Author: Joseph Harriss
Publisher: McFarland
ISBN: 1476634602
Category : Biography & Autobiography
Languages : en
Pages : 230
Book Description
Jean Gabin was more than just a star of iconic movies still screened in film festivals around the world. To many, he was France itself. During his 45-year career, he acted in 95 films, including Le Quai des Brumes, La Grande Illusion, Touchez Pas au Grisbi and French Cancan. From his start as a reluctant song and dance man at the Moulin Rouge and Folies Bergere, Gabin became a first-magnitude actor under such directors as Julien Duvivier, Marcel Carne and Jean Renoir. This revealing biography traces his involvement in the realisme poetique and film noir movements of the 1930s and 1940s, his unhappy Hollywood years, his role in the World War II liberation of France, his tumultuous affairs with Michele Morgan and Marlene Dietrich and his real-life role as a Normandy gentleman farmer.
Jean Gabin
Author: Joseph Harriss
Publisher: McFarland
ISBN: 1476634602
Category : Biography & Autobiography
Languages : en
Pages : 230
Book Description
Jean Gabin was more than just a star of iconic movies still screened in film festivals around the world. To many, he was France itself. During his 45-year career, he acted in 95 films, including Le Quai des Brumes, La Grande Illusion, Touchez Pas au Grisbi and French Cancan. From his start as a reluctant song and dance man at the Moulin Rouge and Folies Bergere, Gabin became a first-magnitude actor under such directors as Julien Duvivier, Marcel Carne and Jean Renoir. This revealing biography traces his involvement in the realisme poetique and film noir movements of the 1930s and 1940s, his unhappy Hollywood years, his role in the World War II liberation of France, his tumultuous affairs with Michele Morgan and Marlene Dietrich and his real-life role as a Normandy gentleman farmer.
Publisher: McFarland
ISBN: 1476634602
Category : Biography & Autobiography
Languages : en
Pages : 230
Book Description
Jean Gabin was more than just a star of iconic movies still screened in film festivals around the world. To many, he was France itself. During his 45-year career, he acted in 95 films, including Le Quai des Brumes, La Grande Illusion, Touchez Pas au Grisbi and French Cancan. From his start as a reluctant song and dance man at the Moulin Rouge and Folies Bergere, Gabin became a first-magnitude actor under such directors as Julien Duvivier, Marcel Carne and Jean Renoir. This revealing biography traces his involvement in the realisme poetique and film noir movements of the 1930s and 1940s, his unhappy Hollywood years, his role in the World War II liberation of France, his tumultuous affairs with Michele Morgan and Marlene Dietrich and his real-life role as a Normandy gentleman farmer.
Jean Gabin
Author: Joseph Harriss
Publisher: University Press of Kentucky
ISBN: 0813196337
Category : Performing Arts
Languages : en
Pages : 395
Book Description
When one thinks of the quintessential Frenchman, one likely pictures Jean Gabin (1904-1976). The son of music hall performers, the Paris-born actor grew up in the entertainment business. His onscreen debut in the 1930's marked the beginning of many memorable roles in films such as La Grande Illusion (1937) and Émile Zola's La Bête Humaine (1938). His performances would earn him international recognition and establish his reputation as one of the greatest stars of film noir. Pausing his performances on screen, Gabin joined the Allied struggle of WWII. Serving under General Charles De Gaulle in the Free French Forces as a tank commander, Gabin was awarded several medals for his service. Upon his return to acting after the war, he became the embodiment of the uniquely French spirit—a persona that would define his future roles. In Jean Gabin: The Actor Who Was France, Joseph Harriss tells the story of this French icon. This well-researched biography documents Gabin's life from his start as a reluctant singer and dancer in Parisian music halls to his rise to film superstardom. Harriss recounts the actor's multi-faceted persona, including his famously fiery temper, his tumultuous love affairs—including a six-year relationship with the German star Marlene Dietrich—and his military valor. With this enthralling work, film enthusiasts can gain an appreciation of France's quintessential movie star and his lasting impact on world cinema during its Golden Age.
