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Author: Draper, James David
Publisher: Metropolitan Museum of Art
ISBN: 1588395200
Category : Art
Languages : en
Pages : 380
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Book Description
"Jean-Baptiste Carpeaux (1827-1875) was an extraordinarily gifted sculptor, the greatest in 19th-century France before Rodin, and embodied the emotionally charged artistic climate of his era ... Carpeaux's wrenching representations of human forms, shown in beautiful color details and illustrations, echo his turbulent personal life, fraught with episodes of violence and fatal illness. The book covers the entire span of Carpeaux's career, and includes the masterpiece Ugolino and His Sons, newly discovered drawings, and a number of rarely seen or studied works. Previously unpublished letters between Carpeaux and his family and friends, a wealth of archival material, and the most detailed chronology of the artist's life ever published."--Yale University Press website.
Author: Draper, James David
Publisher: Metropolitan Museum of Art
ISBN: 1588395200
Category : Art
Languages : en
Pages : 380
Get Book Here
Book Description
"Jean-Baptiste Carpeaux (1827-1875) was an extraordinarily gifted sculptor, the greatest in 19th-century France before Rodin, and embodied the emotionally charged artistic climate of his era ... Carpeaux's wrenching representations of human forms, shown in beautiful color details and illustrations, echo his turbulent personal life, fraught with episodes of violence and fatal illness. The book covers the entire span of Carpeaux's career, and includes the masterpiece Ugolino and His Sons, newly discovered drawings, and a number of rarely seen or studied works. Previously unpublished letters between Carpeaux and his family and friends, a wealth of archival material, and the most detailed chronology of the artist's life ever published."--Yale University Press website.
Author: James David Draper
Publisher: Yale University Press
ISBN: 0300204310
Category : Art
Languages : en
Pages : 380
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Book Description
Catalogus bij de tentoonstelling van het werk van de Franse beeldhouwer (1827-1875).
Author: Anne Middleton Wagner
Publisher: Yale University Press
ISBN: 9780300047516
Category : Biography & Autobiography
Languages : en
Pages : 370
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Book Description
Drawing on a wide range of primary sources, Anne M. Wagner offers a new view of artist education and patronage, and a new definition of what 'academic' meant within the assumptions and expectations in the modern art in nineteenth-century France. Above all she shows what comprised success in the nineteenth-century world of art..
Author: Los Angeles County Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
The sculpture of Auguste Rodin has become such an important part of our visual culture that it seems to have been with us always. The universal appeal of Rodin's work springs from its emotional expressiveness, its astonishingly lifelike vitality, and its passionate mirroring of the human condition. With his impressionistic technique, supported by a complete mastery of anatomical structure, Rodin overthrew the reigning academic precepts of finish and symmetry. By developing subjects beyond traditional allegories, he pointed the way to sheer abstraction in the twentieth century. This handsomely illustrated catalogue publishes for the first time in its entirety a major American collection of sculpture, the Cantor gifts to the Los Angeles County Museum of Art, and provides a rich context for Rodin's own work. It presents sculpture by Rodin's most important nineteenth-century forerunners--Jean-Baptiste Carpeaux, Albert-Ernest Carrier-Belleuse, François Rude, and others--as well as work by the contemporaries he admired, those with whom he competed, those he influenced, and those who moved from his orbit to develop their own styles at the dawn of the twentieth century. But the centerpiece of the book remains Rodin: forty-two works by the most influential sculptor of the modern period, all specially photographed and many shown in multiple views. -- Publisher description.
