Author: Alessandra Borroni
Publisher:
ISBN: 9781658209526
Category :
Languages : en
Pages : 126
Book Description
Around the 13th century, among the Crusaders and Christian pilgrims who went to Jerusalem, the custom of marking their skin with tattoos began to spread, as a symbol of their Christianity and their stay in the Holy Land.If we dig through the origins of this custom we discover that it was already practised by Egyptian Christians of the early centuries. Copts, Crusaders, Franciscans, Armenians, Dragomans and pilgrims have ensured that the tradition of sacred tattooing in this city has been continuous, without interruption; so much so that even today in Jerusalem a family exists that for many centuries has continued to tattoo ancient drawings on the skin of pilgrims.
Jerusalem Tattoos
Author: Alessandra Borroni
Publisher:
ISBN: 9781658209526
Category :
Languages : en
Pages : 126
Book Description
Around the 13th century, among the Crusaders and Christian pilgrims who went to Jerusalem, the custom of marking their skin with tattoos began to spread, as a symbol of their Christianity and their stay in the Holy Land.If we dig through the origins of this custom we discover that it was already practised by Egyptian Christians of the early centuries. Copts, Crusaders, Franciscans, Armenians, Dragomans and pilgrims have ensured that the tradition of sacred tattooing in this city has been continuous, without interruption; so much so that even today in Jerusalem a family exists that for many centuries has continued to tattoo ancient drawings on the skin of pilgrims.
Publisher:
ISBN: 9781658209526
Category :
Languages : en
Pages : 126
Book Description
Around the 13th century, among the Crusaders and Christian pilgrims who went to Jerusalem, the custom of marking their skin with tattoos began to spread, as a symbol of their Christianity and their stay in the Holy Land.If we dig through the origins of this custom we discover that it was already practised by Egyptian Christians of the early centuries. Copts, Crusaders, Franciscans, Armenians, Dragomans and pilgrims have ensured that the tradition of sacred tattooing in this city has been continuous, without interruption; so much so that even today in Jerusalem a family exists that for many centuries has continued to tattoo ancient drawings on the skin of pilgrims.
Tattoos and Popular Culture
Author: Lee Barron
Publisher: Emerald Group Publishing
ISBN: 1839092173
Category : Social Science
Languages : en
Pages : 125
Book Description
The rise of tattoos into the mainstream has been a defining aspect of 21st century western culture. Tattoos and Popular Culture showcases how tattoos have been catapulted from 'deviant' and 'alternative' subculture, into a popular culture, becoming a potent signifier of 'difference' for the millennial generation.
Publisher: Emerald Group Publishing
ISBN: 1839092173
Category : Social Science
Languages : en
Pages : 125
Book Description
The rise of tattoos into the mainstream has been a defining aspect of 21st century western culture. Tattoos and Popular Culture showcases how tattoos have been catapulted from 'deviant' and 'alternative' subculture, into a popular culture, becoming a potent signifier of 'difference' for the millennial generation.
Prison Tattoos
Author: Efrat Shoham
Publisher: Springer
ISBN: 3319158716
Category : Social Science
Languages : en
Pages : 113
Book Description
This Brief studies the important role that tattoos play in prison culture, and examines its unique manifestation among minority inmates. This work aims to provide a better understanding of prison group culture, particularly among social marginal groups, through the lens of Russian immigrants in Israeli prisons. Russian immigrants currently represent approximately 25% of the total Israeli prison population, and this book examines how tattoos show an important form of rebellion amongst this group. As tattoos are forbidden in some forms of Islam and Judaism, and the Israeli prison service confiscates over 200 homemade tattoo devices per year, this is a significant phenomenon both before and during incarceration. This work examines how despite the transition to Israel, the main social codes of Russian prisoners are still dominant and help segregate this group from the larger prison population. It provides a lens to understand Russian criminal activity in Israel, and in a larger context, the modes of social cohesion and criminal activity of organized crime groups operating in prison systems. This work will be of interest to researchers studying the organized crime and the criminal justice system, Russian organized crime in particular, as well as related studies of immigration, demography, and social cohesion.
