the realization that the high Middle Ages saw a set of exceptional innovations, some of which later became central to traditional Judaism while others were gradually abandoned. Were these innovations influenced by Christian practice? Which prayers and poems reflect these innovations? What do the sources tell us about changing attitudes to death and life-after death? Are tombstones an important guide to historical developments? Answers to these questions are to be found in this unusual, illuminating and readable collection of essays that have been well documented, carefully edited and well indexed.
Author: Maaike van Berkel
Publisher: BRILL
ISBN: 9004315713
Category : History
Languages : en
Pages : 668
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Book Description
Prince, Pen, and Sword offers a synoptic interpretation of rulers and elites in Eurasia from the fourteenth to the eighteenth century. Four core chapters zoom in on the tensions and connections at court, on the nexus between rulers and religious authority, on the status, function, and self-perceptions of military and administrative elites respectively. Two additional concise chapters provide a focused analysis of the construction of specific dynasties (the Golden Horde and the Habsburgs) and narratives of kingship found in fiction throughout Eurasia. The contributors and editors, authorities in their fields, systematically bring together specialised literature on numerous Eurasian kingdoms and empires. This book is a careful and thought-provoking experiment in the global, comparative and connected history of rulers and elites.
Author: Jaś Elsner
Publisher: Cambridge University Press
ISBN: 1108473075
Category : Art
Languages : en
Pages : 533
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Book Description
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.
Author: Michele Battini
Publisher: Columbia University Press
ISBN: 0231541325
Category : History
Languages : en
Pages : 424
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Book Description
In Socialism of Fools, Michele Battini focuses on the critical moment during the Enlightenment in which anti-Jewish stereotypes morphed into a sophisticated, modern social anti-Semitism. He recovers the potent anti-Jewish, anticapitalist propaganda that cemented the idea of a Jewish conspiracy in the European mind and connects it to the atrocities that characterized the Jewish experience in the nineteenth and twentieth centuries. Beginning in the eighteenth century, counter-Enlightenment intellectuals and intransigent Catholic writers singled out Jews for conspiring to exploit self-sustaining markets and the liberal state. These ideas spread among socialist and labor movements in the nineteenth century and intensified during the Long Depression of the 1870s. Anti-Jewish anticapitalism then migrated to the Habsburg Empire with the Christian Social Party; to Germany with the Anti-Semitic Leagues; to France with the nationalist movements; and to Italy, where Revolutionary Syndicalists made anti-Jewish anticapitalism the basis of an alliance with the nationalists. Exemplified best in the Protocols of the Elders of Zion, the infamous document that "leaked" Jewish plans to conquer the world, the Jewish-conspiracy myth inverts reality and creates a perverse relationship to historical and judicial truth. Isolating the intellectual roots of this phenomenon and its contemporary resonances, Battini shows us why, so many decades after the Holocaust, Jewish people continue to be a powerful political target.
Author: Paul Reitter
Publisher: University of Chicago Press
ISBN: 0226709728
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
In turn-of-the-century Vienna, Karl Kraus created a bold new style of media criticism, penning incisive satires that elicited both admiration and outrage. Kraus’s spectacularly hostile critiques often focused on his fellow Jewish journalists, which brought him a reputation as the quintessential self-hating Jew. The Anti-Journalist overturns this view with unprecedented force and sophistication, showing how Kraus’s criticisms form the center of a radical model of German-Jewish self-fashioning, and how that model developed in concert with Kraus’s modernist journalistic style. Paul Reitter’s study of Kraus’s writings situates them in the context of fin-de-siècle German-Jewish intellectual society. He argues that rather than stemming from anti-Semitism, Kraus’s attacks constituted an innovative critique of mainstream German-Jewish strategies for assimilation. Marshalling three of the most daring German-Jewish authors—Kafka, Scholem, and Benjamin—Reitter explains their admiration for Kraus’s project and demonstrates his influence on their own notions of cultural authenticity. The Anti-Journalist is at once a new interpretation of a fascinating modernist oeuvre and a heady exploration of an important stage in the history of German-Jewish thinking about identity.