Author: Peter Fusco
Publisher: Getty Publications
ISBN: 0892365137
Category : Art
Languages : en
Pages : 130
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Book Description
The J. Paul Getty Museum’s collection of European sculpture featured in this volume ranges in date from the late fifteenth century to the very early twentieth and includes a wide variety of media: marble, bronze, alabaster, terracotta, plaster, wood, ivory, and gold. The earliest sculpture represented is the mysterious Saint Cyricus by Francesco Laurana; the latest is a shield-like portrait of Medusa by the eccentric Italian sculptor Vincenzo Gemito. Among the more than forty works included in this handsomely illustrated volume are sculptures by Antico (Bust of a Young Man); Cellini (a Satyr designed for Fontainebleau); Giambologna (a Female Figure that may represent Venus); Bernini (Boy with a Dragon); and Carpeaux (Bust of Jean-Léon Gérôme). Well represented here is the Museum’s splendid collection of Mannerist and early Baroque bronzes, including such masterpieces as Johann Gregor van der Schardt’s Mercury and two superb works by Adriaen de Vries: Juggling Man and Rearing Horse. These works are indicative of the extraordinary quality of the J. Paul Getty Museum’s collection of post-Classical European sculpture.
Author: Christine Coulson
Publisher: Other Press, LLC
ISBN: 1590510631
Category : Fiction
Languages : en
Pages : 257
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Book Description
“Only someone who deeply loves and understands the Metropolitan Museum could deliver such madcap, funny, magical, tender, intimate fables and stories.” —Maira Kalman, artist and bestselling author of The Principles of Uncertainty From a writer who worked at the Metropolitan Museum for more than twenty-five years, an enchanting novel that shows us the Met that the public doesn't see. Hidden behind the Picassos and Vermeers, the Temple of Dendur and the American Wing, exists another world: the hallways and offices, conservation studios, storerooms, and cafeteria that are home to the museum's devoted and peculiar staff of 2,200 people—along with a few ghosts. A surreal love letter to this private side of the Met, Metropolitan Stories unfolds in a series of amusing and poignant vignettes in which we discover larger-than-life characters, the downside of survival, and the powerful voices of the art itself. The result is a novel bursting with magic, humor, and energetic detail, but also a beautiful book about introspection, an ode to lives lived for art, ultimately building a powerful collage of human experience and the world of the imagination.
Author: Anne Middleton Wagner
Publisher: Univ of California Press
ISBN: 9780520214330
Category : Art
Languages : en
Pages : 406
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Book Description
Art historian Wagner looks at the imagery and careers of three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women--the main element linking the three--is as much the index of difference among their art and experience as it is a passkey to what they share.--From publisher description.
Author: Horst Woldemar Janson
Publisher: New York : Abrams
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
Traces the history of sculpture from 1776 to 1905 and examines the impact of social changes on the art of sculpture.
Author: Barbara Burn
Publisher: Metropolitan Museum of Art
ISBN: 0870998498
Category : Art
Languages : en
Pages : 322
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Book Description
Each reproduction is accompanied by a text that includes pertinent information about the work.
Author: Michelle Facos
Publisher:
ISBN: 9780415780704
Category : Art
Languages : en
Pages : 435
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Book Description
Using the tools of the "new" art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art. Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe. The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the story of nineteenth-century art is the story of the ways in which artists and society grappled with the problem of modernity. Key pedagogical features include: Data boxes provide statistics, timelines, charts, and historical information about the period to further situate artworks. Text boxes highlight extracts from original sources, citing the ideas of artists and their contemporaries, including historians, philosophers, critics, and theorists, to place artists and works in the broader context of aesthetic, cultural, intellectual, social, and political conditions in which artists were working. Beautifully illustrated with over 250 color images. Margin notes and glossary definitions. Online resources at www.routledge.com/textbooks/facos with access to a wealth of information, including original documents pertaining to artworks discussed in the textbook, contemporary criticism, timelines and maps to enrich your understanding of the period and allow for further comparison and exploration. Chapters take a thematic approach combined within an overarching chronology and more detailed discussions of individual works are always put in the context of the broader social picture, thus providing students with a sense of art history as a controversial and alive arena of study. Michelle Facos teaches art history at Indiana University, Bloomington. Her research explores the changing relationship between artists and society since the Enlightenment and issues of identity. Prior publications include Nationalism and the Nordic Imagination: Swedish Painting of the 1890s (1998), Art, Culture and National Identity in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist Art in Context (2009).