Publisher: Springer
ISBN: 3319158716
Category : Social Science
Languages : en
Pages : 113
Book Description
This Brief studies the important role that tattoos play in prison culture, and examines its unique manifestation among minority inmates. This work aims to provide a better understanding of prison group culture, particularly among social marginal groups, through the lens of Russian immigrants in Israeli prisons. Russian immigrants currently represent approximately 25% of the total Israeli prison population, and this book examines how tattoos show an important form of rebellion amongst this group. As tattoos are forbidden in some forms of Islam and Judaism, and the Israeli prison service confiscates over 200 homemade tattoo devices per year, this is a significant phenomenon both before and during incarceration. This work examines how despite the transition to Israel, the main social codes of Russian prisoners are still dominant and help segregate this group from the larger prison population. It provides a lens to understand Russian criminal activity in Israel, and in a larger context, the modes of social cohesion and criminal activity of organized crime groups operating in prison systems. This work will be of interest to researchers studying the organized crime and the criminal justice system, Russian organized crime in particular, as well as related studies of immigration, demography, and social cohesion.
Stigma
Author: Katherine Dauge-Roth
Publisher: Penn State Press
ISBN: 0271095881
Category : History
Languages : en
Pages : 295
Book Description
The early modern period opened a new era in the history of dermal marking. Intensifying global travel and trade, especially the slave trade, bought diverse skin-marking practices into contact as never before. Stigma examines the distinctive skin cultures and marking methods of Asia, Europe, Africa, and the Americas as they began to circulate and reshape one another in the early modern world. By highlighting the interwoven histories of tattooing, branding, stigmata, baptismal and beauty marks, wounds and scars, this volume shows that early modern markers of skin and readers of marked skin did not think about different kinds of cutaneous signs as separate from each other. On the contrary, Europeans described Indigenous tattooing in North America, Thailand, and the Philippines by referring their readers to the tattoos Christian pilgrims received in Jerusalem or Bethlehem. When explaining the devil’s mark on witches, theologians claimed it was an inversion of holy marks such as those of baptism or divine stigmata. Stigma investigates how early modern people used permanent marks on skin to affirm traditional roles and beliefs, and how they hybridized and transformed skin marking to meet new economic and political demands. In addition to the editors, the contributors to this volume are Xiao Chen, Ana Fonseca Conboy, Peter Erickson, Claire Goldstein, Matthew S. Hopper, Katrina H. B. Keefer, Mordechay Lewy, Nicole Nyffenegger, Mairin Odle, and Allison Stedman.
Publisher: Penn State Press
ISBN: 0271095881
Category : History
Languages : en
Pages : 295
Book Description
The early modern period opened a new era in the history of dermal marking. Intensifying global travel and trade, especially the slave trade, bought diverse skin-marking practices into contact as never before. Stigma examines the distinctive skin cultures and marking methods of Asia, Europe, Africa, and the Americas as they began to circulate and reshape one another in the early modern world. By highlighting the interwoven histories of tattooing, branding, stigmata, baptismal and beauty marks, wounds and scars, this volume shows that early modern markers of skin and readers of marked skin did not think about different kinds of cutaneous signs as separate from each other. On the contrary, Europeans described Indigenous tattooing in North America, Thailand, and the Philippines by referring their readers to the tattoos Christian pilgrims received in Jerusalem or Bethlehem. When explaining the devil’s mark on witches, theologians claimed it was an inversion of holy marks such as those of baptism or divine stigmata. Stigma investigates how early modern people used permanent marks on skin to affirm traditional roles and beliefs, and how they hybridized and transformed skin marking to meet new economic and political demands. In addition to the editors, the contributors to this volume are Xiao Chen, Ana Fonseca Conboy, Peter Erickson, Claire Goldstein, Matthew S. Hopper, Katrina H. B. Keefer, Mordechay Lewy, Nicole Nyffenegger, Mairin Odle, and Allison Stedman.
