Author: John Oller
Publisher: Amadeus Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
She is probably best remembered for her wistful-husky voice which, as Pauline Kael wrote, "was one of the best sounds in the romantic comedies of the 30s and 40s". But Jean Arthur's screen career began in silent films and spanned more than a quarter of a century. She worked with great directors of Hollywood's Golden Age: John Ford, Frank Capra, Cecil B. DeMille, Howard Hawks, George Stevens and Billy Wilder; and she shared star billing with the likes of Gary Cooper, James Stewart, Cary Grant, Alan Ladd, Charles Boyer and John Wayne. Her most enduring films include Mr. Deeds Goes to Town, You Can't Take It With You, Mr. Smith Goes to Washington, The More the Merrier, The Whole Town's Talking, A Foreign Affair and, in her last screen appearance, Shane. She was, in fact, one of the most popular and beloved movie stars of her time. Jean Arthur's popularity sprang from her talent, her charm and her quiet beauty, not from her offscreen exploits. Independent, indifferent to most of Hollywood's rules if not defiant of them, treasuring her privacy above all else, she chose to become an enigma - and so she has remained until now. In this, the first biography of Jean Arthur, John Oller, after years of research among the actress's closest friends, relatives and co-workers, has uncovered the life she tried so hard to shroud: a bruising, rootless childhood that left her with a crushing sense of insecurity, but also a steely determination to stand up for herself and what she believed in; a romance with David O. Selznick that ended unhappily, a childless marriage to film executive Frank Ross that descended into bitterness and recrimination, and rumors of lesbianism that continue to this day; legal battles fought over the roles she was offered as well as in defense of animals and the environment; repeated, aborted attempts to conquer Broadway that yielded but one theatrical triumph - as Peter Pan, a character she loved because, like herself, he refused to deal with the world on its terms. This is an engrossing, humane biography that strikes a fitting balance between the acting career and the personal life of an unforgettable star, and does full justice to both.
Jean Arthur
Author: John Oller
Publisher: Amadeus Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
She is probably best remembered for her wistful-husky voice which, as Pauline Kael wrote, "was one of the best sounds in the romantic comedies of the 30s and 40s". But Jean Arthur's screen career began in silent films and spanned more than a quarter of a century. She worked with great directors of Hollywood's Golden Age: John Ford, Frank Capra, Cecil B. DeMille, Howard Hawks, George Stevens and Billy Wilder; and she shared star billing with the likes of Gary Cooper, James Stewart, Cary Grant, Alan Ladd, Charles Boyer and John Wayne. Her most enduring films include Mr. Deeds Goes to Town, You Can't Take It With You, Mr. Smith Goes to Washington, The More the Merrier, The Whole Town's Talking, A Foreign Affair and, in her last screen appearance, Shane. She was, in fact, one of the most popular and beloved movie stars of her time. Jean Arthur's popularity sprang from her talent, her charm and her quiet beauty, not from her offscreen exploits. Independent, indifferent to most of Hollywood's rules if not defiant of them, treasuring her privacy above all else, she chose to become an enigma - and so she has remained until now. In this, the first biography of Jean Arthur, John Oller, after years of research among the actress's closest friends, relatives and co-workers, has uncovered the life she tried so hard to shroud: a bruising, rootless childhood that left her with a crushing sense of insecurity, but also a steely determination to stand up for herself and what she believed in; a romance with David O. Selznick that ended unhappily, a childless marriage to film executive Frank Ross that descended into bitterness and recrimination, and rumors of lesbianism that continue to this day; legal battles fought over the roles she was offered as well as in defense of animals and the environment; repeated, aborted attempts to conquer Broadway that yielded but one theatrical triumph - as Peter Pan, a character she loved because, like herself, he refused to deal with the world on its terms. This is an engrossing, humane biography that strikes a fitting balance between the acting career and the personal life of an unforgettable star, and does full justice to both.
