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Author: Richard Walsh
Publisher: Bloomsbury Publishing
ISBN: 0567693872
Category : Religion
Languages : en
Pages : 401
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Book Description
Jesus films arose with cinema itself. Richard Walsh and Jeffrey L. Staley introduce students to these films with a general overview of the Jesus film tradition and with specific analyses of 22 of its most influential exemplars, stretching from La vie du Christ (1906) to Mary Magdalene (2018). The introduction to each film includes discussion of plot, characters, visuals, appeal to authority, and cultural location as well as consideration of the director's (and/or other filmmakers') achievements and style. Several film chapters end with reflections on problematic issues bedeviling the tradition, such as cultural imperialism and patriarchy. To assist teachers and researchers, each chapter includes a listing of DVD chapters and the approximate “time” (for both DVDs and streaming platforms) at which key film moments occur. The book also includes a Gospels Harmony cataloging the time at which key gospel incidents appear in these films. Extensive endnotes point readers to other important work on the tradition and specific films. While the authors strive to set the Jesus film tradition within cinema and its interpretation, the DVD/streaming listing and the Gospels Harmony facilitate the comparison of these films to gospel interpretation and the Jesus tradition.
Author: Richard Walsh
Publisher: Bloomsbury Publishing
ISBN: 0567693872
Category : Religion
Languages : en
Pages : 401
Get Book Here
Book Description
Jesus films arose with cinema itself. Richard Walsh and Jeffrey L. Staley introduce students to these films with a general overview of the Jesus film tradition and with specific analyses of 22 of its most influential exemplars, stretching from La vie du Christ (1906) to Mary Magdalene (2018). The introduction to each film includes discussion of plot, characters, visuals, appeal to authority, and cultural location as well as consideration of the director's (and/or other filmmakers') achievements and style. Several film chapters end with reflections on problematic issues bedeviling the tradition, such as cultural imperialism and patriarchy. To assist teachers and researchers, each chapter includes a listing of DVD chapters and the approximate “time” (for both DVDs and streaming platforms) at which key film moments occur. The book also includes a Gospels Harmony cataloging the time at which key gospel incidents appear in these films. Extensive endnotes point readers to other important work on the tradition and specific films. While the authors strive to set the Jesus film tradition within cinema and its interpretation, the DVD/streaming listing and the Gospels Harmony facilitate the comparison of these films to gospel interpretation and the Jesus tradition.
Author: Richard Walsh
Publisher: Bloomsbury Publishing
ISBN: 0567693856
Category : Religion
Languages : en
Pages : 400
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Book Description
Jesus films arose with cinema itself. Richard Walsh and Jeffrey L. Staley introduce students to these films with a general overview of the Jesus film tradition and with specific analyses of 22 of its most influential exemplars, stretching from La vie du Christ (1906) to Mary Magdalene (2018). The introduction to each film includes discussion of plot, characters, visuals, appeal to authority, and cultural location as well as consideration of the director's (and/or other filmmakers') achievements and style. Several film chapters end with reflections on problematic issues bedeviling the tradition, such as cultural imperialism and patriarchy. To assist teachers and researchers, each chapter includes a listing of DVD chapters and the approximate “time” (for both DVDs and streaming platforms) at which key film moments occur. The book also includes a Gospels Harmony cataloging the time at which key gospel incidents appear in these films. Extensive endnotes point readers to other important work on the tradition and specific films. While the authors strive to set the Jesus film tradition within cinema and its interpretation, the DVD/streaming listing and the Gospels Harmony facilitate the comparison of these films to gospel interpretation and the Jesus tradition.
Author: Jeffrey Lloyd Staley
Publisher: Presbyterian Publishing Corp
ISBN: 0664230318
Category : Religion
Languages : en
Pages : 218
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Book Description
Movies about the life of Jesus continue to be a fascinating way to consider how the Gospels present an image and a narrative of Jesus. In Jesus, the Gospels, and Cinematic Imagination, Jeffrey Staley and Richard Walsh use their biblical knowledge and admiration for films to summarize eighteen popular Jesus movies and to show exactly where each movie parallels the Gospel accounts of Jesus's life. The authors provide teachers and students easy access to both Gospel and film parallels, enhancing the value of these select films as teaching tools and useful resources for pastors, those leading discussions of films, and libraries.
Author: Richard G. Walsh
Publisher:
ISBN: 9780567693860
Category : Electronic books
Languages : en
Pages : 400
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Book Description
"Richard Walsh and Jeffrey Staley introduce the full history and phenomenon of Jesus movies. Beginning with an introduction to the prevalent themes in cinematic depictions of Jesus and messiah figures, they survey over twenty of the most influential and distinctive individual films"--
Author: Adele Reinhartz
Publisher: Oxford University Press
ISBN: 0199724857
Category : Religion
Languages : en
Pages : 328
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Book Description
Since the advent of the cinema, Jesus has frequently appeared in our movie houses and on our television screens. Indeed, it may well be that more people worldwide know about Jesus and his life story from the movies than from any other medium. Indeed, Jesus' story has been adapted dozens of times throughout the history of commercial cinema, from the 1912 silent From the Manger to the Cross to Mel Gibson's 2004 The Passion of the Christ. No doubt there are more to come. Drawing on a broad range of movies, biblical scholar Adele Reinhartz traces the way in which Jesus of Nazareth has become Jesus of Hollywood. She argues that Jesus films both reflect and influence cultural perceptions of Jesus and the other figures in his story. She focuses on the cinematic interpretation of Jesus' relationships with the key people in his life: his family, his friends, and his foes. She examines how these films address theological issues, such as Jesus' identity as both human and divine, political issues, such as the role of the individual in society and the possibility of freedom under political oppression, social issues, such as gender roles and hierarchies, and personal issues, such as the nature of friendship and human sexuality. Reinhartz's study of Jesus' celluloid incarnations shows how Jesus movies reshape the past in the image of the present. Despite society's profound interest in Jesus as a religious and historical figure, Jesus movies are fascinating not as history but as mirrors of the concerns, anxieties, and values of our own era. As the story of Jesus continues to capture the imagination of filmmakers and moviegoers, he remains as significant a cultural figure today as he was 2000 years ago.