Signing the Body
Author: Katherine Dauge-Roth
Publisher: Routledge
ISBN: 0429880413
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
The first major scholarly investigation into the rich history of the marked body in the early modern period, this interdisciplinary study examines multiple forms, uses, and meanings of corporeal inscription and impression in France and the French Atlantic from the late sixteenth through early eighteenth centuries. Placing into dialogue a broad range of textual and visual sources drawn from areas as diverse as demonology, jurisprudence, mysticism, medicine, pilgrimage, commerce, travel, and colonial conquest that have formerly been examined largely in isolation, Katherine Dauge-Roth demonstrates that emerging theories and practices of signing the body must be understood in relationship to each other and to the development of other material marking practices that rose to prominence in the early modern period. While each chapter brings to light the particular histories and meanings of a distinct set of cutaneous marks—devil’s marks on witches, demon’s marks upon the possessed, devotional wounds, Amerindian and Holy Land pilgrim tattoos, and criminal brands—each also reveals connections between these various types of stigmata, links that were obvious to the early modern thinkers who theorized and deployed them. Moreover, the five chapters bring to the fore ways in which corporeal marking of all kinds interacted dynamically with practices of writing on, imprinting, and engraving paper, parchment, fabric, and metal that flourished in the period, together signaling important changes taking place in early modern society. Examining the marked body as a material object replete with varied meanings and uses, Signing the Body: Marks on Skin in Early Modern France shows how the skin itself became the register of the profound cultural and social transformations that characterized this era.
Publisher: Routledge
ISBN: 0429880413
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
The first major scholarly investigation into the rich history of the marked body in the early modern period, this interdisciplinary study examines multiple forms, uses, and meanings of corporeal inscription and impression in France and the French Atlantic from the late sixteenth through early eighteenth centuries. Placing into dialogue a broad range of textual and visual sources drawn from areas as diverse as demonology, jurisprudence, mysticism, medicine, pilgrimage, commerce, travel, and colonial conquest that have formerly been examined largely in isolation, Katherine Dauge-Roth demonstrates that emerging theories and practices of signing the body must be understood in relationship to each other and to the development of other material marking practices that rose to prominence in the early modern period. While each chapter brings to light the particular histories and meanings of a distinct set of cutaneous marks—devil’s marks on witches, demon’s marks upon the possessed, devotional wounds, Amerindian and Holy Land pilgrim tattoos, and criminal brands—each also reveals connections between these various types of stigmata, links that were obvious to the early modern thinkers who theorized and deployed them. Moreover, the five chapters bring to the fore ways in which corporeal marking of all kinds interacted dynamically with practices of writing on, imprinting, and engraving paper, parchment, fabric, and metal that flourished in the period, together signaling important changes taking place in early modern society. Examining the marked body as a material object replete with varied meanings and uses, Signing the Body: Marks on Skin in Early Modern France shows how the skin itself became the register of the profound cultural and social transformations that characterized this era.
Inked: Tattoos and Body Art around the World [2 volumes]
Author: Margo DeMello
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 1005
Book Description
In recent decades, tattoos have gone from being a subculture curiosity in Western culture to mainstream and commonplace. This two-volume set provides broad coverage of tattooing and body art in the United States today as well as around the world and throughout human history. In the 1960s, tattooing was illegal in many parts of the United States. Today, tattooing is fully ingrained in mainstream culture and is estimated to be a multi-billion-dollar industry. This exhaustive work contains approximately 400 entries on tattooing, providing historical information that enables readers to fully understand the methods employed, the meanings of, and the motivations behind tattooing—one of the most ancient ways humans mark themselves. The encyclopedia covers all important aspects of the topic of tattooing: the major types of tattooing, the cultural groups associated with tattooing, the regions of the world where tattooing has been performed, the origins of modern tattooing in prehistory, and the meaning of each society's use of tattoos. Major historical and contemporary figures associated with tattooing—including tattooists, tattooed people, and tattoo promoters—receive due attention for their contributions. The entries and sidebars also address the sociological movements involved with tattooing; the organizations; the media dedicated to tattooing, such as television shows, movies, magazines, websites, and books; and the popular conventions, carnivals, and fairs that have showcased tattooing.