Publisher: Amadeus Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
She is probably best remembered for her wistful-husky voice which, as Pauline Kael wrote, "was one of the best sounds in the romantic comedies of the 30s and 40s". But Jean Arthur's screen career began in silent films and spanned more than a quarter of a century. She worked with great directors of Hollywood's Golden Age: John Ford, Frank Capra, Cecil B. DeMille, Howard Hawks, George Stevens and Billy Wilder; and she shared star billing with the likes of Gary Cooper, James Stewart, Cary Grant, Alan Ladd, Charles Boyer and John Wayne. Her most enduring films include Mr. Deeds Goes to Town, You Can't Take It With You, Mr. Smith Goes to Washington, The More the Merrier, The Whole Town's Talking, A Foreign Affair and, in her last screen appearance, Shane. She was, in fact, one of the most popular and beloved movie stars of her time. Jean Arthur's popularity sprang from her talent, her charm and her quiet beauty, not from her offscreen exploits. Independent, indifferent to most of Hollywood's rules if not defiant of them, treasuring her privacy above all else, she chose to become an enigma - and so she has remained until now. In this, the first biography of Jean Arthur, John Oller, after years of research among the actress's closest friends, relatives and co-workers, has uncovered the life she tried so hard to shroud: a bruising, rootless childhood that left her with a crushing sense of insecurity, but also a steely determination to stand up for herself and what she believed in; a romance with David O. Selznick that ended unhappily, a childless marriage to film executive Frank Ross that descended into bitterness and recrimination, and rumors of lesbianism that continue to this day; legal battles fought over the roles she was offered as well as in defense of animals and the environment; repeated, aborted attempts to conquer Broadway that yielded but one theatrical triumph - as Peter Pan, a character she loved because, like herself, he refused to deal with the world on its terms. This is an engrossing, humane biography that strikes a fitting balance between the acting career and the personal life of an unforgettable star, and does full justice to both.
Arthur & George
Author: Julian Barnes
Publisher: Vintage Canada
ISBN: 0307371417
Category : Fiction
Languages : en
Pages : 445
Book Description
Brilliantly imagined and irresistibly readable, Arthur & George is a major new novel from Julian Barnes, a wonderful combination of playfulness, pathos and wisdom. Searching for clues, no one would ever guess that the lives of Arthur and George might intersect. Growing up in shabby-genteel nineteenth-century Edinburgh, Arthur is saddled with a dad who is a disgrace and a mum he wishes to protect, and is propelled into a life of action. To his astonishment, his career as a self-made man of letters brings him riches and fame and, in the world at large, he becomes the perfect picture of the honourable English gentlemen. George is irredeemably an outsider, and has no hope of becoming such a picture. Though he’s dogged and logical, a vicar’s son from rural Staffordshire, he is set apart, and he and his family are targeted in his boyhood by a poison-pen campaign. George finds safe harbour in the reliability of rules, and grows up to become a solicitor, putting his faith in the insulating value of British justice. Then crisis upsets the uneasy equilibrium of both men’s lives. Arthur is knocked for a loop by guilt and other dishonourable emotions. George is put to the sorest test, accused of a horrible crime. And from that point on their lives weave together in the most profound and surprising way, as each man becomes the other’s salvation. Arthur & George is a masterful novel about low crime and high spirituality, guilt and innocence, identity, nationality and race. Most of all, it’s a profound and witty meditation on the fateful differences between what we believe, what we know and what we can prove. George and his father pray together, kneeling side by side on the scrubbed boards. Then George climbs into bed while his father locks the door and turns out the light. As he falls asleep, George sometimes thinks of the floor, and how his soul must be scrubbed just as the boards are scrubbed. Father is not an easy sleeper, and has a tendency to groan and wheeze. Sometimes, in the early morning, when dawn is beginning to show at the edges of the curtains, Father will catechize him. "George, where do you live?" "The Vicarage, Great Wyrley." "And where is that?" "Staffordshire, Father." "And where is that?" "The centre of England." "And what is England, George?" "England is the beating heart of the Empire, Father." "Good. And what is the blood that flows through the arteries and veins of the Empire to reach even its farthest shore?" "The Church of England." "Good, George." And after a while Father will begin to groan and wheeze again. George watches the outline of the curtain harden. He lies there thinking of arteries and veins making red lines on the map of the world, linking Britain to all the places coloured pink: Australia and India and Canada and islands dotted everywhere. He thinks of blood bubbling though these tubes and emerging in Sydney, Bombay, the St. Lawrence Waterway. Bloodlines, that is a word he has heard somewhere. With the pulse of blood in his ears, he begins to fall asleep again. —excerpt from Arthur & George
Publisher: Vintage Canada
ISBN: 0307371417
Category : Fiction
Languages : en
Pages : 445
Book Description
