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Author: William Bainter O'Neal
Publisher: University of Virginia Press
ISBN: 9780813906478
Category : Architecture
Languages : en
Pages : 436
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Book Description
Author: William Bainter O'Neal
Publisher: University of Virginia Press
ISBN: 9780813906478
Category : Architecture
Languages : en
Pages : 436
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Book Description
Author: Leslie Greene Bowman
Publisher: Rizzoli Publications
ISBN: 0847865223
Category : Architecture
Languages : en
Pages : 210
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Book Description
This visually stunning volume explores Monticello, both house and plantation, with texts that present a current assessment of Jefferson’s cultural contributions to his noteworthy home and the fledgling country. Thomas Jefferson (1743–1826), third president of the United States, designed his Virginia residence with innovations that were progressive, even unprecedented, in the new world. Six acclaimed arts and cultural luminaries pay homage to Jefferson, citing his work at Monticello as testament to his genius in art, culture, and science, from his adaptation of Palladian architecture, his sweeping vision for landscape design, his experimental gardens, and his passion for French wine and cuisine to his eclectic mix of European and American art and artifacts and the creation of the country’s seminal library. Each writer considers the important role, and the painful reality, of Jefferson’s enslaved workforce, which made his lifestyle and plantation possible. This book, illustrated with superb photography by Miguel Flores-Vianna, is a necessary addition to the libraries of those who love historical architecture and landscape design, art and cultural history, and the lives of prominent Americans.
Author: M. Andrew Holowchak
Publisher: Vernon Press
ISBN: 1648895298
Category : History
Languages : en
Pages : 217
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Book Description
Jefferson tended to classify the books of his libraries under the Baconian headings of memory, reason, and imagination, which corresponded to history, philosophy, and the fine arts. Thus, education in the Fine Arts, which Jefferson listed as eight, was considered an indispensible part of the life of an educated person—especially a Virginian. An educated person needed knowledge of architecture, gardening, painting, sculpture, rhetoric, belle lettres, poetry music, and criticism, considered as a sort of meta-art. Knowledge of such arts was indispensible because each person, thought Jefferson, was equipped with a faculty of taste as well as ratiocination and a moral-sense faculty—each of which required cultivation for human thriving. An uncultivated imagination would severely impair ratiocination and moral sensitivity. This book is the first book-length attempt to flesh out and critically assess Jefferson’s views on taste and the Fine Arts. It is a must read for any serious biographer of Jefferson.
Author: Jon Meacham
Publisher: Random House
ISBN: 0679645365
Category : Biography & Autobiography
Languages : en
Pages : 833
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Book Description
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • Entertainment Weekly • The Seattle Times • St. Louis Post-Dispatch • Bloomberg Businessweek In this magnificent biography, the Pulitzer Prize–winning author of American Lion and Franklin and Winston brings vividly to life an extraordinary man and his remarkable times. Thomas Jefferson: The Art of Power gives us Jefferson the politician and president, a great and complex human being forever engaged in the wars of his era. Philosophers think; politicians maneuver. Jefferson’s genius was that he was both and could do both, often simultaneously. Such is the art of power. Thomas Jefferson hated confrontation, and yet his understanding of power and of human nature enabled him to move men and to marshal ideas, to learn from his mistakes, and to prevail. Passionate about many things—women, his family, books, science, architecture, gardens, friends, Monticello, and Paris—Jefferson loved America most, and he strove over and over again, despite fierce opposition, to realize his vision: the creation, survival, and success of popular government in America. Jon Meacham lets us see Jefferson’s world as Jefferson himself saw it, and to appreciate how Jefferson found the means to endure and win in the face of rife partisan division, economic uncertainty, and external threat. Drawing on archives in the United States, England, and France, as well as unpublished Jefferson presidential papers, Meacham presents Jefferson as the most successful political leader of the early republic, and perhaps in all of American history. The father of the ideal of individual liberty, of the Louisiana Purchase, of the Lewis and Clark expedition, and of the settling of the West, Jefferson recognized that the genius of humanity—and the genius of the new nation—lay in the possibility of progress, of discovering the undiscovered and seeking the unknown. From the writing of the Declaration of Independence to elegant dinners in Paris and in the President’s House; from political maneuverings in the boardinghouses and legislative halls of Philadelphia and New York to the infant capital on the Potomac; from his complicated life at Monticello, his breathtaking house and plantation in Virginia, to the creation of the University of Virginia, Jefferson was central to the age. Here too is the personal Jefferson, a man of appetite, sensuality, and passion. The Jefferson story resonates today not least because he led his nation through ferocious partisanship and cultural warfare amid economic change and external threats, and also because he embodies an eternal drama, the struggle of the leadership of a nation to achieve greatness in a difficult and confounding world. Praise for Thomas Jefferson: The Art of Power “This is probably the best single-volume biography of Jefferson ever written.”