Publisher: University Press of Kentucky
ISBN: 0813196337
Category : Performing Arts
Languages : en
Pages : 395
Book Description
When one thinks of the quintessential Frenchman, one likely pictures Jean Gabin (1904-1976). The son of music hall performers, the Paris-born actor grew up in the entertainment business. His onscreen debut in the 1930's marked the beginning of many memorable roles in films such as La Grande Illusion (1937) and Émile Zola's La Bête Humaine (1938). His performances would earn him international recognition and establish his reputation as one of the greatest stars of film noir. Pausing his performances on screen, Gabin joined the Allied struggle of WWII. Serving under General Charles De Gaulle in the Free French Forces as a tank commander, Gabin was awarded several medals for his service. Upon his return to acting after the war, he became the embodiment of the uniquely French spirit—a persona that would define his future roles. In Jean Gabin: The Actor Who Was France, Joseph Harriss tells the story of this French icon. This well-researched biography documents Gabin's life from his start as a reluctant singer and dancer in Parisian music halls to his rise to film superstardom. Harriss recounts the actor's multi-faceted persona, including his famously fiery temper, his tumultuous love affairs—including a six-year relationship with the German star Marlene Dietrich—and his military valor. With this enthralling work, film enthusiasts can gain an appreciation of France's quintessential movie star and his lasting impact on world cinema during its Golden Age.
What Is Cinema?
Author: André Bazin
Publisher: Univ of California Press
ISBN: 9780520242289
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.
Publisher: Univ of California Press
ISBN: 9780520242289
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.
A Woman at War
Author: J. David Riva
Publisher: Wayne State University Press
ISBN: 0814332498
Category : Entertainers
Languages : en
Pages : 204
Book Description
"In this collection of interviews and photographs, the many facets of Dietrich's personality and of her life during World War II are recounted by those whose lives she touched"--Front flap of jacket.
Publisher: Wayne State University Press
ISBN: 0814332498
Category : Entertainers
Languages : en
Pages : 204
Book Description
"In this collection of interviews and photographs, the many facets of Dietrich's personality and of her life during World War II are recounted by those whose lives she touched"--Front flap of jacket.
French Cinema
Author: R�mi Fournier Lanzoni
Publisher: Bloomsbury Publishing USA
ISBN: 1501303074
Category : Performing Arts
Languages : en
Pages : 633
Book Description
"An all-encompassing history of French motion pictures and cinematographic trends chronologically from 1895 to the present"--
Publisher: Bloomsbury Publishing USA
ISBN: 1501303074
Category : Performing Arts
Languages : en
Pages : 633
Book Description
"An all-encompassing history of French motion pictures and cinematographic trends chronologically from 1895 to the present"--
French Cinema
Author: Rémi Fournier Lanzoni
Publisher: Bloomsbury Publishing USA
ISBN: 1501303090
Category : Performing Arts
Languages : en
Pages : 633
Book Description
To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).
Publisher: Bloomsbury Publishing USA
ISBN: 1501303090
Category : Performing Arts
Languages : en
Pages : 633
Book Description
To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).
French Film Theory and Criticism
Author: Richard Abel
Publisher: Princeton University Press
ISBN: 9780691000633
Category : Performing Arts
Languages : en
Pages : 334
Book Description
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Publisher: Princeton University Press
ISBN: 9780691000633
Category : Performing Arts
Languages : en
Pages : 334
Book Description
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Mists of Regret
Author: Dudley Andrew
Publisher: Princeton University Press
ISBN: 0691239444
Category : Performing Arts
Languages : en
Pages : 426
Book Description
Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts.
Publisher: Princeton University Press
ISBN: 0691239444
Category : Performing Arts
Languages : en
Pages : 426
Book Description
Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts.
Child of Paradise
Author: Edward Baron Turk
Publisher: Harvard University Press
ISBN: 9780674114609
Category : Biography & Autobiography
Languages : en
Pages : 518
Book Description
Traces the career of the influential French director and uses psychoanalytical concepts to analyze his major films.
Publisher: Harvard University Press
ISBN: 9780674114609
Category : Biography & Autobiography
Languages : en
Pages : 518
Book Description
Traces the career of the influential French director and uses psychoanalytical concepts to analyze his major films.
Pepe le Moko
Author: Ginette Vincendeau
Publisher: Bloomsbury Publishing
ISBN: 1838717587
Category : Performing Arts
Languages : en
Pages : 128
Book Description
Vincendeau's analysis places 'Pepe le Moko' in its aesthetic, generic and cultural contexts, ranging from Duvivier's brilliant camera-work, to Gabin's suits and the film's orientalist setting. In the BFI FILM CLASSICS series.
Publisher: Bloomsbury Publishing
ISBN: 1838717587
Category : Performing Arts
Languages : en
Pages : 128
Book Description
Vincendeau's analysis places 'Pepe le Moko' in its aesthetic, generic and cultural contexts, ranging from Duvivier's brilliant camera-work, to Gabin's suits and the film's orientalist setting. In the BFI FILM CLASSICS series.