Brilliantly imagined and irresistibly readable, Arthur & George is a major new novel from Julian Barnes, a wonderful combination of playfulness, pathos and wisdom. Searching for clues, no one would ever guess that the lives of Arthur and George might intersect. Growing up in shabby-genteel nineteenth-century Edinburgh, Arthur is saddled with a dad who is a disgrace and a mum he wishes to protect, and is propelled into a life of action. To his astonishment, his career as a self-made man of letters brings him riches and fame and, in the world at large, he becomes the perfect picture of the honourable English gentlemen. George is irredeemably an outsider, and has no hope of becoming such a picture. Though he’s dogged and logical, a vicar’s son from rural Staffordshire, he is set apart, and he and his family are targeted in his boyhood by a poison-pen campaign. George finds safe harbour in the reliability of rules, and grows up to become a solicitor, putting his faith in the insulating value of British justice. Then crisis upsets the uneasy equilibrium of both men’s lives. Arthur is knocked for a loop by guilt and other dishonourable emotions. George is put to the sorest test, accused of a horrible crime. And from that point on their lives weave together in the most profound and surprising way, as each man becomes the other’s salvation. Arthur & George is a masterful novel about low crime and high spirituality, guilt and innocence, identity, nationality and race. Most of all, it’s a profound and witty meditation on the fateful differences between what we believe, what we know and what we can prove. George and his father pray together, kneeling side by side on the scrubbed boards. Then George climbs into bed while his father locks the door and turns out the light. As he falls asleep, George sometimes thinks of the floor, and how his soul must be scrubbed just as the boards are scrubbed. Father is not an easy sleeper, and has a tendency to groan and wheeze. Sometimes, in the early morning, when dawn is beginning to show at the edges of the curtains, Father will catechize him. "George, where do you live?" "The Vicarage, Great Wyrley." "And where is that?" "Staffordshire, Father." "And where is that?" "The centre of England." "And what is England, George?" "England is the beating heart of the Empire, Father." "Good. And what is the blood that flows through the arteries and veins of the Empire to reach even its farthest shore?" "The Church of England." "Good, George." And after a while Father will begin to groan and wheeze again. George watches the outline of the curtain harden. He lies there thinking of arteries and veins making red lines on the map of the world, linking Britain to all the places coloured pink: Australia and India and Canada and islands dotted everywhere. He thinks of blood bubbling though these tubes and emerging in Sydney, Bombay, the St. Lawrence Waterway. Bloodlines, that is a word he has heard somewhere. With the pulse of blood in his ears, he begins to fall asleep again. —excerpt from Arthur & George
LIFE
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Killing John Wayne
Author: Ryan Uytdewilligen
Publisher: Rowman & Littlefield
ISBN: 1493063316
Category : Performing Arts
Languages : en
Pages : 265
Book Description
Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! This is the true story of The Conqueror (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of The Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.
Publisher: Rowman & Littlefield
ISBN: 1493063316
Category : Performing Arts
Languages : en
Pages : 265
Book Description
Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! This is the true story of The Conqueror (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of The Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.
The Living Eye
Author: Jean Starobinski
Publisher: Cambridge, Mass. : Harvard University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
This volume is a translation of selections of L'Oeil vivant (1961 and 70). Annotation copyright Book News, Inc. Portland, Or.
Publisher: Cambridge, Mass. : Harvard University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
This volume is a translation of selections of L'Oeil vivant (1961 and 70). Annotation copyright Book News, Inc. Portland, Or.
Jean Cocteau and His World
Author: Arthur King Peters
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
The Gay & Lesbian Theatrical Legacy
Author: Billy J. Harbin
Publisher: University of Michigan Press
ISBN: 9780472068586
Category : Biography & Autobiography
Languages : en
Pages : 444
Book Description
Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Publisher: University of Michigan Press
ISBN: 9780472068586
Category : Biography & Autobiography
Languages : en
Pages : 444
Book Description
Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Montaigne in Motion
Author: Jean Starobinski
Publisher: University of Chicago Press
ISBN: 0226771318
Category : Literary Collections
Languages : en
Pages : 362
Book Description
Educated in the humanities and trained in psychiatry, Jean Starobinski is a central figure in the Geneva School of criticism. For twenty-five years his work has had considerable influence on postmodern European critics (notably Derrida), scholars of French literature, and intellectual historians. Montaigne in Motion is his subtly conceived and elegantly written study of the Essais of Montaigne, whose deceptively plainspoken meditations have entranced readers and stimulated philosophers since their first publication in 1580 and 1595. Starobinski here offers a decidedly postmodern reading of Montaigne. In chapters dealing with the themes of public and private life, friendship, death, the body, and love, Starobinski interprets Montaigne's writings as a constant "working through" that leads Montaigne from a situation of unreasoned dependence to a revolt affirming his independence and self-sufficiency, and finally toward an acceptance and mastery of necessary relations. Placing this ternary movement at the very heart of the Montaignian enterprise, Starobinski reveals much that will remind us that Montaigne's thought is as apropos to our time as it was to his own.
