Jazzocracy PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Jazzocracy PDF full book. Access full book title Jazzocracy by Kabir Sehgal. Download full books in PDF and EPUB format.
Author: Kabir Sehgal
Publisher: Better World Books
ISBN: 9780615176932
Category : Jazz
Languages : en
Pages : 224
Get Book Here
Book Description
Author: Kabir Sehgal
Publisher: Better World Books
ISBN: 9780615176932
Category : Jazz
Languages : en
Pages : 224
Get Book Here
Book Description
Author: Kabir Sehgal
Publisher: Grand Central Publishing
ISBN: 1538747960
Category : Political Science
Languages : en
Pages : 219
Get Book Here
Book Description
Multi-Grammy-winning producer and New York Times bestselling author Kabir Sehgal examines the relationship between the US and Mexico, accompanied by music from Grammy-winning musician Arturo O'Farrill and special guests, an extended foreword from historian Douglas Brinkley, and afterword by Ambassador Andrew Young. The US-Mexican relationship has involved periods of great friendship with robust trade and loose immigration policies. But its history has also been beset by wars, drug trade, and human trafficking. With the latest xenophobic turn toward Mexico, this book contextualizes the latest swing in the up-and-down, two-hundred-year history of these two countries. In a lyrical narrative reflecting on Fandango Fronterizo, an annual musical celebration held on both sides of the border wall, Sehgal addresses how the broken US-Mexico relationship has been repaired in the past and continues to adapt today. Fandango at the Wall provides clarity to the current debate regarding construction of the wall and America's posture toward immigration. Sehgal and his artistic collaborators brought over thirty musicians from various traditions to the San Diego-Tijuana border to record a musical repertoire composed of son jarocho songs from Veracruz, Mexico and Latin jazz. With these tunes accompanying a call-to-action narrative, Fandango at the Wall demonstrates how music can heal and provide a soundtrack for the US, Mexico, and beyond.
Author: Kabir Sehgal
Publisher: Grand Central Publishing
ISBN: 1455578509
Category : Business & Economics
Languages : en
Pages : 323
Get Book Here
Book Description
A New York Times and Wall Street Journal Bestseller From New York Times bestselling author Kabir Sehgal, an informative, rousing, surprising history of the one thing that makes the world go 'round: money. The importance of money in our lives is readily apparent to everyone--rich, poor, and in between. However grudgingly, we are all aware of the power of money--how it influences our moods, compels us to take risks, and serves as the yardstick of success in societies around the world. Yet because we take the daily reality of money so completely for granted, we seldom question how and why it has come to play such a central role in our lives. In Coined: The Rich Life of Money And How Its History Has Shaped Us, author Kabir Sehgal casts aside our workaday assumptions about money and takes the reader on a global quest to uncover a deeper understanding of the relationship between money and humankind. More than a mere history of its subject, Coined probes the conceptual origins and evolution of money by examining it through the multiple lenses of disciplines as varied as biology, psychology, anthropology, and theology. Coined is not only a profoundly informative discussion of the concept of money, but it is also an endlessly fascinating and entertaining take on the nature of humanity and the inner workings of the mind.
Author: Danielle Fosler-Lussier
Publisher: Univ of California Press
ISBN: 0520959787
Category : Music
Languages : en
Pages : 346
Get Book Here
Book Description
During the Cold War, thousands of musicians from the United States traveled the world, sponsored by the U.S. State Department’s Cultural Presentations program. Performances of music in many styles—classical, rock ’n’ roll, folk, blues, and jazz—competed with those by traveling Soviet and mainland Chinese artists, enhancing the prestige of American culture. These concerts offered audiences around the world evidence of America’s improving race relations, excellent musicianship, and generosity toward other peoples. Through personal contacts and the media, musical diplomacy also created subtle musical, social, and political relationships on a global scale. Although born of state-sponsored tours often conceived as propaganda ventures, these relationships were in themselves great diplomatic achievements and constituted the essence of America’s soft power. Using archival documents and newly collected oral histories, Danielle Fosler-Lussier shows that musical diplomacy had vastly different meanings for its various participants, including government officials, musicians, concert promoters, and audiences. Through the stories of musicians from Louis Armstrong and Marian Anderson to orchestras and college choirs, Fosler-Lussier deftly explores the value and consequences of "musical diplomacy."