—Gordon S. Wood “A big, grand, absorbing exploration of not just Jefferson and his role in history but also Jefferson the man, humanized as never before.”—Entertainment Weekly “[Meacham] captures who Jefferson was, not just as a statesman but as a man. . . . By the end of the book . . . the reader is likely to feel as if he is losing a dear friend. . . . [An] absorbing tale.”—The Christian Science Monitor “This terrific book allows us to see the political genius of Thomas Jefferson better than we have ever seen it before. In these endlessly fascinating pages, Jefferson emerges with such vitality that it seems as if he might still be alive today.”—Doris Kearns Goodwin
Author: Jefferson Hack
Publisher: Steidl
ISBN: 9783865218605
Category : Art
Languages : en
Pages : 0
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Book Description
The final in a series of three collectable books rediscovering the archives of AnOther Magazine, one of the world's most influential fashion magazines. Another Art Book looks back on the ambitious artistic projects commissioned exclusively for the magazine's pages since 2001, bringing together some of the most iconic names in modern art including Jake & Dinos Chapman, Yayoi Kusama, Hans Peter Feldmann, Yoshitomo Nara, Ernesto Caivano, Keith Tyson, Urs Fischer and Damien Hirst. Opening an early copy of AnOther Magazine, readers were immediately confronted with ten pages filled with nothing but art - be it Jake and Dinos Chapman's twisted vision of the Holy Land Experience, a hypnotic sea of dots penned by Yoyoi Kusama, or Damien Hirst's bloody skulls and severed heads shot by David Bailey (deemed so shocking the pages were sealed with glue). AnOther Magazine thereby subverted the expectations of readers accustomed to finding a bank of advertising at the front of magazines. Over the years the format has evolved, but AnOther Magazine's unique connection with the art word continues. In 2007 Dress Art paired fifteen artists including Jeff Koons, Annie Morris and John Isaacs with fifteen designers from Stella McCartney to Dolce & Gabbana, and challenged them to create fifteen unique dresses. The results brought together the fields of fashion and art as never before - worlds which have since become inextricably linked.
Author: Gaye Wilson
Publisher:
ISBN: 9780813941295
Category : Founding Fathers of the United States
Languages : en
Pages : 0
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Book Description
"This book shows how Jefferson's self-presentation served his political agenda, including his controversial clothing choices and physical appearance as well as his use of portraiture, architecture, and social etiquette"--
Author: William Howard Adams
Publisher: University of Virginia Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 464
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Book Description
A brochure and film-discussion guide to accompany a 27-minute film based on the 1976 exhibition at the National Gallery of Art in Washington, D.C. exploring Thomas Jefferson's interests in the arts.
Author: Louise E. Jefferson
Publisher: Penguin Putnam
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Author: Angela D. Mack
Publisher: Univ of South Carolina Press
ISBN: 9781570037207
Category : Art
Languages : en
Pages : 188
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Book Description
Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.
Author: Henry Wiencek
Publisher: Farrar, Straus and Giroux
ISBN: 1466827785
Category : History
Languages : en
Pages : 354
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Book Description
Is there anything new to say about Thomas Jefferson and slavery? The answer is a resounding yes. Master of the Mountain, Henry Wiencek's eloquent, persuasive book—based on new information coming from archaeological work at Monticello and on hitherto overlooked or disregarded evidence in Jefferson's papers—opens up a huge, poorly understood dimension of Jefferson's world. We must, Wiencek suggests, follow the money. So far, historians have offered only easy irony or paradox to explain this extraordinary Founding Father who was an emancipationist in his youth and then recoiled from his own inspiring rhetoric and equivocated about slavery; who enjoyed his renown as a revolutionary leader yet kept some of his own children as slaves. But Wiencek's Jefferson is a man of business and public affairs who makes a success of his debt-ridden plantation thanks to what he calls the "silent profits" gained from his slaves—and thanks to a skewed moral universe that he and thousands of others readily inhabited. We see Jefferson taking out a slave-equity line of credit with a Dutch bank to finance the building of Monticello and deftly creating smoke screens when visitors are dismayed by his apparent endorsement of a system they thought he'd vowed to overturn. It is not a pretty story. Slave boys are whipped to make them work in the nail factory at Monticello that pays Jefferson's grocery bills. Parents are divided from children—in his ledgers they are recast as money—while he composes theories that obscure the dynamics of what some of his friends call "a vile commerce." Many people of Jefferson's time saw a catastrophe coming and tried to stop it, but not Jefferson. The pursuit of happiness had been badly distorted, and an oligarchy was getting very rich. Is this the quintessential American story?