Publisher: University of Chicago Press
ISBN: 0226771318
Category : Literary Collections
Languages : en
Pages : 362
Book Description
Educated in the humanities and trained in psychiatry, Jean Starobinski is a central figure in the Geneva School of criticism. For twenty-five years his work has had considerable influence on postmodern European critics (notably Derrida), scholars of French literature, and intellectual historians. Montaigne in Motion is his subtly conceived and elegantly written study of the Essais of Montaigne, whose deceptively plainspoken meditations have entranced readers and stimulated philosophers since their first publication in 1580 and 1595. Starobinski here offers a decidedly postmodern reading of Montaigne. In chapters dealing with the themes of public and private life, friendship, death, the body, and love, Starobinski interprets Montaigne's writings as a constant "working through" that leads Montaigne from a situation of unreasoned dependence to a revolt affirming his independence and self-sufficiency, and finally toward an acceptance and mastery of necessary relations. Placing this ternary movement at the very heart of the Montaignian enterprise, Starobinski reveals much that will remind us that Montaigne's thought is as apropos to our time as it was to his own.
Born Yesterday
Author: Garson Kanin
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822201366
Category : Drama
Languages : en
Pages : 100
Book Description
THE STORY: The vulgar, egotistic junkman Harry Brock has come to a swanky hotel in Washington to make crooked deals with government big-wigs. He has brought with him the charming but dumb ex-chorus girl Billie, whose lack of social graces embarrass
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822201366
Category : Drama
Languages : en
Pages : 100
Book Description
THE STORY: The vulgar, egotistic junkman Harry Brock has come to a swanky hotel in Washington to make crooked deals with government big-wigs. He has brought with him the charming but dumb ex-chorus girl Billie, whose lack of social graces embarrass
Self-portrait
Author: Gene Tierney
Publisher:
ISBN: 9780883261521
Category : Biography & Autobiography
Languages : en
Pages : 276
Book Description
'I had no trouble playing any kind of a role, ' Gene Tierney writes. 'My problems began when I had to be myself.' In Hollywood's golden age, everyone knew the starring roles Miss Tierney played in her 36 films: the unwashed Ellie May in 'Tobacco Road, ' the demure Martha in 'Heaven can Wait;' her appearances opposite Clark Gable, Tyrone Power, Rex Harrison, Humphrey Bogart, Henry Fonda, and, best remmebered of all, as the haunting -- murdered? --beauty of the portrait painting in 'Laura, ' one of the most televised films ever. Her rollercoaster marriage to fashion designer Oleg Cassini and her globe-trotting affair with Prince Aly Khan were public property. Word of her dates with billionaire Howard huges and a lighthearted ex - naval officer named Jack Kennedy circulated over the years. But the inside story of her greatest, most heart-wrenching role -- herself -- has never been told until right now. Outwardly living every woman's fantasies, she became an emotional invalid. Her marriage collapsed. Her romances failed. Her father became a cruel disappointment. Her first daughter was born deaf, blind, hopelessly retarded, At the crest of her career, Gene Tierny attempted suicide, suffered a nervous breakdown, and spent the next seven years in and out of sanatoriums. With candor, humor, and sometimes with anger, but never with self-pity or self-indulgence, she tells of her meteoric career, her long, slow, uneven recovery from 'the black tunnel of mental illness'; the struggles with her doctors, her treatments, her escape from confinement, her depressions, her mad impulses, herself, always herself ... and finally on to a happy remarriage and tranquillity.
Publisher:
ISBN: 9780883261521
Category : Biography & Autobiography
Languages : en
Pages : 276
Book Description
'I had no trouble playing any kind of a role, ' Gene Tierney writes. 'My problems began when I had to be myself.' In Hollywood's golden age, everyone knew the starring roles Miss Tierney played in her 36 films: the unwashed Ellie May in 'Tobacco Road, ' the demure Martha in 'Heaven can Wait;' her appearances opposite Clark Gable, Tyrone Power, Rex Harrison, Humphrey Bogart, Henry Fonda, and, best remmebered of all, as the haunting -- murdered? --beauty of the portrait painting in 'Laura, ' one of the most televised films ever. Her rollercoaster marriage to fashion designer Oleg Cassini and her globe-trotting affair with Prince Aly Khan were public property. Word of her dates with billionaire Howard huges and a lighthearted ex - naval officer named Jack Kennedy circulated over the years. But the inside story of her greatest, most heart-wrenching role -- herself -- has never been told until right now. Outwardly living every woman's fantasies, she became an emotional invalid. Her marriage collapsed. Her romances failed. Her father became a cruel disappointment. Her first daughter was born deaf, blind, hopelessly retarded, At the crest of her career, Gene Tierny attempted suicide, suffered a nervous breakdown, and spent the next seven years in and out of sanatoriums. With candor, humor, and sometimes with anger, but never with self-pity or self-indulgence, she tells of her meteoric career, her long, slow, uneven recovery from 'the black tunnel of mental illness'; the struggles with her doctors, her treatments, her escape from confinement, her depressions, her mad impulses, herself, always herself ... and finally on to a happy remarriage and tranquillity.