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 1005
Book Description
In recent decades, tattoos have gone from being a subculture curiosity in Western culture to mainstream and commonplace. This two-volume set provides broad coverage of tattooing and body art in the United States today as well as around the world and throughout human history. In the 1960s, tattooing was illegal in many parts of the United States. Today, tattooing is fully ingrained in mainstream culture and is estimated to be a multi-billion-dollar industry. This exhaustive work contains approximately 400 entries on tattooing, providing historical information that enables readers to fully understand the methods employed, the meanings of, and the motivations behind tattooing—one of the most ancient ways humans mark themselves. The encyclopedia covers all important aspects of the topic of tattooing: the major types of tattooing, the cultural groups associated with tattooing, the regions of the world where tattooing has been performed, the origins of modern tattooing in prehistory, and the meaning of each society's use of tattoos. Major historical and contemporary figures associated with tattooing—including tattooists, tattooed people, and tattoo promoters—receive due attention for their contributions. The entries and sidebars also address the sociological movements involved with tattooing; the organizations; the media dedicated to tattooing, such as television shows, movies, magazines, websites, and books; and the popular conventions, carnivals, and fairs that have showcased tattooing.
The Tattoo Encyclopedia
Author: Terisa Green
Publisher: Simon and Schuster
ISBN: 1471108619
Category : Social Science
Languages : en
Pages : 319
Book Description
Tattoos have moved into the mainstream and are continuing to grow in popularity. For people contemplating getting a tattoo, however, the choice of images can be overwhelming. THE TATTOO ENCYCLOPEDIA provides a comprehensive and informative exploration of the colourful world of tattoos. It presents precise descriptions of both common and unusual symbols and sheds light on their historic, religious and cultural significance. Organised in a convenient A-Z format, cross-referenced, indexed and illustrated with 300 pieces of authentic tattoo line art, the book features a stunning array of images from ancient Buddhist and Chinese designs to those sported by twenty-first century bikers. Whether choosing a personally significant tattoo, wanting to learn more about a symbol, or simply interested in tattoos as a form of art and body decoration, readers will discover the richness of tattoo culture in this treasury.
Publisher: Simon and Schuster
ISBN: 1471108619
Category : Social Science
Languages : en
Pages : 319
Book Description
Tattoos have moved into the mainstream and are continuing to grow in popularity. For people contemplating getting a tattoo, however, the choice of images can be overwhelming. THE TATTOO ENCYCLOPEDIA provides a comprehensive and informative exploration of the colourful world of tattoos. It presents precise descriptions of both common and unusual symbols and sheds light on their historic, religious and cultural significance. Organised in a convenient A-Z format, cross-referenced, indexed and illustrated with 300 pieces of authentic tattoo line art, the book features a stunning array of images from ancient Buddhist and Chinese designs to those sported by twenty-first century bikers. Whether choosing a personally significant tattoo, wanting to learn more about a symbol, or simply interested in tattoos as a form of art and body decoration, readers will discover the richness of tattoo culture in this treasury.