Author: Robert G. O'Meally
Publisher: Columbia University Press
ISBN: 9780231104494
Category : History
Languages : en
Pages : 692
Get Book Here
Book Description
Taking to heart Ralph Ellison's remark that much in American life is "jazz-shaped," The Jazz Cadence of American Culture offers a wide range of eloquent statements about the influence of this art form. Robert G. O'Meally has gathered a comprehensive collection of important essays, speeches, and interviews on the impact of jazz on other arts, on politics, and on the rhythm of everyday life. Focusing mainly on American artistic expression from 1920 to 1970, O'Meally confronts a long era of political and artistic turbulence and change in which American art forms influenced one another in unexpected ways. Organized thematically, these provocative pieces include an essay considering poet and novelist James Weldon Johnson as a cultural critic, an interview with Wynton Marsalis, a speech on the heroic image in jazz, and a newspaper review of a recent melding of jazz music and dance, Bring in 'Da Noise, Bring in 'Da Funk. From Stanley Crouch to August Wilson to Jacqui Malone, the plurality of voices gathered here reflects the variety of expression within jazz. The book's opening section sketches the overall place of jazz in America. Alan P. Merriam and Fradley H. Garner unpack the word jazz and its register, Albert Murray considers improvisation in music and life, Amiri Baraka argues that white critics misunderstand jazz, and Stanley Crouch cogently dissects the intersections of jazz and mainstream American democratic institutions. After this, the book takes an interdisciplinary approach, exploring jazz and the visual arts, dance, sports, history, memory, and literature. Ann Douglas writes on jazz's influence on the design and construction of skyscrapers in the 1920s and '30s, Zora Neale Hurston considers the significance of African-American dance, Michael Eric Dyson looks at the jazz of Michael Jordan's basketball game, and Hazel Carby takes on the sexual politics of Ma Rainey and Bessie Smith's blues. The Jazz Cadence offers a wealth of insight and information for scholars, students, jazz aficionados, and any reader wishing to know more about this music form that has put its stamp on American culture more profoundly than any other in the twentieth century.
Author: Andrew J. Young
Publisher: St. Martin's Press
ISBN: 0230108512
Category : Political Science
Languages : en
Pages : 257
Get Book Here
Book Description
A top aide to Martin Luther King, Jr., Andrew Young has been a witness to history and has made his own. During the cvil rights movement, he worked tirelessly as a strategist and negotiator during the campaigns that resulted in the passage of the Civil Rights Act and Voting Rights Act, and was at Martin Luther King, Jr.'s side when he was assassinated. For years, in correspondence and conversation, he has been mentoring his godson, Kabir Sehgal. In this entertaining and provocative discourse, Young shares his thoughts and meditations on such important topics as race, civil rights, faith, and leadership. Young offers his wisdom on these subjects to a new generation of young men and women in hopes that his battle-tested voice will inspire and encourage those in whose hands the world will soon rest.
Author: Iain Anderson
Publisher: University of Pennsylvania Press
ISBN: 0812201124
Category : History
Languages : en
Pages : 262
Get Book Here
Book Description
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.
Author: Lisa E. Davenport
Publisher: Univ. Press of Mississippi
ISBN: 1628469242
Category : Music
Languages : en
Pages : 323
Get Book Here
Book Description
Jazz as an instrument of global diplomacy transformed superpower relations in the Cold War era and reshaped democracy's image worldwide. Lisa E. Davenport tells the story of America's program of jazz diplomacy practiced in the Soviet Union and other regions of the world from 1954 to 1968. Jazz music and jazz musicians seemed an ideal card to play in diminishing the credibility and appeal of Soviet communism in the Eastern bloc and beyond. Government-funded musical junkets by such jazz masters as Louis Armstrong, Dave Brubeck, Duke Ellington, Dizzy Gillespie, and Benny Goodman dramatically influenced perceptions of the U.S. and its capitalist brand of democracy while easing political tensions in the midst of critical Cold War crises. This book shows how, when coping with foreign questions about desegregation, the dispute over the Berlin Wall, the Cuban missile crisis, Vietnam, and the Soviet invasion of Czechoslovakia, jazz players and their handlers wrestled with the inequalities of race and the emergence of class conflict while promoting America in a global context. And, as jazz musicians are wont to do, many of these ambassadors riffed off script when the opportunity arose. Jazz Diplomacy argues that this musical method of winning hearts and minds often transcended economic and strategic priorities. Even so, the goal of containing communism remained paramount, and it prevailed over America's policy of redefining relations with emerging new nations in Africa, Asia, and Latin America.
Author: Raymond Carr
Publisher: Wipf and Stock Publishers
ISBN: 1666745251
Category : Art
Languages : en
Pages : 231
Get Book Here
Book Description
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology “from above” and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology “from below” and confronted white racism—the most intractable issue in America’s history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this final volume, Carr appeals to Thelonious Monk’s tune “Misterioso” as the analogical framework for exploring the freedom of God as the melodic foundation for black liberation. Monk’s mode of musical thinking encourages the jazz artist in us all to play in the mystery of God’s freedom as the true ground for living freely within the world of the principalities and powers.
Author: Ted Gioia
Publisher: Oxford University Press
ISBN: 0199830584
Category : Music
Languages : en
Pages : 453
Get Book Here
Book Description
Ted Gioia's History of Jazz has been universally hailed as a classic--acclaimed by jazz critics and fans around the world. Now Gioia brings his magnificent work completely up-to-date, drawing on the latest research and revisiting virtually every aspect of the music, past and present. Gioia tells the story of jazz as it had never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton, Louis Armstrong, Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker and Dizzy Gillespie's advocacy of modern jazz in the 1940s, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the current day. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. He also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born.