Author: Richard Walsh
Publisher: Bloomsbury Publishing
ISBN: 0567686914
Category : Religion
Languages : en
Pages : 627
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Book Description
The T&T Clark Handbook of Jesus and Film introduces postgraduate readers to the critical field of Jesus and/on film. The bulk of biblical films feature Jesus, as protagonist, in cameo, or as a looming background presence or pattern. The handbook assesses the field in light of the work of important biblical film critics including chapters from the leading voices in the field and showcasing the diversity of work done by scholars in the field. Movies discussed include The Passion of the Christ, The King of Kings, Jesus of Nazareth, Monty Python's Life of Brian, Son of Man, and Mary Magdalene. The chapters range across two broad areas: 1) Jesus films, understood broadly as filmed passion plays, other relocations of Jesus, historical Jesus treatments, and Jesus adjacent cinema (privileging invented characters or “minor” gospel characters); and 2) other cinematic Jesuses, including followers who imitate Jesus devotionally or aesthetically, (Christian) Christ figures, antichrists, yet other messiahs, and competing Jesuses in a pluralist world. As one leaves the confines of Christian theology, the question of what a film or interpreter is doing with Jesus or Christ becomes something to be determined, not necessarily something traditional.
Author: Richard Walsh
Publisher: Bloomsbury Publishing
ISBN: 0567666212
Category : Religion
Languages : en
Pages : 429
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Book Description
The first decades of the twenty-first century saw a resurgence of the biblical epic film, such as Noah and Exodus: Gods and Kings, which was in turn accompanied by a growth of biblical film criticism. This companion surveys that field of study by framing it in light of significant and recent biblical films as well as the voices of key biblical film critics. Non-Hollywood and seemingly “non-biblical” films also come under investigation. The contributors concentrate on three points: “context”, focusing on the 'Bible in' specific film genres and cultural situations; “theory”, applying theory from both religion and film studies, with an eye to their possible intersections; and “recent and significant texts”, reflecting on which texts and themes have been most important in 'biblical film' and which are currently at the fore. Exploring cinema across the globe, and accompanied by extended introductory essays for each of the three sections, this companion is an important resource for scholars in both film and biblical reception.
Author: Adele Reinhartz
Publisher: Routledge
ISBN: 1000557073
Category : Religion
Languages : en
Pages : 374
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Book Description
Bible and Cinema: An Introduction is a comprehensive examination of how the Bible has been used and represented in mainstream cinema to develop its plots, characters, and themes. The book considers two general types of films: Bible movies that retell biblical stories, such as the Exodus and the life of Jesus, and Bible-related movies that make use of biblical books, stories, verses, and figures, and Bibles themselves to tell non-biblical, often fictional, narratives. Topics covered include: the contribution of Bible and Bible-related movies to the history of the Bible’s reception; the ways in which filmmakers make use of scripture to address and reflect their own time and place; the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption; the role of the Bible as a source of ethics and morality, and how this role is both perpetuated and undermined in a range of contemporary Hollywood films; and film as a medium for experiences of transcendence, and the role of the Bible in creating such experiences. This thoroughly updated second edition includes insightful analysis of films such as Noah, Gods and Men, Mary Magdalene, and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. The book also includes pedagogical resources including discussions of film theory, as well as key words and discussion questions. Teachers, students, and anyone interested in the intersection of Bible and cinema will find this an invaluable guide to a growing field.
Author: Carol A. Hebron
Publisher: Bloomsbury Publishing
ISBN: 0567668304
Category : Religion
Languages : en
Pages : 321
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Book Description
At the beginning of the 20th century, Judas was characterised in film as the epitome of evil: the villainous Jew. Film-makers cast Judas in this way because this was the Judas that audiences had come to recognize and even expect. But in the following three decades, film-makers - as a result of critical biblical study - were more circumspect about accepting the alleged historicity of the Gospel accounts. Carol A. Hebron examines the figure of Judas across film history to show how the portrayal becomes more nuanced and more significant, even to the point where Judas becomes the protagonist with a role in the film equal in importance to that of Jesus'. Hebron examines how, in these films, we begin to see a rehabilitation of the Judas character and a restoration of Judaism. Hebron reveals two distinct theologies: 'rejection' and 'acceptance'. The Nazi Holocaust and the exposure of the horrors of genocide at the end of World War II influenced how Judaism, Jews, and Judas, were to be portrayed in film. Rehabilitating the Judas character and the Jews was necessary, and film was deemed an appropriate medium in which to begin that process.
Author: Pamela Grace
Publisher: John Wiley & Sons
ISBN: 9781444310542
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
From The Gospel According to Matthew to Jesus ChristSuperstar, from The Passion of Joan of Arc to TheLast Temptation of Christ and Jesus of Montreal, TheReligious Film captures the glory, gore, and centrality of thisimportant genre. A short, accessible introduction to religious film, exploringthe genre as spectacle, as musical, and as controversy Examines the historical, cultural and critical background forreligious films from the silent era through to the presentday Introduces the complexities and characteristics of this iconicgenre of film, including common sounds and images, and the valuesthat most traditional films of this kind uphold