Tattoos - Philosophy for Everyone
Author: Robert Arp
Publisher: John Wiley & Sons
ISBN: 1118252748
Category : Philosophy
Languages : en
Pages : 288
Book Description
Covering philosophical issues ranging from tattooed religious symbols to a feminist aesthetics of tattoo, Tattoos and Philosophy offers an enthusiastic analysis of inking that will lead readers to consider the nature of the tattooing arts in a new and profound way. Contains chapters written by philosophers (most all with tattoos themselves), tattoo artists, and tattoo enthusiasts that touch upon many areas in Western and Eastern philosophy Enlightens people to the nature of tattoos and the tattooing arts, leading readers to think deeply about tattoos in new ways Offers thoughtful and humorous insights that make philosophical ideas accessible to the non-philosopher
Publisher: John Wiley & Sons
ISBN: 1118252748
Category : Philosophy
Languages : en
Pages : 288
Book Description
Covering philosophical issues ranging from tattooed religious symbols to a feminist aesthetics of tattoo, Tattoos and Philosophy offers an enthusiastic analysis of inking that will lead readers to consider the nature of the tattooing arts in a new and profound way. Contains chapters written by philosophers (most all with tattoos themselves), tattoo artists, and tattoo enthusiasts that touch upon many areas in Western and Eastern philosophy Enlightens people to the nature of tattoos and the tattooing arts, leading readers to think deeply about tattoos in new ways Offers thoughtful and humorous insights that make philosophical ideas accessible to the non-philosopher
Under the Skin
Author: Mairin Odle
Publisher: University of Pennsylvania Press
ISBN: 1512823171
Category : Art
Languages : en
Pages : 177
Book Description
Under the Skin investigates the role of cross-cultural body modification in seventeenth-century and eighteenth-century North America, revealing that the practices of tattooing and scalping were crucial to interactions between Natives and newcomers. These permanent and painful marks could act as signs of alliance or signs of conflict, producing a complex bodily archive of cross-cultural entanglement. Indigenous body modification practices were adopted and transformed by colonial powers, making tattooing and scalping key forms of cultural and political contestation in early America. Although these bodily practices were quite distinct—one a painful but generally voluntary sign of accomplishment and affiliation, the other a violent assault on life and identity—they were linked by growing colonial perceptions that both were crucial elements of “Nativeness.” Tracing the transformation of concepts of bodily integrity, personal and collective identities, and the sources of human difference, Under the Skin investigates both the lived physical experience and the contested metaphorical power of early American bodies. Struggling for power on battlefields, in diplomatic gatherings, and in intellectual exchanges, Native Americans and Anglo-Americans found their physical appearances dramatically altered by their interactions with one another. Contested ideas about the nature of human and societal difference translated into altered appearances for many early Americans. In turn, scars and symbols on skin prompted an outpouring of stories as people debated the meaning of such marks. Perhaps paradoxically, individuals with culturally ambiguous or hybrid appearances prompted increasing efforts to insist on permanent bodily identity. By the late eighteenth century, ideas about the body, phenotype, and culture were increasingly articulated in concepts of race. Yet even as the interpretations assigned to inscribed flesh shifted, fascination with marked bodies remained.
Publisher: University of Pennsylvania Press
ISBN: 1512823171
Category : Art
Languages : en
Pages : 177
Book Description
Under the Skin investigates the role of cross-cultural body modification in seventeenth-century and eighteenth-century North America, revealing that the practices of tattooing and scalping were crucial to interactions between Natives and newcomers. These permanent and painful marks could act as signs of alliance or signs of conflict, producing a complex bodily archive of cross-cultural entanglement. Indigenous body modification practices were adopted and transformed by colonial powers, making tattooing and scalping key forms of cultural and political contestation in early America. Although these bodily practices were quite distinct—one a painful but generally voluntary sign of accomplishment and affiliation, the other a violent assault on life and identity—they were linked by growing colonial perceptions that both were crucial elements of “Nativeness.” Tracing the transformation of concepts of bodily integrity, personal and collective identities, and the sources of human difference, Under the Skin investigates both the lived physical experience and the contested metaphorical power of early American bodies. Struggling for power on battlefields, in diplomatic gatherings, and in intellectual exchanges, Native Americans and Anglo-Americans found their physical appearances dramatically altered by their interactions with one another. Contested ideas about the nature of human and societal difference translated into altered appearances for many early Americans. In turn, scars and symbols on skin prompted an outpouring of stories as people debated the meaning of such marks. Perhaps paradoxically, individuals with culturally ambiguous or hybrid appearances prompted increasing efforts to insist on permanent bodily identity. By the late eighteenth century, ideas about the body, phenotype, and culture were increasingly articulated in concepts of race. Yet even as the interpretations assigned to inscribed flesh shifted, fascination with marked bodies remained.
