Oeuvres de Jean Lemaire de Belges PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Oeuvres de Jean Lemaire de Belges PDF full book. Access full book title Oeuvres de Jean Lemaire de Belges by Jean Lemaire de Belges. Download full books in PDF and EPUB format.
Author: Jean Lemaire de Belges
Publisher:
ISBN:
Category :
Languages : fr
Pages : 376
Get Book Here
Book Description
Author: Jean Lemaire de Belges
Publisher:
ISBN:
Category :
Languages : fr
Pages : 376
Get Book Here
Book Description
Author: Jean Lemaire de Belges
Publisher:
ISBN:
Category :
Languages : fr
Pages : 396
Get Book Here
Book Description
Author: Judy Kem
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 200
Get Book Here
Book Description
This study compares Lemaire's treatment of the Trojan legend in his three-volume Les Illustrations de Gaule et singularitez de Troye (1511-1513) to this sources as well as to medieval French and Latin versions of the legend that he wished to correct. It also examines Lemaire's moral and political objectives in writing the work, as well as his view of history. It demonstrates that Lemaire reinterprets the past by offering complementary yet widely divergent moral lessons to his female and male readers while he attempts to influence the future by promoting European unity and a crusade against the Turks.
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Get Book Here
Book Description
Author: Jacques Abelard
Publisher:
ISBN:
Category :
Languages : fr
Pages : 234
Get Book Here
Book Description
Author: Scott Francis
Publisher: University of Virginia Press
ISBN: 1644530082
Category : History
Languages : en
Pages : 343
Get Book Here
Book Description
Advertising the Self in Renaissance France explores how authors and readers are represented in printed editions of three major literary figures: Jean Lemaire de Belges, Clément Marot, and François Rabelais. Print culture is marked by an anxiety of reception that became much more pronounced with increasingly anonymous and unpredictable readerships in the sixteenth century. To allay this anxiety, authors, as well as editors and printers, turned to self-fashioning in order to sell not only their books but also particular ways of reading. They advertised correct modes of reading as transformative experiences offered by selfless authors that would help the actual reader attain the image of the ideal reader held up by the text and paratext. Thus, authorial personae were constructed around the self-fashioning offered to readers, creating an interdependent relationship that anticipated modern advertising. Distributed for the University of Delaware Press
Author: Elisabeth Wåghäll Nivre
Publisher: Cambridge Scholars Publishing
ISBN: 144387891X
Category : Art
Languages : en
Pages : 498
Get Book Here
Book Description
In June 2012, scholars from a number of disciplines and countries gathered in Stockholm to discuss the representation of ancient mythology in Renaissance Europe. This symposium was an opportunity for the participants to cross disciplinary borders and to problematize a well-researched field. The aim was to move beyond a view of mythology as mere propaganda in order to promote an understanding of ancient tales and fables as contemporary means to explain and comprehend the Early Modern world. W ...
Author: Michael Jones
Publisher: A&C Black
ISBN: 0826434509
Category : History
Languages : en
Pages : 464
Get Book Here
Book Description
Michael Jones is recognised on both sides of the Channel as an authority on late medieval Breton history. In this book he brings together much of his work on the subject, examining not only the administration of the duchy but also more intangible questions about the identity of a late medieval state.
Author:
Publisher: BRILL
ISBN: 9004484221
Category : Literary Criticism
Languages : en
Pages : 356
Get Book Here
Book Description
One of the most noticeable features of the Renaissance is what Jacob Burckhardt called the rise of the individual - in politics and religion, in its social life and in the arts, and in the mentality of Renaissance man, with his inclination to explore, to invent and to make new discoveries. Yet this characteristic is also very puzzling to modern people, who see that although the categories of art which depict particular people increased to a spectacular degree in a period when biography and portrait painting were among the most popular genres, and autobiography began to emerge as a genre in itself and painters began to produce self-portraits, an interest individuals is not necessarily the same thing as the more recent interest in the purely personal aspects of individuals. Literary and artistic traditions, social and ideological backgrounds, and the motives for the production of literature have changed profoundly: Renaissance biography and autobiography, portraiture and self-portraiture have little to do with their modern counterparts. Therefore this book stresses that the Renaissance is not predominantly a mirror of modernity, but rather a period of stimulating difference or alterity. The contributors to this collection of essays aim to create a better understanding of Renaissance biographies and portraits through the analysis and reconstruction of the traditions, contexts, backgrounds and circumstances of their production.
Author: Paul J. Smith
Publisher: BRILL
ISBN: 9047431782
Category : History
Languages : en
Pages : 260
Get Book Here
Book Description
Drawing on the classical concept of rhetorical dispositio, this study gives new interpretations of a number of literary texts of the French Renaissance, some of them well-known (by Rabelais, Du Bellay and Montaigne), others less-known (the Pierres précieuses by Remy Belleau and the anonymous collections of emblematic fables). All these texts are organized according to an often problematic and disruptive dispositio that dissociates itself from the prescribed and preexisting models. This study not only seeks to approach the problem of literary ordering from a historical and theoretical perspective, it also intends to frame this topic in a more general context: grotesque bodiliness in Rabelais’s novels; historiography, gender and travelogue in Montaigne’s Essays; imitation and intermediality in the case of the poets and the fabulists.