Written on the Body
Author: Jane Caplan
Publisher: Princeton University Press
ISBN: 0691238251
Category : History
Languages : en
Pages : 344
Book Description
Despite the social sciences' growing fascination with tattooing--and the immense popularity of tattoos themselves--the practice has not left much of a historical record. And, until very recently, there was no good context for writing a serious history of tattooing in the West. This collection exposes, for the first time, the richness of the tattoo's European and American history from antiquity to the present day. In the process, it rescues tattoos from their stereotypical and sensationalized association with criminality. The tattoo has long hovered in a space between the cosmetic and the punitive. Throughout its history, the status of the tattoo has been complicated by its dual association with slavery and penal practices on the one hand and exotic or forbidden sexuality on the other. The tattoo appears often as an involuntary stigma, sometimes as a self-imposed marker of identity, and occasionally as a beautiful corporal decoration. This volume analyzes the tattoo's fluctuating, often uncomfortable position from multiple angles. Individual chapters explore fascinating segments of its history--from the metaphorical meanings of tattooing in Celtic society to the class-related commodification of the body in Victorian Britain, from tattooed entertainers in Germany to tattooing and piercing as self-expression in the contemporary United States. But they also accumulate to form an expansive, textured view of permanent bodily modification in the West. By combining empirical history, powerful cultural analysis, and a highly readable style, this volume both draws on and propels the ongoing effort to write a meaningful cultural history of the body. The contributors, representing several disciplines, have all conducted extensive original research into the Western tattoo. Together, they have produced an unrivalled account of its history. They are, in addition to the editor, Clare Anderson, Susan Benson, James Bradley, Ian Duffield, Juliet Fleming, Alan Govenar, Harriet Guest, Mark Gustafson, C. P. Jones, Charles MacQuarrie, Hamish Maxwell-Stewart, Stephan Oettermann, Jennipher A. Rosecrans, and Abby Schrader.
Publisher: Princeton University Press
ISBN: 0691238251
Category : History
Languages : en
Pages : 344
Book Description
Despite the social sciences' growing fascination with tattooing--and the immense popularity of tattoos themselves--the practice has not left much of a historical record. And, until very recently, there was no good context for writing a serious history of tattooing in the West. This collection exposes, for the first time, the richness of the tattoo's European and American history from antiquity to the present day. In the process, it rescues tattoos from their stereotypical and sensationalized association with criminality. The tattoo has long hovered in a space between the cosmetic and the punitive. Throughout its history, the status of the tattoo has been complicated by its dual association with slavery and penal practices on the one hand and exotic or forbidden sexuality on the other. The tattoo appears often as an involuntary stigma, sometimes as a self-imposed marker of identity, and occasionally as a beautiful corporal decoration. This volume analyzes the tattoo's fluctuating, often uncomfortable position from multiple angles. Individual chapters explore fascinating segments of its history--from the metaphorical meanings of tattooing in Celtic society to the class-related commodification of the body in Victorian Britain, from tattooed entertainers in Germany to tattooing and piercing as self-expression in the contemporary United States. But they also accumulate to form an expansive, textured view of permanent bodily modification in the West. By combining empirical history, powerful cultural analysis, and a highly readable style, this volume both draws on and propels the ongoing effort to write a meaningful cultural history of the body. The contributors, representing several disciplines, have all conducted extensive original research into the Western tattoo. Together, they have produced an unrivalled account of its history. They are, in addition to the editor, Clare Anderson, Susan Benson, James Bradley, Ian Duffield, Juliet Fleming, Alan Govenar, Harriet Guest, Mark Gustafson, C. P. Jones, Charles MacQuarrie, Hamish Maxwell-Stewart, Stephan Oettermann, Jennipher A. Rosecrans, and Abby Schrader.